Escape | ||||
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File:JourneyEscapealbumcover.jpg | ||||
Studio album by Journey | ||||
Released | July 31, 1981 | |||
Recorded | Fantasy Studios, Berkeley, California, Mid Spring/Early Summer, 1981 | |||
Genre | Hard rock, rock | |||
Length | 42:46 (original), 59:43 (reissue) | |||
Label | Columbia | |||
Producer | Kevin Elson, Mike Stone | |||
Journey chronology | ||||
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Professional ratings | |
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Review scores | |
Source | Rating |
Allmusic | ![]() ![]() ![]() ![]() ![]() |
Escape (stylized on the album cover as E5C4P3) is Journey's seventh studio album (and eighth overall), released on July 31, 1981. The album features four hit Billboard Hot 100 singles - "Don't Stop Believin'" (#9), "Who's Crying Now" (#4), "Still They Ride" (#19) and "Open Arms" (#2) - plus rock radio staples like "Stone in Love" and "Mother, Father".
Contents |
Escape was the band's first album with keyboardist Jonathan Cain who replaced founding keyboardist Gregg Rolie after he left the band at the end of 1980. The album was co-produced by former Lynyrd Skynyrd soundman Kevin Elson and one-time Queen engineer Mike Stone, who also engineered the album.
An Atari 2600 game, Journey Escape, was made based on the album.
Mike DeGagne of Allmusic awarded Escape four-and-a-half stars out of five, writing, "The songs are timeless, and as a whole, they have a way of rekindling the innocence of youthful romance and the rebelliousness of growing up, built from heartfelt songwriting and sturdy musicianship".[2] Colin Larkin awarded the album four out of five stars in the 2002 edition of the Virgin Encyclopedia of Popular Music.[3] In the 2004 edition of their album guide, Rolling Stone were less favourable, awarding the album two-and-a-half stars out of five, which was nonetheless an improvement from Dave Marsh's one star rating in the 1983 edition of the publication.[4]
In 1988, Kerrang! readers voted Escape the greatest Arena-oriented Rock album of all time.[5] The following year, the magazine ranked Escape #32 in "The 100 Greatest Heavy Metal Albums of All Time".[6] A 2000 Virgin poll saw the album voted the 24th greatest Heavy Metal/Alternative Rock album of all time.[7] In 2001, Classic Rock ranked the album #22 in "The 100 Greatest Rock Albums of All Time".[8] In 2006, the same publication recognized the importance of the album's contribution to popular music in the 1980s by including it in their "The 200 Greatest Albums of the 80s" as one of the twenty greatest albums of 1981.[9] Originally a progressive rock band, Journey experienced strong resentment from many music critics after they embraced the pop sensibilities of the 1980s with smash hits like "Don't Stop Believin'" and "Open Arms";[10] Q magazine ranked Escape 15th in its "Records it's OK to Love" in 2006.[11]
All songs written and composed by Jonathan Cain, Steve Perry, and Neal Schon, except where noted.
No. | Title | Length | |
---|---|---|---|
1. | "Don't Stop Believin'" | 4:11 | |
2. | "Stone in Love" | 4:26 | |
3. | "Who's Crying Now" (Cain, Perry) | 5:01 | |
4. | "Keep on Runnin'" | 3:40 | |
5. | "Still They Ride" | 3:50 | |
6. | "Escape" | 5:17 | |
7. | "Lay It Down" | 4:13 | |
8. | "Dead or Alive" | 3:21 | |
9. | "Mother, Father" (Matt Schon, Schon, Perry, Cain) | 5:29 | |
10. | "Open Arms" (Cain, Perry) | 3:23 |
2006 Remastered version bonus tracks | ||||||||||
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No. | Title | Length | ||||||||
11. | "La Raza del Sol" (Cain, Perry)(B-side of "Still They Ride") | 3:26 | ||||||||
12. | "Don't Stop Believin'" (Live in Houston 1981: The Escape Tour) | 4:19 | ||||||||
13. | "Who's Crying Now" (Cain, Perry)(Live in Houston 1981: The Escape Tour) | 5:44 | ||||||||
14. | "Open Arms" (Cain, Perry)(Live in Houston 1981: The Escape Tour) | 3:23 |
The album has been certified 9x Platinum by RIAA since its July 31, 1981 release[12] (Only their Greatest Hits, at 15x, has sold more copies).
Escape had the fifth highest selling debut of 1981, just behind Bella Donna from Stevie Nicks.
The highest chart position was #1 on the Billboard album chart where it stayed for a week (removing Stevie Nicks' Bella Donna from the top spot), in September 1981.
Billboard Music Charts (North America)
Year | Chart | Position |
---|---|---|
1981 | Pop Albums | 1 |
1983 | The Billboard 200 | 139 |
1984 | 156 |
UK Album Chart
Year | Chart | Position |
---|---|---|
1982 | Album Chart | 32 |
Year | Single | Chart | Position |
---|---|---|---|
1981 | Don't Stop Believin' | Mainstream Rock | 8 |
Pop Singles | 9 | ||
Stone in Love | Mainstream Rock | 13 | |
Who's Crying Now | Mainstream Rock | 4 | |
Pop Singles | 4 | ||
1982 | Open Arms | Pop Singles | 2 |
Adult Contemporary | 7 | ||
Mainstream Rock | 35 | ||
Still They Ride | Pop Singles | 19 | |
Adult Contemporary | 37 | ||
Mainstream Rock | 47 |
UK Singles Chart
Year | Single | Chart | Position |
---|---|---|---|
1982 | Don't Stop Believin' | UK Top 75 Singles | 62 |
Who's Crying Now | 46 |
Preceded by Bella Donna by Stevie Nicks |
Billboard 200 number-one album September 12–18, 1981 |
Succeeded by Tattoo You by Rolling Stones |
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Romance is the expressive and pleasurable feeling from an emotional attraction towards another person often associated with sexual attraction. It is eros rather than agape, philia, or storge.
In the context of romantic love relationships, romance usually implies an expression of one's strong romantic love, or one's deep and strong emotional desires to connect with another person intimately or romantically. Historically, the term "romance" originates with the medieval ideal of chivalry as set out in its chivalric romance literature.
Humans have a natural inclination to form bonds with one another through social interactions, be it through verbal communication or nonverbal gestures.
The debate over an exact definition of romantic love may be found in literature as well as in the works of psychologists, philosophers, biochemists and other professionals and specialists. Romantic love is a relative term, but generally accepted as a definition that distinguishes moments and situations within intimate relationships to an individual as contributing to a significant relationship connection.
4 in Love may refer to:
24/7 in Love is a 2012 Filipino romantic comedy film directed by John D. Lazatin, Mae Czarina Cruz, Frasco Santos Mortiz and Dado Lumibao from Star Cinema. The film was released nationwide on November 21, 2012.
The film is a romance anthology in which several characters are involved in various crazy antics for love’s sake. The ensemble cast is composed of selected Star Magic's talents to celebrate the agency's 20th year anniversary.
(3rd week)
Jane (Kathryn Bernardo), a die-hard fan, wants to win tickets to Billy Fernandez's (Daniel Padilla) concert. To do this she must answer the question, "What would you do if it was the end of the world?" In search for this answer she meets different people with different love stories: a 40-year-old virgin named Virginia (Pokwang) who meets a gigolo named Charles (Sam Milby); a hopeless romantic secretary, Barbara (Maja Salvador) who is helping her boss, Ken (Diether Ocampo) with "personal issues"; Belle (Bea Alonzo) who is in love with her gay best-friend, Butch (Zanjoe Marudo), an advertising executive; Verna (Angelica Panganiban) who falls in love with Jane's older brother, Elvis (John Lloyd Cruz), a waiter in Vietnam; Jomar (Zaijan Jaranilla) an orphan who is trying to court Ayie (Xyriel Manabat) with the help of a 35-year-old mentally-challenged man named Pipoy (Piolo Pascual); Patty (Kim Chiu) who traces her first love, Alvin (Gerald Anderson) to become an underwear model for her company.
I remember
The night we met
That night we sat
Entwined
Under summer skies
I looked into your eyes
You looked into mine
You said
Oleander holly
"You're not like the rest"
And I nodded
Crimson feet of Collie
"No one understands me"
You said
And I nodded once again
Beautiful and lovely
As if to agree that all men
Are indeed the same
My baby
Somehow, you said
The only one
I was different
Who really understands me
Floating hand in hand we
Whisper in the moonlight
And say that I'm
The things you want to see
Kody and her star child
For months on end
I maintained
Goddess of the moonlight
A veneer of sincere interest
Hold me in the morning
As if I were listening
As you relived every page
And tell me I'm
Of self-help and new age
the only one alive
That you'd read
Who really understands you
I went in for the kill
I'd read the same books
Tell me pretty stories
I learned to ape the motions
Of a sensitive human being
Say you understand me
And we were oh, so happy
My baby
But you found things to fix
The things you want to see
And I knew it was time
To move on
But I could never be
In love
In love
So now you have me
Completely figured out
You feel sorry for me
I can't express my feelings
I can't tell the truth
We are all alike
At puberty, I was sworn to secrecy
By the international brotherhood
Of lying, fickle males
I can't tell you anything
And I can't commit
You're right
I can't commit
To you
Hold me in the morning
I will always treasure
Our time together
Tell me pretty stories
I don't feel enough of anything
To harbor the kind of disdain
Say that you're the only one
That you'll maintain
You painted me into what you
My baby
Wanted to see
That's fine
But I could never be
But you will never know me
In love
In love
Oleander holly
Crimson feet of Collie
Beautiful and lovely
My baby
The only one