Electro-music

The electro-music music festival is a festival and conference devoted to experimental electronic music . Electro-music Festival] Since 2005 it has been held in Huguenot, New York. The annual electro-music festival, known as the "Woodstock of electronic music," bills itself as "the world's premiere event for experimental electronic music". The gathering features three days of electronic music concerts, seminars, workshops, demonstrations, jam sessions, video art, a laptop battle, and a swap-meet.

See also

References

External links

Electro (music)

Electro (short for either electro-funk, or electro-boogie) is a genre of electronic music and early hip hop directly influenced by the use of TR-808 drum machines, and funk. Records in the genre typically feature drum machines and heavy electronic sounds, usually without vocals, although if vocals are present they are delivered in a deadpan manner, often through electronic distortion such as vocoding and talkboxing. This is the main distinction between electro and previously prominent genres such as disco, in which the electronic sound was only part of the instrumentation. It also palpably deviates from its predecessor boogie for being less vocal-oriented and more focused on electronic beats produced by drum machines.

Following the decline of disco music in the United States, electro emerged as a fusion of funk and New York boogie. Early hip hop and rap combined with German and Japanese electropop influences such as Kraftwerk and Yellow Magic Orchestra (YMO) inspired the birth of electro. In 1982, producer Arthur Baker with Afrika Bambaataa released the seminal "Planet Rock" which was influenced by the Yellow Magic Orchestra using samples Kraftwerk and drum beats supplied by the TR-808. Planet Rock was followed later that year by another breakthrough electro record, Nunk by Warp 9. In 1983, Hashim created an electro funk sound which influenced Herbie Hancock, resulting in his hit single "Rockit". The early 1980s were electro's mainstream peak. By the mid 1980s, the genre moved away from its electronic and funk influences, using harder edged beats and rock samples, exemplified by Run DMC. Electro became popular again in the late 1990s with artists such as Anthony Rother and DJs such as Dave Clarke. A third wave of popularity occurred in 2007. Electro has branched out into subgenres, including "electrocore" and Skweee, which developed in Sweden and Finland.

Cốm

Cốm, or green rice, is a dish in Vietnamese cuisine. It is not dyed green, as can be done with pandan, but is immature rice kernels roasted over very low heat then pounded in a mortar and pestle until flattened. Cốm is seasonal dish associated with autumn. It can be eaten plain or with coconut. The taste is slightly sweet with a nutty flavor.

A traditional pastry, bánh cốm (green rice cake) is made using cốm with mung bean filling. Cốm is often offered to worship the ancestors in the Mid Autumn Festival. The green rice can also be used in sweet soup, chè cốm. Cốm is similar to flat green rice of the Khmer people.

References

CM

CM or its variants may refer to:

Computing

Entertainment

Guqin

The guqin (simplified/traditional: 古琴; pinyin: gǔqín; Wade–Giles ku-ch'in; pronounced [kùtɕʰǐn]; literally "ancient stringed instrument") is a plucked seven-string Chinese musical instrument of the zither family. It has been played since ancient times, and has traditionally been favoured by scholars and literati as an instrument of great subtlety and refinement, as highlighted by the quote "a gentleman does not part with his qin or se without good reason," as well as being associated with the ancient Chinese philosopher Confucius. It is sometimes referred to by the Chinese as "the father of Chinese music" or "the instrument of the sages". The guqin is not to be confused with the guzheng, another Chinese long zither also without frets, but with moveable bridges under each string.

Traditionally, the instrument was simply referred to as qin (Wade–Giles ch'in) but by the twentieth century the term had come to be applied to many other musical instruments as well: the yangqin hammered dulcimer, the huqin family of bowed string instruments, and the Western piano are examples of this usage. The prefix "gu-" (meaning "ancient") was later added for clarification. Thus, the instrument is called "guqin" today. It can also be called qixianqin (lit. "seven-stringed instrument"). Because Robert Hans van Gulik's famous book about the qin is called The Lore of the Chinese Lute, the guqin is sometimes inaccurately called a lute. Other incorrect classifications, mainly from music compact discs, include "harp" or "table-harp".