End

End or Ending may refer to:

End

END

Ending

See also

Conclusion (music)

In music, the conclusion is the ending of a composition and may take the form of a coda or outro.

Pieces using sonata form typically use the recapitulation to conclude a piece, providing closure through the repetition of thematic material from the exposition in the tonic key. In all musical forms other techniques include "altogether unexpected digressions just as a work is drawing to its close, followed by a return...to a consequently more emphatic confirmation of the structural relations implied in the body of the work."

For example:

End (graph theory)

In the mathematics of infinite graphs, an end of a graph represents, intuitively, a direction in which the graph extends to infinity. Ends may be formalized mathematically as equivalence classes of infinite paths, as havens describing strategies for pursuit-evasion games on the graph, or (in the case of locally finite graphs) as topological ends of topological spaces associated with the graph.

Ends of graphs may be used (via Cayley graphs) to define ends of finitely generated groups. Finitely generated infinite groups have one, two, or infinitely many ends, and the Stallings theorem about ends of groups provides a decomposition for groups with more than one end.

Definition and characterization

Ends of graphs were defined by Rudolf Halin (1964) in terms of equivalence classes of infinite paths. A ray in an infinite graph is a semi-infinite simple path; that is, it is an infinite sequence of vertices v₀, v₁, v₂, ... in which each vertex appears at most once in the sequence and each two consecutive vertices in the sequence are the two endpoints of an edge in the graph. According to Halin's definition, two rays r₀ and r₁ are equivalent if there is another ray r₂ (not necessarily different from either of the first two rays) that contains infinitely many of the vertices in each of r₀ and r₁. This is an equivalence relation: each ray is equivalent to itself, the definition is symmetric with regard to the ordering of the two rays, and it can be shown to be transitive. Therefore, it partitions the set of all rays into equivalence classes, and Halin defined an end as one of these equivalence classes.

Damage

Damage may refer to:

General concepts

Biology and medical

Law

Entertainment

Film and television

Damage (Pharoahe Monch song)

"Damage" is a song by American hip hop artist Pharoahe Monch, released as the lead single from his fourth studio album, P.T.S.D. (Post Traumatic Stress Disorder). Prior to its release date, Pharoahe Monch's independent label, W.A.R. Media, published a visual trailer to YouTube on September 22, 2012. The song was officially made available for purchase worldwide on September 27, 2012, on the iTunes Music Store by W.A.R. Media in conjunction with Duck Down Music Inc.. The Lee Stone-produced song is the final piece to Pharoahe's "bullet" trilogy in which he anthropomorphizes a slug fired with the intent to annihilate, and tackles the issue of gun violence. The song and its cover art provide a chilling reminder that bullets have no name.

Background and concept

I don't [want to] approach the song as rhyming for the sake of riddling, but that's when I heard the chorus with a whole new meaning, coming from the perspective of a bullet like, “Listen to the way I slay your crew.” As a bullet, it doesn't [care] if you're white, black, Latino, pregnant mother, Pop, politician or whatever. I figured this was the best way to finish the trilogy.

Make This Your Own

Make This Your Own is the third and final album by British alternative rock band The Cooper Temple Clause.

It reached #33 in the UK album charts, despite not having the major label backing afforded to the band's first two albums.

Track listing

External links