Dub
Dub, Dubs, Dubí, or dubbing may refer to:
Places
Many places in Slavic countries, where "dub" means "oak tree":
Music
Dub (Prachatice District)
Dub is a market town (městys) in Prachatice District in the South Bohemian Region of the Czech Republic.
The town covers an area of 14.51 square kilometres (5.60 sq mi), and has a population of 418 (as at 1 January 2009).
Dub lies approximately 10 kilometres (6 mi) north of Prachatice, 37 km (23 mi) west of České Budějovice, and 114 km (71 mi) south of Prague.
References
Dubbing (filmmaking)
Dubbing, mixing, or re-recording is a post-production process used in filmmaking and video production in which additional or supplementary recordings are "mixed" with original production sound to create the finished soundtrack.
The process usually takes place on a dub stage. After sound editors edit and prepare all necessary tracks (dialogue, automated dialogue replacement (ADR), effects, Foley, and music), the dubbing mixer or mixers proceed to balance all of the elements and record the finished soundtrack. Dubbing is sometimes confused with ADR, also known as "additional dialogue replacement", "additional dialogue recording", and "looping", in which the original actors re-record and synchronize audio segments.
Outside the film industry, the term "dubbing" most commonly refers to the replacement of the voices of the actors shown on the screen with those of different performers speaking another language, which is called "revoicing" in the film industry.
Origins
In the past, dubbing was practiced primarily in musicals when the actor had an unsatisfactory singing voice. Today, dubbing enables the screening of audiovisual material to a mass audience in countries where viewers do not speak the same language as the performers in the original production.
End
End or Ending may refer to:
End
END
Ending
See also
Conclusion (music)
In music, the conclusion is the ending of a composition and may take the form of a coda or outro.
Pieces using sonata form typically use the recapitulation to conclude a piece, providing closure through the repetition of thematic material from the exposition in the tonic key. In all musical forms other techniques include "altogether unexpected digressions just as a work is drawing to its close, followed by a return...to a consequently more emphatic confirmation of the structural relations implied in the body of the work."
For example:
End (graph theory)
In the mathematics of infinite graphs, an end of a graph represents, intuitively, a direction in which the graph extends to infinity. Ends may be formalized mathematically as equivalence classes of infinite paths, as havens describing strategies for pursuit-evasion games on the graph, or (in the case of locally finite graphs) as topological ends of topological spaces associated with the graph.
Ends of graphs may be used (via Cayley graphs) to define ends of finitely generated groups. Finitely generated infinite groups have one, two, or infinitely many ends, and the Stallings theorem about ends of groups provides a decomposition for groups with more than one end.
Definition and characterization
Ends of graphs were defined by Rudolf Halin (1964) in terms of equivalence classes of infinite paths. A ray in an infinite graph is a semi-infinite simple path; that is, it is an infinite sequence of vertices v0, v1, v2, ... in which each vertex appears at most once in the sequence and each two consecutive vertices in the sequence are the two endpoints of an edge in the graph. According to Halin's definition, two rays r0 and r1 are equivalent if there is another ray r2 (not necessarily different from either of the first two rays) that contains infinitely many of the vertices in each of r0 and r1. This is an equivalence relation: each ray is equivalent to itself, the definition is symmetric with regard to the ordering of the two rays, and it can be shown to be transitive. Therefore, it partitions the set of all rays into equivalence classes, and Halin defined an end as one of these equivalence classes.
Solace (band)
Solace is a heavy metal band hailing from the Jersey Shore, United States.
Formed in 1996 by the remaining members of Atlantic Records artist Godspeed, Solace is most well known in the stoner rock genre, but as guitarist and founding member Tommy Southard has said "We're not a stoner band, we're a rock 'n' roll band—a hard rock band, a metal band." This idea was reaffirmed by iTunes.com in 2010 when they voted the band's third studio album A.D. "2010 Metal Album of the Year". However, their live performances at Stoner Rock festivals such as America's Emissions from the Monolith and Europe's Roadburn Festival, have rooted them just as deeply in that genre.
Biography
Godspeed years
In 1994, east coast rockers Godspeed went to Electric Lady Studios to record their Atlantic Records debut album Ride. Featuring future Solace members Tommy Southard and Rob Hultz, Godspeed's major label run included a cover of "Sabbath Bloody Sabbath" for Nativity in Black: A Tribute to Black Sabbath with Iron Maiden's Bruce Dickinson, tours of the United States and Europe with Black Sabbath, Dio, Cathedral, and Sugartooth, as well as a music video for their single "Houston Street" featured on MTV's Headbanger's Ball and Beavis and Butt-head.
Podcasts:
