Shock may refer to:
In medicine, shock may refer to any of the following:
A mechanical or physical shock is a sudden acceleration caused, for example, by impact, drop, kick, earthquake, or explosion. Shock is a transient physical excitation.
Shock describes matter subject to extreme rates of force wtr to time. Shock is a vector that has units of an acceleration (rate of change of velocity). The unit g (or g) represents multiples of the acceleration of gravity and is conventionally used.
A shock pulse can be characterised by its peak acceleration, the duration, and the shape of the shock pulse (half sine, triangular, trapezoidal, etc.). The Shock response spectrum is a method for further evaluating a mechanical shock.
Shock measurement is of interest in several fields such as
Shock is a music/mime/dance/pop group that was notable in the early 1980s for supporting English new wave groups such as Gary Numan, Adam and the Ants, Depeche Mode and Famous Names, led by Steve Fairnie.
In 1979, mime artists Tim Dry and Barbie Wilde united with dancers Robert Pereno, LA Richards and Karen Sparks to produce Shock. In April 1980, they recruited another mime, Sean Crawford. The line-up changed again with the departure of Karen and the introduction of Carole Caplin.
Based in London, England, Shock performed in clubs such as The Haçienda, The Warehouse (Leeds) and The Blitz Club (home of the Blitz Kids) and The Venue (London). With costumes from Kahn & Bell (designers for Duran Duran), miming to music by Fad Gadget, Landscape, Kate Bush and Wilson Pickett, they were in the vanguard of the New Romantic cult of the early 1980s, alongside Boy George, Duran Duran, Steve Strange and Spandau Ballet.
Their first record "Angel Face" on RCA Records - with production by Rusty Egan (Visage) and Richard James Burgess (Landscape) - was a dance floor hit, as was the second "Dynamo Beat". In 1981, Shock co-starred with Ultravox at the 'People's Palace Valentine's Ball' at the Rainbow Theatre. LA, Barbie and Carole appeared in the video for Landscape's "Einstein A Go-Go". Sean and Barbie starred in the video for Ultravox's "Passing Strangers".
GBH may refer to:
In media:
Charged GBH, commonly known as GBH, are an English street punk band which was formed in 1978 by vocalist Colin Abrahall, guitarist Colin "Jock" Blyth, bassist Sean McCarthy (replaced by Ross Lomas by the time they had signed to Clay records) and Drummer Andy "Wilf" Williams. GBH were early pioneers of English street punk, often nicknamed "UK82", along with Discharge, Broken Bones, The Exploited and The Varukers. They have gone on to influence several punk rock musicians. The name GBH was inspired by then-bassist Sean McCarthy's trial for grievous bodily harm, though some fans also believe it is an acronym for "Great Britain Hardcore" and "Great Big Hair". Though the core line up of Colin, Ross and Jock has stayed the same throughout their history the drum stool has been occupied by a number of incumbents following Wilf's departure after the Midnight Madness and Beyond album and Oh No It's GBH again 12" ep. 1986 saw the arrival of German drummer Kai Reder who played on three albums and an EP (No Need To Panic, A Fridge Too Far and From Here To Reality, as well as the "Wot A Bargain" 12"), Kai was then replaced by American, Joe "Fish" Montanero for one album (Church of The Truly Warped), this was the band's last release for the Rough Justice label. The drum stool was then occupied from around 1994 by former Bomb Disneyland/Bomb Everything drummer Scott Preece, who has remained to this day and played on all releases since.
GBH was a seven-part British television drama written by Alan Bleasdale shown in the summer of 1991 on Channel 4. The protagonists were Michael Murray (played by Robert Lindsay), the hard-left Labour leader of a city council in the North of England, and Jim Nelson (played by Michael Palin), the headmaster of a school for disturbed children.
The series was controversial partly because Murray appeared to be based on Derek Hatton, former Deputy Leader of Liverpool City Council—in an interview in the G.B.H. DVD Bleasdale recounts an accidental meeting with Hatton before the series, who indicates that he has caught wind of Bleasdale's intentions but does not mind as long as the actor playing him is "handsome".
In normal parlance, the initials "GBH" refer to the criminal charge of grievous bodily harm (i.e. beating someone up)—however, the actual intent of the letters is that it is supposed to stand for Great British Holiday (as revealed by Bleasdale in an interview on the DVD).