Irvine Welsh's Ecstasy

Irvine Welsh's Ecstasy is a 2011 Canadian dark romantic comedy film adaptation of the short story The Undefeated from the #1 best-selling book Ecstasy by Irvine Welsh. Directed by Rob Heydon, the film stars Adam Sinclair as Lloyd Buist, a drug user who smuggles ecstasy from Amsterdam. Kristin Kreuk plays the love interest Heather Thompson.

Plot

Frustrated with her boring middle class and loveless marriage, Heather Thompson (Kristin Kreuk) seeks a change in her life. At a club, she finds just that in happily partying Lloyd Buist (Adam Sinclair), a drug user. Heather falls hard for Lloyd despite the fact that most of their time spent together is under the influence of illicit substances. As they experiment with this new lifestyle, they are faced with the question of whether they love their drugs, each other, or are just drugged into loving each other.

The romantic storyline is supplemented by a side plot involving Lloyd owing money to a shady character, Solo (Carlo Rota). While Lloyd is out of control with drugs and left unchecked, he must fulfill his “karmic” debt with Solo.

Ecstasy: Three Tales of Chemical Romance

Ecstasy: Three Tales of Chemical Romance is a collection of three novellas by Irvine Welsh.

Stories

Lorraine Goes To Livingston

After suffering a stroke, Rebecca Navarro, a best-selling romance novelist, discovers the truth about her corrupt, pornography-loving husband. With the help of Lorraine, her sexually confused nurse, she plots her revenge.

Another nurse at the hospital, Glen, has been secretly admiring Lorraine but after a night at a club, decides to pursue her friend Yvonne instead. Meanwhile, Glen has been accepting money from Freddy Royle, a necrophiliac TV personality. The hospital trustees turn a blind eye to Freddy's nefarious pastime but have to do some fast talking when the new coroner begins asking questions.

Fortune's Always Hiding

Samantha Worthington, an angry and bitter 'Tenazedrine' (Thalidomide) victim, enlists a football hooligan, Dave, to help her seek revenge on the last man left alive who pushed the drug who caused her deformed arms, the drug's marketing director.

Ecstasy (play)

Ecstasy is a 1979 play by British playwright Mike Leigh with a six-character cast. It covers the life of four blue-collar friends living in a ratty area of London near Kilburn High Road and the drunken frustration in their lives, particularly that of the lead character Jean.

Jean is a suicidal garage attendant who sleeps with unsuitable men, like Roy, drinks heavily and has abortions. Her friend from Birmingham, Dawn, who has had three children, brings back her husband Mick, an Irish labourer, and his quiet friend, Len, to Jean's bleak Kilburn bedsitter, - 'their second act ensemble trumpets the dark night of the soul, in what is at once one of the best and gloomiest party scenes in contemporary drama.'

The play opened at the Hampstead Theatre on 26 September 1979. The production was designed by Alison Chitty, and the cast comprised Sheila Kelley as Jean, Ron Cook as Roy, Rachel Davies as Val, Julie Walters as Dawn, Stephen Rea as Mick, and Jim Broadbent as Len. For both Broadbent and Rea, this was the first of several collaborations with Leigh. A new production directed by Leigh, and starring Sian Brooke, Daniel Coonan, Claire Louise Cordwell, Allen Leech, Sinead Matthews, and Craig Parkinson opened on 10 March 2011 at the Hampstead Theatre, and transferred to the Duchess Theatre in Covent Garden on 12 April 2011.

Film (Iranian magazine)

Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.

References

External links

Film (film)

Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.

Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.

The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:

Lubrication theory

In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.

Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.

Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.