The Elkhorn Wildlife Area is a wildlife management area located near North Powder, Oregon, United States. The large site covers parts of Union and Baker counties, including parts of the Wallowa-Whitman National Forest.
The area was set aside in 1971 for protecting migrating elk and deer during the winter months. Ownership of the land falls principally to the Oregon Department of Fish and Wildlife with 26.57 km2 (10.26 mi2), almost 76%. The remainder is divided amongst the United States Forest Service, the Bureau of Land Management, and private owners.
Protected areas or conservation areas are locations which receive protection because of their recognized natural, ecological and/or cultural values. There are several kinds of protected areas, which vary by level of protection depending on the enabling laws of each country or the regulations of the international organisations involved. The term "protected area" also includes Marine Protected Areas, the boundaries of which will include some area of ocean, and Transboundary Protected Areas that overlap multiple countries which remove the borders inside the area for conservation and economic purposes. There are over 161,000 protected areas in the world (as of October 2010) with more added daily, representing between 10 and 15 percent of the world's land surface area. By contrast, only 1.17% of the world's oceans is included in the world's ~6,800 Marine Protected Areas.
Protected areas are essential for biodiversity conservation, often providing habitat and protection from hunting for threatened and endangered species. Protection helps maintain ecological processes that cannot survive in most intensely managed landscapes and seascapes.
Wildlife traditionally refers to non-domesticated animal species, but has come to include all plants, fungi, and other organisms that grow or live wild in an area without being introduced by humans.
Wildlife can be found in all ecosystems. Deserts, forests, rain forests, plains, grasslands, and other areas including the most developed urban sites, all have distinct forms of wildlife. While the term in popular culture usually refers to animals that are untouched by human factors, most scientists agree that much wildlife is affected by human activities.
Humans have historically tended to separate civilization from wildlife in a number of ways including the legal, social, and moral sense. Some animals, however, have adapted to suburban environments. This includes such animals as domesticated cats, dogs, mice, and gerbils.Some religions have often declared certain animals to be sacred, and in modern times concern for the natural environment has provoked activists to protest the exploitation of wildlife for human benefit or entertainment.
Wildlife is the second collaboration between Anthony Phillips and Joji Hirota. The album is culled from recordings made between 1994 and 2000 when Anthony and Joji collaborated on a number of soundtracks for wildlife television programmes in the British Survival series. In addition, Anthony also wrote and recorded the music for a programme in the BBC series Natural World.
Wildlife features selections from the music for the programmes Creatures of the Magic Water (tracks 1-6), Secrets of the Amazon (tracks 7-11), Jaguar: Eater of Souls (tracks 12-13), Serengeti Jigsaw (tracks 14-15), Web of the Spider Monkey (track 16), Dungeons & Dragons (tracks 17-22), Secrets of a Norfolk Wood (tracks 23-25), Bears of the Russian Front (tracks 26-30), Gremlins: Faces in the Forest (track 31), Jurassic Shark (tracks 32-38), and Midway - Island of Life (tracks 39-45).
All programmes represented come from the Survival series except "Midway - Island of Life" which comes from Natural World.
Wildlife is an album by American jazz musician Joe Morris, which was recorded in 2008 and released on the AUM Fidelity label. It was the debut recording by a new group featuring saxophonist Petr Cancura and drummer Luther Gray. Morris plays bass instead of guitar.
In his review for AllMusic, Phil Freeman states "There's a lot of Ayler in Cancura's tone; he's a powerful player with a strong sense of melody, always retaining an essential cohesion within his solos, even at their most fervid. Gray is all over the kit, guiding the other two men and maintaining a forceful momentum."
The All About Jazz review by Troy Collins says that "The trio embraces a wide range of spatial dynamics on this expansive set, with the majority of their probing explorations conjuring the bristling frenzy of New Thing era expressionism."