Zapp may refer to:
Zapp or Pay by Bank app is a proposed mobile payment system provided by VocaLink in conjunction with several banks and building societies in the United Kingdom. Zapp is designed for individuals to pay businesses in shops, on the internet, or from paper bills using their banks own mobile banking app.
Zapp is supported by Nationwide Building Society and banks including HSBC, Santander and Metro Bank.
Zapp was intended to be launched in the Autumn of 2014, but this date passed without launch. In July 2015 Zapp and Barclays announced that they had teamed up, with the intention of launching in October 2015 using Barclays Pingit application, with this date again passing without the service being introduced and no explanation being provided. Pingit is available for anyone with a UK bank account using an Android or Apple smartphone.
For payments in shop, Zapp will pass a digital token from the till to and a persons mobile phone using Near field communication or a QR code. The payment will then be completed by the shopper using their own mobile banking application, and no personal or bank details will change hands. Zapp can be used anywhere the "Pay by Bank app" symbol is displayed.
Zapp is the self-titled debut album of the Ohio Funk band Zapp, released on Warner Bros. Records on July 28, 1980. The album's style was highly similar to Parliament-Funkadelic as the band was working with and being produced by both Parliament members William Earl "Bootsy" Collins and George Clinton during the album's production. The Troutman family of the Zapp band had close ties with the Collins family, both being Ohio natives. This friendship proved instrumental in Zapp gaining a record deal with Warner Bros. Records in 1979. Zapp was recorded between late 1979 and early 1980 at the United Sound Studios in Detroit Michigan, the studio of which Parliament-Funkadelic frequented.
The album was released on July 28, 1980 on Warner Bros. Records and was certified gold by November 1980, reaching number 2 on the Billboard Hot R&B tracks chart in the Autumn of 1980 for 2 weeks. The album has been cited as one of the definitive albums of early 80s electronic funk, bringing the genre into mainstream attention. The album has also served as a partial source toward the creation of the G-funk sound of Hip-Hop, which was popular on the West coast of the United States during the early to mid 1990's. Numerous acts have extensively sampled tracks from the album.
Emotion, in everyday speech, is any relatively brief conscious experience characterized by intense mental activity and a high degree of pleasure or displeasure. Scientific discourse has drifted to other meanings and there is no consensus on a definition. Emotion is often intertwined with mood, temperament, personality, disposition, and motivation. In some theories, cognition is an important aspect of emotion. Those acting primarily on emotion may seem as if they are not thinking, but mental processes are still essential, particularly in the interpretation of events. For example, the realization of danger and subsequent arousal of the nervous system (e.g. rapid heartbeat and breathing, sweating, muscle tension) is integral to the experience of fear. Other theories, however, claim that emotion is separate from and can precede cognition.
Emotions are complex. According to some theories, they are a state of feeling that results in physical and psychological changes that influence our behavior. The physiology of emotion is closely linked to arousal of the nervous system with various states and strengths of arousal relating, apparently, to particular emotions. Emotion is also linked to behavioral tendency. Extroverted people are more likely to be social and express their emotions, while introverted people are more likely to be more socially withdrawn and conceal their emotions. Emotion is often the driving force behind motivation, positive or negative. Definition has been described as is a "positive or negative experience that is associated with a particular pattern of physiological activity." According to other theories, emotions are not causal forces but simply syndromes of components, which might include motivation, feeling, behavior, and physiological changes, but no one of these components is the emotion. Nor is the emotion an entity that causes these components
Emotions is the third LP by the British rock group The Pretty Things, released in 1967.
The sessions for Emotions were spread across a few months during which there were major changes in the band's line up. Their record company Fontana had not been happy with how their three 1966 singles "Midnight to Six Man", "Come See Me" and "A House in the Country" had sold. For the latter single, Fontana assigned them producer Steve Rowland who was producing hits for Dave Dee, Dozy, Beaky, Mick & Tich hoping that Rowland would help the band regain a commercial sound to improve sales. The band were not pleased by this intervention and were keen to leave Fontana, so they simply went along with Fontana's demands to fulfil the contract which included a third album.
Sessions for Emotions began towards the end of 1966. The first result, "Progress" was released as a single in December 1966. This featured the band with a brass section, and, though commercial, it failed to sell. Brian Pendleton was unhappy with the direction the band was heading in, and, with money being rather short, he quit the band that Christmas. A month later, bassist John Stax, similarly unhappy, also quit the band. Phil May called upon a childhood friend Wally Waller whose band The Fenmen had recently split to help record the rest of the album. In the event, Waller took over the bass duties and brought in the Fenmens' drummer, Jon Povey who was also a keyboardist. Waller and Povey were huge Beach Boys fans and between them had developed their own distinctive harmonies which when paired with Phil May's vocals gave The Pretty Things a new dimension.
Emotions is an album by alaska!. It was released February 4, 2003, on b-girl records.