Embryo (1976 film)

Embryo is a 1976 science fiction horror film directed by Ralph Nelson and starring Rock Hudson alongside Barbara Carrera, with a cameo appearance by Roddy McDowall. It deals with the mental and physical consequences of growing a human embryo in an artificial uterus.

Plot

Dr. Paul Holliston (Hudson) is a geneticist who has been living alone in his rambling clinic, which he operates out of his home, after losing his wife in a car crash. This leads to his feeling constant pangs of guilt from his sister-in-law Martha Douglas (Diane Ladd), who has become his assistant.

One night, Holliston runs over a pregnant doberman dog. The dog is fatally injured, but Holliston manages to save one of her unborn puppies by gestating it in an artificial uterus. Because the device still requires nutrients to be supplied by the mother, he must drastically shorten the gestation period: to this end, he uses an experimental growth hormone made from human placental lactogen, which speeds up the embryo's growth.

Pink Floyd bootleg recordings

Pink Floyd bootleg recordings are the collections of audio and video recordings of musical performances by the British rock band Pink Floyd, which were never officially released by the band. The recordings consist of both live performances and outtakes from studio sessions unavailable in official releases. In some cases, certain bootleg recordings may be highly prized among collectors, as at least 40 songs composed by Pink Floyd have never been officially released.

During the 1970s, bands such as Pink Floyd created a lucrative market for the mass production of unofficial recordings with large followings of fans willing to purchase them. In addition, the huge crowds that turned up to these concerts made the effective policing of the audience for the presence of recording equipment virtually impossible. Vast numbers of recordings were issued for profit by bootleg labels.

Some Pink Floyd bootlegs exist in several variations with differing sound quality and length because sometimes listeners have recorded different versions of the same performance at the same time. Pink Floyd was a group that protected its sonic performance, making recording with amateur recording devices difficult. In their career, Pink Floyd played over 1,300 concerts, of which more than 350 were released as bootlegged recordings (sometimes in various versions). Few concerts have ever been broadcast (or repeated once they were broadcast on television), especially during 'the golden age' of the group from 1966 to 1981.

Embryo (Pink Floyd song)

"Embryo" (sometimes called "The Embryo") is a song by Pink Floyd. It was a concert staple in 1970–71, but a full band version was never released on a Pink Floyd studio album. A studio version did appear in 1970 on the rare multi-artist album Picnic – A Breath of Fresh Air. Its next appearance was in 1983 on Pink Floyd's own compilation called Works. It then appeared in 2007 on A Breath of Fresh Air – A Harvest Records Anthology 1969–1974 (one of only 3 tracks from the original sampler album to be included in the similarly-titled anthology).

History

The studio version of the song, recorded in 1968, was a quiet, almost acoustic piece sung by David Gilmour with a duration of under five minutes. The song ends with an organ solo and high-pitched vocal gibberish (with bassist Roger Waters having sped his voice up, much like he did on "Several Species of Small Furry Animals Gathered Together in a Cave and Grooving with a Pict"). This studio take has not appeared on any Pink Floyd album except Works, an American compilation. A short version similar to the studio cut was recorded "live" for a 2 December 1968 BBC session.

Film (band)

Film was a Yugoslav rock group founded in 1978 in Zagreb. Film was one of the most popular rock groups of the former Yugoslav new wave in the late 1970s to early 1980s.

History

New wave years (1979-1981)

During 1977 and 1978, bassist Marino Pelajić, guitarist Mladen Jurčić, and drummer Branko Hromatko were Azra members when Branimir "Johnny" Štulić brought Jura Stublić as the new vocalist. Stublić was to become Aerodrom member, but due to his deep vocals it never happened. The lineup functioned for a few months only and after a quarrel with Štulić, on early 1979, Pelajić, Jurčić, Hromatko and Stublić formed the band Šporko Šalaporko i Negove Žaluzine, naming the band after a story from the "Polet" youth magazine, which was soon after renamed to Film. The memories of the Azra lineup later inspired Štulić to write the song "Roll over Jura" released on Filigranski pločnici in 1982.

Saxophonist Jurij Novoselić, who at the time had worked under the pseudonym Kuzma Videosex, joined the band, inspiring others to use pseudonym instead of their original names: vocalist Stublić became Jura Jupiter, bassist Pelajić became Mario Baraccuda and guitarist Jurčić became Max Wilson. Before joining the band, Stublić did not have much experience as a vocalist, however, since his father had been an opera singer, he often visited the theatre and opera, and at the age of 13, he started playing the guitar, earning money as a street performer at seaside resorts.

Film (Iranian magazine)

Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.

References

External links

Film (film)

Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.

Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.

The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states: