Shiksa (Yiddish: שיקסע shikse) is an often disparaging term of Yiddish origin that has moved into English usage (as well as Polish and German), mostly in North American Jewish culture, as a term for a non-Jewish woman or girl.
Writer Menachem Kaiser argues in his essay "Anti-non-Semitism: An Investigation of the Shiksa" that "the pejorative connotation of 'shiksa' is fuzzy at best" because "'shiksa' today is used as often as not in winking self-reference".
Among Orthodox Jews, the term may be used to describe a Jewish girl or woman who fails to follow Orthodox religious precepts.
The equivalent term for a non-Jewish male, used less frequently, is shegetz.
The etymology of the word shiksa is partly derived from the Hebrew term שקץ shekets, meaning "abomination", "impure," or "object of loathing", depending on the translator.
Several dictionaries define "shiksa" as a disparaging and offensive term applied to a non-Jewish girl or woman.
In Polish, siksa (pronounced [ɕiksa]) is a pejorative word for an immature young girl or teenage girl, as it is a conflation between the Yiddish term and usage of the Polish verb sikać ("to urinate"). It means "pisspants" and is roughly equivalent to the English terms "snot-nosed brat", "little squirt", or "kid".
In Defense of The Genre is the third full-length studio album by American pop-punk band Say Anything, released on October 23, 2007 through J Records as a double disc album. It debuted at number 27 on the U.S. Billboard 200 chart, selling 25,000 copies in its first week. The first single, "Baby Girl, I'm a Blur", was released October 2, 2007 on iTunes. The album artwork was provided by Jeff Smith, an artist primarily known for his work on the Bone comic series.
On September 19, 2007, fans could pre-order an autographed copy of the album with an optional Say Anything T-shirt. An extra booklet was packaged with the CDs, autographed by Max Bemis, Alex Kent, and Jeff Turner.
Writing and plans for In Defense of the Genre began in March 2006 during Say Anything's extensive touring and promotion for the reissue of their previous effort, …Is a Real Boy. The band started rehearsing and piecing together the album through pre-production the next year in January 2007, until the record was finally completed half a year later in September. Max Bemis described in an interview that the record is more focused on "observations of other people", unlike ...Is a Real Boy's lyrical content revolving solely on Bemis and his problems. The record "picks up in my life where [...Is a Real Boy] left off because it is very autobiographical, even more so than the last record. Musically, it's different, more mature and somewhat more cohesive and poppy, but darker in a whole different way."
So you no longer want me
You want to shove this horn up my ass
You want to slap these tattoos right off me
Well you can't, I'm a thirty four-sixer
Girl, please don't leave me, we're better than this
Oh it breaks my heart so, that whenever you
see me your face makes a fist
Look, I love you, I'm singing about you
Sit still and I'll show you some class
I'll play something nice we can grind to
It's gonna start slow and go fast
It's a homeopathic elixir
You say you can't date me, I already have a girl
Darling, please don't hate me, after all what
are two in a five billion world
I'm going to feel up to padre
I'm going to rassle a mountain
Then I will beat up an ocean
And wipe my ass with the sun