Endless or The Endless may refer to:
Endless is the second EP by American metalcore band Unearth. Released in September 2002.
Endless is also their last original release under Eulogy Recordings after moving to Metal Blade Records for their new releases, and is the last record with drummer Mike Rudberg and bassist Chris Rybicki. Buz McGrath and John Maggard played bass on 3 of the EP's tracks, as Chris Rybicki left the band before its completion.
The first 3 songs on this EP were recorded by Killswitch Engage guitarist Adam Dutkiewicz. The EP was re-released as a vinyl (7") by Confined Records and only contains the tracks "Endless" and "My Desire". The entire EP also appears on their 2005 compilation album Our Days of Eulogy.
The song "Endless" features a tribute the band's first record label, Endless Fight Records, during a breakdown when the phrase "endless fight" is repeatedly screamed by vocalist Trevor Phipps. The song's lyrics also contain the phrase "winds of plague," which inspired the name of a subsequent band called Winds of Plague.
"Endless" is a song by Romanian recording artist Inna. It was released in November 2011 as the fourth single from her second studio album, I Am the Club Rocker. The song was written and produced by Inna's long time producers and managers Play & Win.
"Endless" was written, produced and arranged by Sebastian Barac, Marcel Botezan, Radu Bolfea, Inna's long-time producers who identify themselves as Play & Win. The track was recorded at the Play & Win Studios in Bucharest, Romania and musically arranged in Constanţa (Inna's hometown). It is a love song which features downbeat features (the first time Inna releases such a song). It combines elements of euro-NRG, Europop and Eurodance. Inna uploaded the track on YouTube two weeks prior the album's release date, on 5 September 2011. There, it has gathered over 300,000 views as of October 2011. On 23 September 2011 Inna asked her fans on Facebook which track should be promoted as her fourth single off I Am the Club Rocker. Since the first hours, "Endless" acted like the fans' favorite song. As of October 2011, more than 4,000 out of 6000 fans elected "Endless" as the hit-to-be single. On 22 November 2011 it was announced that "Endless" is the fourth single from I Am the Club Rocker. The single version differs from the album version and features additional beats and lyrically a changed first verse.
A scarecrow or hay-man is a decoy or mannequin in the shape of a human. It is usually dressed in old clothes and placed in open fields to discourage birds such as crows or sparrows from disturbing and feeding on recently cast seed and growing crops.
The 1881 Household Cyclopedia of General Information gives the following advice:
The most effectual method of banishing them from a field, as far as experience goes, is to combine with one or other of the scarecrows in vogue the frequent use of the musket. Nothing strikes such terror into these sagacious animals as the sight of a fowling-piece and the explosion of gun powder, which they have known so often to be fatal to their race.
Such is their dread of a fowling-piece, that if one is placed upon a dyke or other eminence, it will for a long time prevent them from alighting on the adjacent grounds. Many people now, however, believe that crows like most other birds, do more good by destroying insects and worms, etc., than harm by eating grain.
Scarecrow, in comics, may refer to:
Scarecrow is the eighth album by John Mellencamp. Released in September 1985, it peaked at #2 on the U.S. chart behind Heart's comeback album, Heart. The remastered version was released May 24, 2005 on Mercury/Island/UMe and includes one bonus track.
This album contained three Top 10 hits, a record for a Mellencamp album: "R.O.C.K. in the U.S.A.," which peaked at #2 in the U.S.; "Lonely Ol' Night," which peaked at #6; and "Small Town," which also peaked at #6. "Lonely Ol' Night" also peaked at #1 on the Mainstream Rock Tracks chart, his second chart-topping single on this chart.
In 1989, Rolling Stone magazine ranked Scarecrow #95 on its list of the 100 greatest albums of the 1980s, saying: "Scarecrow consolidated the band's rugged, roots-rock thrash and the ongoing maturation of Mellencamp's lyrics."
Rolling Stone also reported that band spent a month in rehearsals, playing a hundred rock and roll songs from the Sixties before going into the studio. According to the record's producer, Don Gehman, the idea was to "learn all these devices from the past and use them in a new way with John's arrangements."