Elegiac refers either generally to compositions that are like elegies or specifically to Greek and Latin poetry composed in elegiac couplets, in which a line of dactylic hexameter is followed by a line of dactylic pentameter. Because the hexameter line is in the same meter as epic poetry and because the elegiac form was always considered lower style than epic, elegists frequently wrote with epic in mind and positioned themselves in relation to epic.
The first examples of elegiac poetry in writing come from classical Greece. The form dates back nearly as early as epic, with such authors as Archilocus and Simonides of Ceos from early in the history of Greece. The first great elegiac poet of the Hellenistic period was Philitas of Cos: Augustan poets identified his name with great elegiac writing. One of the most influential elegiac writers was Philitas' rival Callimachus, who had an enormous impact on Roman poets, both elegists and non-elegists alike. He promulgated the idea that elegy, shorter and more compact than epic, could be even more beautiful and worthy of appreciation. Propertius linked him to his rival with the following well-known couplet:
My place lies not in that immortal sea.
I am just a penance; diurnal unbalance.
A fissure is shutting off in between the song that we don't hear,
The end that we don't feel.
We will walk ever calmly in the sound of your warfare,
No motion, no force.
Rich beyond the wealth of kings.
Of bane we know of not to witness,
But in the grass that rises from the grave. That is us.
A thousand notes ring out. That is us.
The chill that is in your gut. That is us.
The acknowledgment rash in all your solitude,
Is the weight of the human nature.
A busy spade left unremembered in plain view, again.
Alive in thoughts too deep for any tears,
The silence of the spirit, a mutilated bower.
We throw in vein against our very earth.
The sky is bearing down.
Piety in guilt.
All we are is the debris.
Spinning around and around, betrayed.
Go and gather all we know in purest silence.