Sumo

Sumo (相撲, sumō) is a competitive full-contact wrestling sport where a rikishi (wrestler) attempts to force another wrestler out of a circular ring (dohyō) or into touching the ground with anything other than the soles of the feet. The characters 相撲 literally mean "striking one another".

The sport originated in Japan, the only country where it is practiced professionally. It is generally considered a gendai budō (a modern Japanese martial art), though this definition is misleading as the sport has a history spanning many centuries. Many ancient traditions have been preserved in sumo, and even today the sport includes many ritual elements, such as the use of salt purification, from the days when sumo was used in the Shinto religion. Life as a wrestler is highly regimented, with rules laid down by the Japan Sumo Association. Most sumo wrestlers are required to live in communal "sumo training stables", known in Japanese as heya, where all aspects of their daily lives—from meals to their manner of dress—are dictated by strict tradition.

List of Marvel Comics characters: S

Sabra

Sabre

Sabre I

The first Sabre was a former knife thrower named Paul Richarde until he was selected by Modred to oppose Black Knight. Paul Richarde was given an armor, an animated gargoyle. and Mordred's Ebony Dagger (the weapon with which Mordred had killed the first Black Knight). He was defeated by Black Knight after his horse Aragorn kicked the dagger from Le Sabre's hand.

Sabre II

The second Sabre is a mutant super villain. His first appearance was in X-Men #106. Young and reckless, Sabre was chosen by Mystique to join her new Brotherhood of Mutants, though never actually participated in any missions. He had the mutant ability of super speed, and took the name of the deceased Super Sabre. It is unknown if he continues to serve Mystique behind the scenes, or if he even retains his powers after Decimation. Hyper-accelerated metabolism augments his natural speed, reflexes, coordination, endurance, and the healing properties of his body.

Sumo people

The Mayangna (also known as Sumu or Sumo) are a people who live on the eastern coasts of Nicaragua and Honduras, an area commonly known as the Mosquito Coast. Their preferred autonym is Mayangna, as the name "Sumo" is a derogatory name historically used by the Miskito people. Their culture is closer to that of the indigenous peoples of Costa Rica, Panama, and Colombia than to the Mesoamerican cultures to the north. The Mayangna inhabited much of the Mosquito Coast in the 16th century. Since then, they have become more marginalized following the emergence of the Miskito as a regional power.

Distribution

The Mayangna Indians, today divided into the Panamahka, Twahka and Ulwa ethno-linguistic subgroups, live primarily in remote settlements on the rivers Coco, Waspuk, Pispis and Bocay in north-eastern Nicaragua, as well as on the Patuca across the border in Honduras and far to the south along the Río Grande de Matagalpa. The isolation of these communities has allowed the Mayagna to preserve their language and culture away from the assimilatory impulses of both the larger Miskitu Indian group, who live closer to the Atlantic coastline, and the ‘Spaniards’ (as the Mayangna still refer to the Spanish-speaking Mestizos who form the ethnic majority population of Nicaragua), who are for the most part confined to the larger towns in the region that the Mayangna inhabit.

End

End or Ending may refer to:

End

END

Ending

See also

Conclusion (music)

In music, the conclusion is the ending of a composition and may take the form of a coda or outro.

Pieces using sonata form typically use the recapitulation to conclude a piece, providing closure through the repetition of thematic material from the exposition in the tonic key. In all musical forms other techniques include "altogether unexpected digressions just as a work is drawing to its close, followed by a return...to a consequently more emphatic confirmation of the structural relations implied in the body of the work."

For example:

End (graph theory)

In the mathematics of infinite graphs, an end of a graph represents, intuitively, a direction in which the graph extends to infinity. Ends may be formalized mathematically as equivalence classes of infinite paths, as havens describing strategies for pursuit-evasion games on the graph, or (in the case of locally finite graphs) as topological ends of topological spaces associated with the graph.

Ends of graphs may be used (via Cayley graphs) to define ends of finitely generated groups. Finitely generated infinite groups have one, two, or infinitely many ends, and the Stallings theorem about ends of groups provides a decomposition for groups with more than one end.

Definition and characterization

Ends of graphs were defined by Rudolf Halin (1964) in terms of equivalence classes of infinite paths. A ray in an infinite graph is a semi-infinite simple path; that is, it is an infinite sequence of vertices v₀, v₁, v₂, ... in which each vertex appears at most once in the sequence and each two consecutive vertices in the sequence are the two endpoints of an edge in the graph. According to Halin's definition, two rays r₀ and r₁ are equivalent if there is another ray r₂ (not necessarily different from either of the first two rays) that contains infinitely many of the vertices in each of r₀ and r₁. This is an equivalence relation: each ray is equivalent to itself, the definition is symmetric with regard to the ordering of the two rays, and it can be shown to be transitive. Therefore, it partitions the set of all rays into equivalence classes, and Halin defined an end as one of these equivalence classes.