Stunt

A stunt is an unusual and difficult physical feat or an act requiring a special skill, performed for artistic purposes usually on television, theatre, or cinema. Stunts are a feature of many action films. Before computer generated imagery special effects, these effects were limited to the use of models, false perspective and other in-camera effects, unless the creator could find someone willing to jump from car to car or hang from the edge of a skyscraper: the stunt performer or stunt double.

Types of stunt effects

Practical effects

One of the most-frequently used practical stunts is stage combat. Although contact is normally avoided, many elements of stage combat, such as sword fighting, martial arts, and acrobatics required contact between performers in order to facilitate the creation of a particular effect, such as noise or physical interaction. Stunt performances are highly choreographed and may be rigorously rehearsed for hours, days and sometimes weeks before a performance. Seasoned professionals will commonly treat a performance as if they have never done it before, since the risks in stunt work are high, every move and position must be correct to reduce risk of injury from accidents. Examples of practical effects include tripping and falling down, high jumps, extreme sporting moves, acrobatics and high diving, spins, gainer falls, "suicide backflips," and other martial arts stunts.

Stunt (gridiron football)

A stunt in American football and Canadian football, sometimes called a twist, is a planned maneuver by a pair of players of the defensive team by which they exchange roles to better slip past blockers of the offensive team at the beginning of a play.

The purpose of a stunt is to confuse opposing blockers, which is an aid to the defense in rushing an opposing forward pass or kick. The main weakness of a stunt is that it is more vulnerable than average to running plays by the opposing team. In most cases, the defense will not use a play incorporating stunting if it expects a running play from the offense.

There are two main types of stunts. In one, a line player, who would otherwise try to charge forward, instead drops back, and a nearby linebacker or defensive back charges forward instead. In the other, which is known as cross-rushing, line players, instead of charging straight ahead, cross paths. One of them may follow a looping path that goes behind the other before moving forward (in which case the stunt is called a "loop"), or one may wait for the other to penetrate slightly first, and then cross behind, their paths angling across each other. In some variants, a rushing player will run around more than one rushing teammate.

Stunt (disambiguation)

A stunt is a difficult or unusual feat performed for film or theatre.

Stunt or Stunting may also refer to:

See also

Emotions (The Pretty Things album)

Emotions is the third LP by the British rock group The Pretty Things, released in 1967.

Recording

The sessions for Emotions were spread across a few months during which there were major changes in the band's line up. Their record company Fontana had not been happy with how their three 1966 singles "Midnight to Six Man", "Come See Me" and "A House in the Country" had sold. For the latter single, Fontana assigned them producer Steve Rowland who was producing hits for Dave Dee, Dozy, Beaky, Mick & Tich hoping that Rowland would help the band regain a commercial sound to improve sales. The band were not pleased by this intervention and were keen to leave Fontana, so they simply went along with Fontana's demands to fulfil the contract which included a third album.

Sessions for Emotions began towards the end of 1966. The first result, "Progress" was released as a single in December 1966. This featured the band with a brass section, and, though commercial, it failed to sell. Brian Pendleton was unhappy with the direction the band was heading in, and, with money being rather short, he quit the band that Christmas. A month later, bassist John Stax, similarly unhappy, also quit the band. Phil May called upon a childhood friend Wally Waller whose band The Fenmen had recently split to help record the rest of the album. In the event, Waller took over the bass duties and brought in the Fenmens' drummer, Jon Povey who was also a keyboardist. Waller and Povey were huge Beach Boys fans and between them had developed their own distinctive harmonies which when paired with Phil May's vocals gave The Pretty Things a new dimension.

Emotions (Brenda Lee album)

Emotions is the fourth studio album by American pop and country artist Brenda Lee. The album was released April 3, 1961 on Decca Records and was produced by Owen Bradley. It was one of two studio albums released by Lee in 1961 and its title track spawned from the album became a Top 10 hit on the Billboard Hot 100 the same year.

Background and content

Emotions was recorded in seven sessions between August 16, 1960 and January 19, 1961 all at the Bradley Film and Recording Studio located in Nashville, Tennessee, United States. Like Lee's previously released This Is...Brenda, the album's production mixed the sounds of Rockabilly with the Nashville Sound production, according to Richie Unterberger of Allmusic. Seven of the album's twelve tracks were cover versions. The album's eighth track "Will You Love Me Tomorrow" was a remake of the single by The Shirelles and the songs "Georgia on My Mind" and "Swanee River Rock" were previously recorded by Ray Charles. While Unterberger found that the songs seemed to be on the "filler side", he still felt that Lee "brought commitment to each and every one of her vocals." Also included on the album was two songs co-written by American country artist Mel Tillis: "Emotions" and "Crazy Talk". The album received four out of five stars from reviewer Richie Unterberger, who stated, "While it was the kind of record that could appeal to both kids and adults, it wasn't watered down, as the production on its own was pretty delightful to listen to, matched by the excellence of Lee's incredibly (for a teenager) mature vocals."Emotions was issued originally as an LP record upon its initial release, with six songs on each side of the record. The album has been reissued and released on a compact disc in the United Kingdom.

Emotions (Mariah Carey album)

Emotions is the second studio album by American singer-songwriter Mariah Carey. It was released on September 17, 1991 by Columbia Records. The album deviated from the formula of Carey's 1990 self-titled debut album, as she had more creative control over the material she produced and recorded. Additionally, Emotions features influences from a range of genres such as gospel, R&B, soul, pop and 1950s, 1960s and 1970s balladry infusion. On the record, Carey worked with a variety of producers and writers, including Walter Afanasieff, the only hold over from her previous effort. Additionally, Carey wrote and produced the album's material with Robert Clivillés and David Cole from C+C Music Factory and Carole King, with whom she wrote one song.

Upon release, Emotions received generally mixed reviews from contemporary music critics. The album debuted at number four on the Billboard 200, surprising many critics following the success of Carey's debut, which spent eleven weeks atop the chart. While selling far less than Mariah Carey, Emotions was eventually certified quadruple-platinum by the Recording Industry Association of America (RIAA), denoting shipments of four million copies throughout the country, with estimated sales standing at 3,595,000 copies. Emotions achieved moderate success outside the United States, peaking within the top ten in Australia, Canada, the Netherlands, New Zealand, Norway and the United Kingdom. Its success in Japan was strong, shipping one million copies there. The album has sold 8 million copies worldwide.