In Greek mythology, Echidna (Greek: Ἔχιδνα, ekhis, ἔχις, meaning "she viper") was half woman half snake, known as the "Mother of All Monsters" because most of the monsters in Greek myth were mothered by her. Hesiod's Theogony described her as:

[...] the goddess fierce Echidna who is half a nymph with glancing eyes and fair cheeks, and half again a huge snake,[1] great and awful, with speckled skin, eating raw flesh beneath the secret parts of the holy earth. And there she has a cave deep down under a hollow rock far from the deathless gods and mortal men. There, then, did the gods appoint her a glorious house to dwell in: and she keeps guard in Arima beneath the earth, grim Echidna, a nymph who dies not nor grows old all her days.[2]

According to Apollodorus, Echidna was the daughter of Tartarus and Gaia,[3] while according to Hesiod, either Ceto and Phorcys or Chrysaor and the naiad Callirhoe were her parents.[4] Another account says her parents were Peiras and Styx (according to Pausanias, who did not know who Peiras was aside from her father).[5] Echidna was a drakaina, with the face and torso of a beautiful woman (depicted as winged in archaic vase-paintings) and the body of a serpent, sometimes having two serpent's tails.[6] She is also sometimes described, as Karl Kerenyi noted, in archaic vase-painting, with a pair of echidnas performing sacred rites in a vineyard, while on the opposite side of the vessel, goats were attacking the vines:[7] thus chthonic Echidnae are presented as protectors of the vineyard.

The site of her cave Homer calls "Arima, couch of Typhoeus".[8] When she and her mate attacked the Olympians, Zeus beat them back and punished Typhon by sealing him under Mount Etna. However, Zeus allowed Echidna and her children to live as a challenge to future heroes. Although to Hesiod, she was an immortal and ageless nymph, according to Apollodorus, Echidna used to "carry off passers-by", until she was finally killed where she slept by Argus Panoptes, the hundred-eyed giant.[3]

Contents

Offspring [link]

Echidna was the mother by Typhon of many monstrous offspring, including:

Also included as the offspring of Echidna by Typhon, by some, are the Sphinx[15][11] and the Nemean lion.[16] However Hesiod's genealogy here is unclear, he says these two were fathered by Orthrus,[9] but he has been read variously as saying that Echidna, the Chimaera, or even Ceto, was their mother.[17]

Ladon, the dragon which guarded the golden apples in the Garden of the Hesperides, was also born of Echidna by Typhon, according to Apollodorus,[13] and Hyginus,[11] but according to Hesiod, Ladon was the offspring of Ceto and Phorcys.[18]

Echidna is also sometimes identified as the mother by Heracles, of Scythes, an eponymous king of the Scythians, along with his brothers Agathyrsus and Gelonus.[19]

See also [link]

  • Echidna, a monotreme mammal of Australia and New Guinea named after the mythological monster.
  • Nāgas, beings with a similar description.

Notes [link]

  1. ^ Spenser's Errour in The Faerie Queene resembles Echidna in this hybrid nature, as John M. Steadman notes, in "Sin, Echidna and the Viper's Brood", The Modern Language Review 56.1 (January 1961:62-66) p. 62.
  2. ^ Hesiod, Theogony 295-305.
  3. ^ a b Apollodorus, Library 2.1.2
  4. ^ Hesiod, Theogony 270-305. This passage has been read variously as saying that Ceto (Grimal, p. 143; Caldwell, p. 46) or Callirhoe (Morford, p. 162; Smith "Echidna") was the mother of Echidna. Athanassakis, p. 44, says that Phorcys and Ceto are the "more likely candidates for parents of this hideous creature who proceeded to give birth to a series of monsters and scourges ..." Herbert Jennings Rose says that it is "not clear which parents are meant". However, accorrding to Clay, p. 159, note 32, "the modern scholarly consensus ... assigns the role to Keto".
  5. ^ Pausanias, Description of Greece 8.18.2
  6. ^ Lamia and other drakainas also combine human and serpentlike natures.
  7. ^ Kerenyi, pp. 51–52
  8. ^ Homer, Iliad 2.783
  9. ^ a b c d e Hesiod, Theogony 304
  10. ^ Apollodorus, Library 2.5.10
  11. ^ a b c d e f g h Hyginus, Fabulae Preface, 151
  12. ^ Apollodorus, Library 2.3.1
  13. ^ a b Apollodorus, Library 2.5.11
  14. ^ Apollodorus, Epitome 1
  15. ^ Apollodorus, Library 3.5.8
  16. ^ Apollodorus, Library 2.5.1
  17. ^ The problem arises from the ambiguous referent of the pronoun "she" in line 326 of the Theogony, see Clay, p.159, note 34
  18. ^ Hesiod, Theogony 333–336
  19. ^ Grimal, "Scythes" pp. 414–415.

References [link]

  • Apollodorus, Apollodorus, The Library, with an English Translation by Sir James George Frazer, F.B.A., F.R.S. in 2 Volumes, Cambridge, MA, Harvard University Press; London, William Heinemann Ltd. 1921
  • Athanassakis, Apostolos N, Hesiod, Theogony ; Works and days ; Shield, JHU Press, 2004. ISBN 978-0-8018-7984-5.
  • Caldwell, Richard, Hesiod's Theogony, Focus Publishing/R. Pullins Company (June 1, 1987). ISBN 978-0-941051-00-2.
  • Clay, Jenny Strauss, Hesiod's Cosmos, Cambridge University Press, 2003. ISBN 978-0-521-82392-0.
  • Grimal, Pierre, The Dictionary of Classical Mythology, Wiley-Blackwell, 1996, ISBN 978-0-631-20102-1. "Echidna" p. 143
  • Hesiod, The Homeric Hymns and Homerica with an English Translation by Hugh G. Evelyn-White. Theogony, Cambridge, MA.,Harvard University Press; London, William Heinemann Ltd. 1914.
  • Homer, The Iliad with an English Translation by A.T. Murray, Ph.D. in two volumes, Cambridge, MA., Harvard University Press; London, William Heinemann, Ltd. 1924.
  • Hyginus, Gaius Julius, The Myths of Hyginus. Edited and translated by Mary A. Grant, Lawrence: University of Kansas Press, 1960.
  • Kerenyi, Karl, The Gods of the Greeks, Thames and Hudson, London, 1951.
  • Morford, Mark P. O., Robert J. Lenardon, Classical Mythology, Eighth Edition, Oxford University Press, 2007. ISBN 978-0-19-530805-1.
  • Pausanias, Pausanias Description of Greece with an English Translation by W.H.S. Jones, Litt.D., and H.A. Ormerod, M.A., in 4 Volumes, Cambridge, MA, Harvard University Press; London, William Heinemann Ltd. 1918.
  • Rose, Herbert Jennings, "Echidna" in The Oxford Classical Dictionary, Hammond and Scullard (editors), Second Edition, Oxford University Press, 1992. ISBN 0-19-869117-3
  • Smith, William; Dictionary of Greek and Roman Biography and Mythology, London (1873). "Echidna"

External links [link]


https://wn.com/Echidna_(mythology)

Echidna

Echidnas /ˈkɪdnə/, sometimes known as spiny anteaters, belong to the family Tachyglossidae in the monotreme order of egg-laying mammals. The four extant species, together with the platypus, are the only surviving members of the Monotremata order and are the only living mammals that lay eggs. Their diet consists of ants and termites, but they are not closely related to the true anteaters of the Americas. Echidnas live in Australia and New Guinea.

Echidnas evidently evolved between 20 and 50 million years ago, descending from a platypus-like monotreme. This ancestor was aquatic, but echidnas adapted to being terrestrial so they could live life on land.

Etymology

The echidnas are named after Echidna, a creature from Greek mythology who was half-woman, half-snake, as the animal was perceived to have qualities of both mammals and reptiles.

Description

Echidnas are medium-sized, solitary mammals covered with coarse hair and spines.

Bitis

Bitis is a genus of venomous vipers found in Africa and the southern Arabian Peninsula. It includes the largest and the smallest vipers in the world. Members are known for their characteristic threat displays that involve inflating and deflating their bodies while hissing and puffing loudly. The type species for this genus is B. arietans, which is also the most widely distributed viper in Africa. Currently, 14 species are recognized.

Members of the genus are commonly known as African adders,African vipers, or puff adders.

Description

Size variation within this genus is extreme, ranging from the very small B. schneideri, which grows to a maximum of 28 centimetres (11 in) and is perhaps the world's smallest viperid, to the very large B. gabonica, which can attain a length of over 2 metres (6.6 ft) and is the heaviest viper in the world.

All have a wide, triangular head with a rounded snout, distinct from the neck, and covered in small, keeled, imbricate scales. The canthus is also distinct. A number of species have enlarged rostral or supraorbital scales that resemble horns. Their eyes are relatively small. They have large nostrils that are directed outwards and/or upwards. Up to six rows of small scales separate the rostral and nasal scales. All species have a well-developed supranasal sac. The fronts of the maxillary bones are very short, supporting only one pair of recurved fangs.

Echidna (disambiguation)

Echidna is the common name for a family of Australian mammals.

Other

Echidna may also refer to:

  • Echidna (mythology), monster in Greek mythology and namesake of the mammal
  • (42355) Typhon I Echidna, the natural satellite of the asteroid 42355 Typhon
  • ECHIDNA, high-resolution neutron powder diffractometer at Australia's research reactor OPAL
  • Echidna, character in the video game The Bouncer
  • Taxonomic genera

  • Echidna (genus) J. R. Forster, 1788, a genus of moray eels
  • Echidna Cuvier, 1797, a junior homonym referring to the mammals commonly known as echidnas
  • Echidna Merrem, 1820, junior homonym for a genus of African snakes now treated as Bitis
  • See also

  • Knuckles the Echidna from the Sonic the Hedgehog video game series
  • Echidna Parass, fictional character from the Black Cat series
  • Mythology

    Mythology is a collection of myths, especially one belonging to a particular sacred, religious or cultural tradition of a group of people. Myths are a collection of stories told to explain nature, history, and customs–or the study of such myths.

    As a collection of such stories, mythology is a vital feature of every culture. Various origins for myths have been proposed, ranging from personification of nature, personification of natural phenomena to truthful or hyperbolic accounts of historical events, to explanations of existing ritual. Although the term is complicated by its implicit condescension, mythologizing is not just an ancient or primitive practice, as shown by contemporary mythopoeia such as urban legends and the expansive fictional mythoi created by fantasy novels and comics. A culture's collective mythology helps convey belonging, shared and religious experience, behavioural models, and moral and practical lessons.

    The study of myth dates back to antiquity. Rival classifications of the Greek myths by Euhemerus, Plato's Phaedrus, and Sallustius were developed by the Neoplatonists and revived by Renaissance mythographers. Nineteenth-century comparative mythology reinterpreted myth as a primitive and failed counterpart of science (E. B. Tylor), a "disease of language" (Max Müller), or a misinterpretation of magical ritual (James Frazer).

    Mythology (Derek Sherinian album)

    Mythology is the fourth solo album by keyboard player Derek Sherinian. Sherinian again draws upon some of the greatest talent from the worlds of rock and jazz music. Among the artists appearing on Mythology are jazz fusion player Allan Holdsworth (U.K., Soft Machine, Level 42), Steve Lukather (Toto), Simon Phillips (Toto, Jeff Beck, The Who), Zakk Wylde (Ozzy Osbourne, Black Label Society), Grammy award winner Steve Stevens (Billy Idol), Jerry Goodman (Mahavishnu Orchestra, Dixie Dregs), and a very rare guest appearance from guitarist John Sykes (Whitesnake, Thin Lizzy, Blue Murder).

    Track listing

  • "Day of the Dead" – 8:20 (Sherinian/Tichy)
  • "Alpha Burst" – 4:55 (Stevens)
  • "God of War" – 5:16 (Sherinian/Tichy)
  • "El Flamingo Suave" – 4:54 (Sherinian/Stevens)
  • "Goin' To Church" – 4:46 (Sherinian)
  • "One Way or the Other" – 4:56 (Goodman/Phillips/Sherinian)
  • "Trojan Horse" – 3:55 (Sherinian/Tichy)
  • "A View from the Sky" – 4:55 (Stevens)
  • "The River Song" – 3:51 (Sherinian/Wylde)
  • Mythology (Eloy Fritsch album)

    Mythology is an album by new age artist Eloy Fritsch. It is generally viewed as one of his stronger solo works. As with Apocalypse, Fritsch plays a variety of keyboard instruments on the album. Featured in the inside photograph are a Modular Synthesizer System-700, Minimoog Synthesizer and electronic keyboards. Mythology deals with diverse myths of the world. So several cultures were visited, including those of Brazil, the Aztecs, the Incas, Assyria, Greek, Hindu, Egyptian, Nordic, Atlantis, the Romans, the Chinese, and so on. All electronic compositions on the album were based in his own interpretation of the characteristics of each mythological element chosen for this work.

    Track listing

  • "The Creation"
  • "Inti"
  • "Assur"
  • "Curupira"
  • "Aphrodite"
  • "Shiva"
  • "Isis"
  • "Asgard"
  • "Atlantis"
  • "Excalibur"
  • "Kinich-Ahau"
  • "Yang & Yin"
  • "Quetzalcoatl"
  • "Mermaids"
  • External links

  • Allmusic review
  • Podcasts:

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