In linguistics, a copula (plural: copulas or copulae) is a word used to link the subject of a sentence with a predicate (a subject complement), such as the word is in the sentence "The sky is blue." The word copula derives from the Latin noun for a "link" or "tie" that connects two different things.
A copula is often a verb or a verb-like word, though this is not universally the case. A verb that is a copula is sometimes called a copulative or copular verb. In English primary education grammar courses, a copula is often called a linking verb. In other languages, copulas show more resemblances to pronouns, as in Classical Chinese and Guarani, or may take the form of suffixes attached to a noun, as in Beja, Ket, and Inuit languages.
Most languages have one main copula, although some (such as Spanish, Portuguese and Thai) have more than one, and some have none. In the case of English, this is the verb to be. While the term copula is generally used to refer to such principal forms, it may also be used to refer to some other verbs with similar functions, like become, get, feel and seem in English (these may also be called "semi-copulas" or "pseudo-copulas").
To Be may refer to:
"To Be" is the English title of a Japanese-language song by Ayumi Hamasaki. It was released as the singer's eighth single on May 12, 1999. The song begins "Dare mo ga toorisugite...", and does not contain the phrase "to be" or any other English lyrics.
"To Be" was released less than a month after her first number one single, "Love (Destiny)." Hamasaki's first song to be composed by Do as Infinity composer DAI, "To Be" was unable to reach the top position on the Oricon, unlike its predecessor. Hamasaki re-recorded "To Be" in celebrating her 10th anniversary in the music business in 2008 and it appeared as a B-Side on her Days/Green single.
The music video for "TO BE" was directed by longtime collaborator Takeishi Wataru. It shows Hamasaki singing as seen by a little boy through a kaleidoscope. It makes use of various backgrounds, outfits, makeup, and wigs to bring as much color as possible into the world the little boy sees. At the end, the kaleidoscope lens breaks, and Hamasaki is seen in black and white.
Lifehouse may refer to:
Lifehouse Chronicles is a box set released in 2000 by Pete Townshend with the focus on the box being the formerly "abandoned" Lifehouse rock opera. The set contains song demos by Pete Townshend; including solo versions of "Baba O'Riley", "Won't Get Fooled Again", and "Who Are You", and the Lifehouse Radio Program. The box set release was followed by two Sadler's Wells Lifehouse concerts and the release of a live CD and video/DVD called respectively Pete Townshend Live: Sadler's Wells 2000 and Pete Townshend – Music from Lifehouse.
The set collects songs and other compositions relating to Lifehouse, a musical concept developed by Townshend in 1970 as a followup to The Who's highly successful rock opera, Tommy. Rooted heavily in the teachings of Townshend's spiritual mentor Meher Baba as well as in science fiction literature, Lifehouse was meant to explore the idea that music is the fundamental basis of all life – that every human being on Earth has a unique musical melody that "describes" them, and only them, perfectly. When the unique songs of enough people are played in unison, the result would be a single harmonic note – the One Note – akin to the quintessence sought by ancient alchemists. Lifehouse was to be a true multimedia project: a double LP rock opera, a motion picture, and an interactive concert experience.
Lifehouse was a science fiction rock opera by the Who intended as a follow-up to Tommy. It was abandoned as a rock opera in favour of creating the traditional rock album, Who's Next, though its songs would appear on various albums and singles by the Who, as well as Pete Townshend's solo albums. In 1978, aspects of the Lifehouse project were revisited by the Who on Who Are You. In 2000, Townshend revived the Lifehouse concept with his set The Lifehouse Chronicles and the sampler Lifehouse Elements. On 1 May 2007, Townshend released online software called The Lifehouse Method in which any "sitter" could create a musical "portrait". The site is now defunct.
Lifehouse's story was inspired by Pete Townshend's experiences on the Tommy tour: "I’ve seen moments in Who gigs where the vibrations were becoming so pure that I thought the whole world was just going to stop, the whole thing was just becoming so unified." He believed that the vibrations could become so pure that the audience would "dance themselves into oblivion". Their souls would leave their bodies and they would be in a type of heaven; a permanent state of ecstasy. The only reason this did not happen at Who gigs was because there was a knowledge in the listener's mind that the show would end and everyone would wake up and go to work the next morning. These ideas were directly linked to the writing of philosopher Inayat Khan, a Sufi musician who had written about the connection of vibration and sound with the human spirit. Another source of inspiration for Townshend was Meher Baba, who claimed to be an Avatar of Brahman.
Chasing fireflies
Elusive dreams
This pre life crisis
Is killing me
Beautiful tragedy
Who I was wasn't me
Yeah yeah
Do do do do
You make it easier to be
Easier to be me
It's hard to believe
You make it easy...
We speak in silence
Words can't break
It feels like we are
Falling awake
In a place and a time
Of our own
Yeah yeah
Do do do do
You make it easier to be
Easier to be me
Hard to believe
It felt like the world
Fell from my feet
Gave up on myself
You didn't give up on me
Let myself go
You were still there
Like coming home
Coming up for air