The Eleusa (or Eleousa) (Greek: Ἐλεούσα – tenderness or showing mercy) is a type of depiction of the Virgin Mary in icons in which the infant Jesus Christ is nestled against her cheek. In the Western church the type is often known as the Virgin of Tenderness.
Such icons have been venerated in the Eastern Church for centuries. Similar types of depictions are also found in Madonna paintings in the Western Church where they are called the Madonna Eleusa, or Virgin of Tenderness. By the 19th century examples such as Lady of refuge (e.g. by Luigi Crosio) were widespread and they were also used in retablos in Mexican art.
In Eastern Orthodoxy the term Panagia Eleousa is often used. The Theotokos of Vladimir and Theotokos of Pochayiv are well-known examples of this type of icon. Eleusa is also used as epithet for describing and praising the Theotokos (Virgin Mary) in the Eastern Orthodox tradition.
While the Eastern Church does not venerate three-dimensional objects, Eleusa-style reliefs and sculptures, as well as icons, have also been used in the Western Church.
Elle est seule sur le sol
Coulant sous l'alcool
Le vernis se craquelle
Sous l'idole
Se poudrer le faciès
Enrober de soie
Ce qui blesse et qu'on laisse
Derrière soi
Idéaliser
Un passé brisé
Pas réaliser
Qu'il n'est plus là
Idéaliser
Juste supposer
Qu'elle a tout osé
Et lui poser
Un dernier baiser
Un baiser
Ses bas ont défilé
Dans toutes les nuits blanches
Blanche-neige exhibée
Aux archanges
Il neige sur Downtown
Fin des seventies
Le temps, c'est de l'automne
Sans surprise
Idéaliser
Un passé brisé
Pas réaliser
Qu'il n'est plus là
Idéaliser
Se faire une beauté
Retourner la scène
Viser
L'aller sans retour
Le saut dans le vide
La petite club-kid
N'aime plus le jour
Idéaliser
Juste supposer
Qu'elle a tout osé
Et lui poser