! is an album by The Dismemberment Plan. It was released on October 2, 1995, on DeSoto Records. The band's original drummer, Steve Cummings, played on this album but left shortly after its release.
The following people were involved in the making of !:
"@" is a studio album by John Zorn and Thurston Moore. It is the first collaborative album by the duo and was recorded in New York City in February, 2013 and released by Tzadik Records in September 2013. The album consists of improvised music by Zorn and Moore that was recorded in the studio in real time with no edits or overdubs.
Allmusic said "@ finds two of New York City's longest-running fringe dwellers churning out sheets of collaborative sounds that conjoin their respective and distinct states of constant freak-out... These seven improvisations sound inspired without feeling at all heavy-handed or urgent. More so, @ succeeds with the type of conversational playing that could only be achieved by two masters so deep into their craft that it probably feels a lot like breathing to them by now".
All compositions by John Zorn and Thurston Moore
Albums of recorded music were developed in the early 20th century, first as books of individual 78rpm records, then from 1948 as vinyl LP records played at 33 1⁄3 rpm. Vinyl LPs are still issued, though in the 21st century albums sales have mostly focused on compact disc (CD) and MP3 formats. The audio cassette was a format used in the late 1970s through to the 1990s alongside vinyl.
An album may be recorded in a recording studio (fixed or mobile), in a concert venue, at home, in the field, or a mix of places. Recording may take a few hours to several years to complete, usually in several takes with different parts recorded separately, and then brought or "mixed" together. Recordings that are done in one take without overdubbing are termed "live", even when done in a studio. Studios are built to absorb sound, eliminating reverberation, so as to assist in mixing different takes; other locations, such as concert venues and some "live rooms", allow for reverberation, which creates a "live" sound. The majority of studio recordings contain an abundance of editing, sound effects, voice adjustments, etc. With modern recording technology, musicians can be recorded in separate rooms or at separate times while listening to the other parts using headphones; with each part recorded as a separate track.
Riot Act is the seventh studio album by American rock band Pearl Jam, released on November 12, 2002 through Epic Records. Following a full-scale tour in support of its previous album, Binaural (2000), Pearl Jam took a year-long break. The band then reconvened in the beginning of 2002 and commenced work on a new album. The music on the record featured a diverse sound, including songs influenced by folk, art rock, and experimental rock. The lyrics deal with mortality and existentialism, with much influence from both the political climate after the September 11, 2001 terrorist attacks and the accidental death of nine fans during Pearl Jam's performance at the 2000 Roskilde Festival.
The band supported the album with a politically charged concert tour in 2003. Riot Act was the band's last album of all-new material for Epic. The album received mostly positive reviews, and has been certified gold by the RIAA in the United States.
Producer Adam Kasper was brought in to work with the band on its seventh album. Kasper had engineered other Pearl Jam albums, and was brought to produce following a suggestion by drummer Matt Cameron, who worked with Kasper on his previous groups Wellwater Conspiracy and Soundgarden. Riot Act was recorded in two sessions in February 2002 and April 2002 at Studio X in Seattle, Washington. The album was mixed by Brendan O'Brien at Studio X.
Tu rostro
lo tengo fijado
en el lado de adentro
de mis parpados
Tu recuerdo
me suena como un eco
en mi jardin subterraneo
de orquideas
Tu aucencia me esta abriendo un hueco
en medio del pecho
Y solo al cerrar yo los ojos
en cada parpadeo te veo
El album de mi cabeza
solo con fotos tuyas se llena (bis)
Una foto de carnet un afiche en mi pared
El album de mi cabeza
solo con fotos tuyas se llena (bis)
Foto en mi cabeza y en mi billetera
En el cuarto
oscuro y apartado
yo revelo y amplifico
el pasado
Mientras guarde
los negativos
yo podre reproducirte
a mi lado
Tan ausente y tan presente
indeleble en mi mente
Impresas tus facciones
en mi
El album de mi cabeza
solo con fotos tuyas se llena (bis)
Un cuadre perfecto
armoniosa composición
El album de mi cabeza
solo con fotos tuyas se llena (bis)
En blanco y negro o en color
es para mi emoción
El album de mi cabeza
solo con fotos tuyas se llena
No necesito flash
aunque sea de noche
Porque no te apagas
eres de luz un derroche
El album de mi cabeza
solo con fotos tuyas se llena
Una con un paisaje
inolvidable viaje
Pieza de cuerpo entero
firmada con un te quiero
El album de mi cabeza
solo con fotos tuyas se llena.