Eenadu (2009 film)

Eeenadu (English: Today) is a 2009 Telugu film, produced by S. Chandra Haasan & Ronnie Screwvala on Raaj Kamal International & UTV Motion Pictures banner, directed by Chakri Toleti. Starring Kamal Haasan and Venkatesh in the lead roles and music composed by Shruti Haasan. It was simultaneously made in Tamil as Unnaipol Oruvan with Mohanlal playing Venkatesh's role. The film was a critical and commercial success. The film is remake of the 2008 Hindi film A Wednesday!. It was released in English as Someone Like You.

Plot

Eashwar Prasad (Daggubati Venkatesh) standing at the lakeshore, describes in a voice-over about his termination due to a common man walked into his life and turning everything topsy-turvy. This scene leads into the flashback. An unnamed man (Kamal Haasan) is shown strategically placing a travel bag within a train in a railway station, bus and in a multiplex at Hyderabad. He proceeds to place another bag, under the false pretense of lodging an FIR, in the toilet of a police station located at Lakdi-ka-pool, Hyderabad. He then arrives on the rooftop of a building under construction near Raj Bhavan road and sets up his base of operations, equipped with various modern technology gadgets and instruments. He calls up Eashwar and informs him that 5 bombs have been placed in different locations throughout Hyderabad, which are programmed to explode simultaneously within four hours. The common man demands that he would like to negotiate with a senior Government official. Eashwar seeks the services of the Chief Secretary(Lakshmi) to act as the negotiator. Eashwar also alerts his team involved in intelligence research and surveillance, tapping all the available resources in gathering preliminary information and tracing the location of the caller. Meanwhile, the caller tips off TV9 news reporter Shilpa Rajkumar (Anuja Iyer), telling her to reach Lakdi-ka-pool police station immediately as it is going to be "the most important day of her life".

2009 in film

The year 2009 saw the release of many films. Seven made the top 50 list of highest-grossing films. Also in 2009, the Academy of Motion Picture Arts and Sciences announced that as of that year, their Best Picture category would consist of ten nominees, rather than five (the first time since the 1943 awards).

Highest-grossing films

Events

May

July

Awards

2009 films

Films released in North America in 2009 include:

January–March

April–June

July–September

October–December

Notable deaths

Publications

References

External links

Film (band)

Film was a Yugoslav rock group founded in 1978 in Zagreb. Film was one of the most popular rock groups of the former Yugoslav new wave in the late 1970s to early 1980s.

History

New wave years (1979-1981)

During 1977 and 1978, bassist Marino Pelajić, guitarist Mladen Jurčić, and drummer Branko Hromatko were Azra members when Branimir "Johnny" Štulić brought Jura Stublić as the new vocalist. Stublić was to become Aerodrom member, but due to his deep vocals it never happened. The lineup functioned for a few months only and after a quarrel with Štulić, on early 1979, Pelajić, Jurčić, Hromatko and Stublić formed the band Šporko Šalaporko i Negove Žaluzine, naming the band after a story from the "Polet" youth magazine, which was soon after renamed to Film. The memories of the Azra lineup later inspired Štulić to write the song "Roll over Jura" released on Filigranski pločnici in 1982.

Saxophonist Jurij Novoselić, who at the time had worked under the pseudonym Kuzma Videosex, joined the band, inspiring others to use pseudonym instead of their original names: vocalist Stublić became Jura Jupiter, bassist Pelajić became Mario Baraccuda and guitarist Jurčić became Max Wilson. Before joining the band, Stublić did not have much experience as a vocalist, however, since his father had been an opera singer, he often visited the theatre and opera, and at the age of 13, he started playing the guitar, earning money as a street performer at seaside resorts.

Film (film)

Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.

Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.

The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:

Lubrication theory

In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.

Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.

Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.