O: laureate draped bust of Diocletianus

A K Γ OYAΛ ΔIOKΛHTIANOC CEB

R: Elpis holding flower and raising skirt

L A (coin is from 1st year of reign)

potin tetradrachm struck in Alexandria 284-285 AD; ref.: Milne 4750

In Greek mythology, Elpis (Ancient Greek: ἐλπίς) was the personification and spirit of hope (hope was usually seen as an extension to suffering by the Greek, not as a good), perhaps a child of Nyx and mother of Pheme, the goddess of fame, renown and rumor. She was depicted as a young woman, usually carrying flowers or cornucopia in her hands. In Hesiod's Works and Days, Elpis was the last item in Pandora's box (or jar). Based on Hesiod's description, the debate is still alive to determine if Elpis was only hope, or more generally expectation.


Her Roman equivalent was Spes.




[edit] Elpis as described in Hesiod's Works and Days

The more famous version of the Pandora myth comes from one of Hesiod's poems, Works and Days. In this version of the myth (lines 60–105), Hesiod expands upon her origin, and moreover widens the scope of the misery she inflicts on mankind. Pandora brings with her a jar or, in most stories, a box [1][2] containing[3] "burdensome toil and sickness that brings death to men" (91–2), diseases (102) and "a myriad other pains" (100). Prometheus had (fearing further reprisals) warned his brother Epimetheus not to accept any gifts from Zeus. But Epimetheus did not listen; he accepted Pandora, who promptly scattered the contents of her jar. As a result, Hesiod tells us, "the earth and sea are full of evils" (101). One item, however, did not escape the jar (96–9), hope:

<poem> Only Hope was left within her unbreakable house, she remained under the lip of the jar, and did not fly away. Before [she could], Pandora replaced the lid of the jar. This was the will of aegis-bearing Zeus the Cloudgatherer.</poem>

Hesiod does not say why hope (elpis) remained in the jar.[4]

Hesiod closes with this moral (105): "Thus it is not possible to escape the mind of Zeus."

References [link]

  • Verdenius, Willem Jacob, A Commentary on Hesiod Works and Days vv 1–382 (Leiden: E.J. Brill, 1985). ISBN 90-04-07465-1. This work has a very in-depth discussion and synthesis of the various theories and speculations about the Pandora story and the jar. Cf. p. 62 and onwards.
  • West, M. L. Hesiod, Theogony, ed. with prolegomena and commentary (Oxford 1966).
  • West, M. L. Hesiod, Works and Days, ed. with prolegomena and commentary (Oxford 1978).
  1. ^ A pithos is a very large jar, usually made of rough-grained terra cotta, used for storage.
  2. ^ Cf. Verdenius, p. 64, comment on line 94, on pithos. "Yet Pandora is unlikely to have brought along the jar of ills from heaven, for Hes. would not have omitted describing such an important detail. According to Proclus, Prometheus had received the jar of ills from the satyrs and deposited it with Epimetheus, urging him not to accept Pandora. Maz. [Paul Mazon in his Hesiode] suggests that Prometheus probably had persuaded the satyrs to steal the jar from Zeus, when the latter was about to pour them out over mankind. This may have been a familiar tale which Hes. thought unnecessary to relate."
  3. ^ Contra M. L. West, Works and Days, p. 168. "Hesiod omits to say where the jar came from, and what Pandora had in mind when she opened it, and what exactly it contained". West goes on to say this contributes to the "inconclusive Pandora legend".
  4. ^ Regarding line 96. Verdenius, p. 66 says that Hesiod "does not tell us why elpis remained in the jar. There is a vast number of modern explanations, of which I shall discuss only the most important ones. They may be divided into two classes according as they presume that the jar served (1) to keep elpis for man, or (2) to keep off elpis from man. In the first case the jar is used as a pantry, in the second case it is used as a prison (just as in Hom. E 387). Furthermore, elpis may be regarded either (a) as a good, or (b) as an evil. In the first case it is to comfort man in his misery and a stimulus rousing his activity, in the second case it is the idle hope in which the lazy man indulges when he should be working honestly for his living (cf. 498). The combination of these alternatives results in four possibilities which we shall now briefly consider."

External links [link]


https://wn.com/Elpis

59 Elpis

59 Elpis (/ˈɛlps/ EL-pis) is a very large main belt asteroid. It is a C-type asteroid, meaning that it is very dark and carbonaceous in composition.

Elpis was discovered by Jean Chacornac from Paris, on September 12, 1860. It was Chacornac's sixth and final asteroid discovery.

A controversy arose over the naming of Elpis. Urbain Le Verrier, director of the Paris Observatory, at first refused to allow Chacornac to name the object, because Leverrier was promoting a plan to reorganize asteroid nomenclature by naming them after their discoverers, rather than mythological figures. A protest arose among astronomers. At the Vienna Observatory, Edmund Weiss, who had been studying the asteroid, asked the observatory's director, Karl L. Littrow, to name it. Littrow chose Elpis, a Greek personification of hope, in reference to the favorable political conditions in Europe at the time. In 1862, Leverrier permitted Chacornac to choose a name, and he selected "Olympia" at the suggestion of John Russell Hind. However, Elpis is the name that stuck.

Podcasts:

PLAYLIST TIME:

What a Day

by: Elio Pace

WHAT A DAY
Music by Elio Pace
Words by Elio Pace, Helen McNee & Matt Daniel-Baker
Copyright Control
Hey look, the snow has settled all around
I hear the sweetness of a choir’s sound
A crazy rush on Christmas Eve
And all the children can’t believe
When the bells start to chime
That Santa will be right on time
What a day, what a day, the magic is here
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What a day, what a day
It’s Christmas in that old fashioned way
Hey look, some more surprises on the tree
Turn on a classic movie on TV
The favourite songs you love to sing
With Frank and Elvis, Nat and Bing
There’s a knock at the door
The party’s gonna swing some more
What a day, what a day, the magic is here
What a day, what a day, been waiting all year
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It’s Christmas in that old fashioned way
And so let us drink to the memories in our hearts
We’ll raise, raise a glass to you, near or far
Wherever you are
With everyone we love so dear
Let’s celebrate this time of year
And the bells start to chime
A very merry Christmas time
What a day, what a day, the magic is here
What a day, what a day, been waiting all year
For stockings on the fireplace and candles all aglow
And we’ll just keep on dancing underneath the mistletoe
What a day, what a day
What a day, what a day
What a day, what a day




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