Toz (means "dust" in Turkish) is a Turkish short film. It gained a number of awards at various film festivals in the category of short films.
The film is a series of microepisodes that portray elements of an imperfect relationship of a couple: abuse, control, incomprehension, acceptance.
Dust (Macedonian: Прашина; Prašina; Prashina) is a 2001 British-Macedonian Western drama film, written and directed by Milcho Manchevski, and starring Joseph Fiennes, David Wenham, Adrian Lester, Anne Brochet, Vera Farmiga, and Rosemary Murphy. The film premiered at the Venice Film Festival on August 29, 2001.
Shifting periodically between two parallel stories, Dust opens in present-day New York City with a young criminal, Edge (Adrian Lester), being confronted at gunpoint by an ailing old woman, Angela (Rosemary Murphy), whose apartment he is attempting to burglarize. While he awaits an opportunity to escape, she launches into a tale about two outlaw brothers, at the turn of the 20th century, who travel to Ottoman-controlled Macedonia. The two brothers have transient ill will between them, and they become estranged when confronted with a beautiful woman, Lilith (Anne Brochet).
In the New York storyline, Edge hunts for Angela's gold to pay back a debt, and gradually grows closer to her. In the Macedonian story, the brothers end up fighting for opposite sides of a revolution, with the religious Elijah (Joseph Fiennes) taking up sides with the Ottoman sultan and gunslinger Luke (David Wenham) joining "the Teacher" (Vlado Jovanovski), a Macedonian rebel.
Dust is the debut album by Dust, released by Kama Sutra Records in 1971.
All songs written and composed by Richie Wise and Kenny Kerner, except where noted.
A helix (pl: helixes or helices) is a type of smooth space curve, i.e. a curve in three-dimensional space. It has the property that the tangent line at any point makes a constant angle with a fixed line called the axis. Examples of helices are coil springs and the handrails of spiral staircases. A "filled-in" helix – for example, a spiral ramp – is called a helicoid. Helices are important in biology, as the DNA molecule is formed as two intertwined helices, and many proteins have helical substructures, known as alpha helices. The word helix comes from the Greek word ἕλιξ, "twisted, curved".
Helices can be either right-handed or left-handed. With the line of sight along the helix's axis, if a clockwise screwing motion moves the helix away from the observer, then it is called a right-handed helix; if towards the observer, then it is a left-handed helix. Handedness (or chirality) is a property of the helix, not of the perspective: a right-handed helix cannot be turned to look like a left-handed one unless it is viewed in a mirror, and vice versa.
Helix was a short-lived, science fiction and science fantasy imprint of DC Comics, launched in 1996 and discontinued in 1998. In early promotional materials prior to the release of the first title, the imprint was called Matrix instead of Helix. It was renamed because of the then-upcoming film, The Matrix. It featured a handful of ongoing monthly series, several limited series, and one short graphic novel.
Despite the involvement of successful science fiction/fantasy novelists Michael Moorcock, Lucius Shepard and Christopher Hinz, and established comics creators Howard Chaykin, Elaine Lee, Matt Howarth, Warren Ellis, Walt Simonson, and Garth Ennis, sales of the comic books were low, and most of the ongoing titles were cancelled after 12 or fewer issues. Ellis' Transmetropolitan was switched to the Vertigo imprint, where it continued for several more years before reaching its planned conclusion. Ennis' Bloody Mary mini-series and Michael Moorcock's Multiverse were later collected in Vertigo-label paperbacks and Moeller's Sheva's War was released as a graphic novel paperback by Dark Horse.
Phelix is a high-speed stream cipher with a built-in single-pass message authentication code (MAC) functionality, submitted in 2004 to the eSTREAM contest by Doug Whiting, Bruce Schneier, Stefan Lucks, and Frédéric Muller. The cipher uses only the operations of addition modulo 232, exclusive or, and rotation by a fixed number of bits. Phelix uses a 256-bit key and a 128-bit nonce, claiming a design strength of 128 bits. Concerns have been raised over the ability to recover the secret key if the cipher is used incorrectly.
Phelix is optimised for 32-bit platforms. The authors state that it can achieve up to eight cycles per byte on modern x86-based processors.
FPGA Hardware performance figures published in the paper "Review of stream cipher candidates from a low resource hardware perspective" are as follows:
Phelix is a slightly modified form of an earlier cipher, Helix, published in 2003 by Niels Ferguson, Doug Whiting, Bruce Schneier, John Kelsey, Stefan Lucks, and Tadayoshi Kohno; Phelix adds 128 bits to the internal state.
Eating (also known as consuming) is the ingestion of food, typically to provide a heterotrophic organism with energy and to allow for growth. Animals and other heterotrophs must eat in order to survive — carnivores eat other animals, herbivores eat plants, omnivores consume a mixture of both plant and animal matter, and detritivores eat detritus. Fungi digest organic matter outside of their bodies as opposed to animals that digest their food inside their bodies. For humans, eating is an activity of daily living. Some individuals may limit their amount of nutritional intake. This may be a result of a lifestyle choice, due to hunger or famine, as part of a diet or as religious fasting.
Many homes have a large eating room or outside (in the tropics) kitchen area devoted to preparation of meals and food, and may have a dining room, dining hall, or another designated area for eating. Some trains have a dining car. Dishware, silverware, drinkware, and cookware come in a wide array of forms and sizes. Most societies also have restaurants, food courts, and/or food vendors, so that people may eat when away from home, when lacking time to prepare food, or as a social occasion (dining club). At their highest level of sophistication, these places become "theatrical spectacles of global cosmopolitanism and myth." At picnics, potlucks, and food festivals, eating is in fact the primary purpose of a social gathering. At many social events, food and beverages are made available to attendees.