In-ear monitors (IEMs) are devices used by musicians, audio engineers and audiophiles to listen to music or to hear a personal mix of vocals and stage instrumentation for live performance or recording studio mixing. They are often custom fitted for an individual's ears to provide comfort and a high level of noise reduction from ambient surroundings.
A monitoring system is any system that provides a mix of audio sources to a performer on stage. Traditionally, monitors were loudspeakers placed on stage directed toward the performer (often called floor monitors or wedges). Depending on the sophistication of the audio system, they may be more distracting than helpful to their singing. Since performers wear an IEM in each ear, they can also hear a stereo mix if a particular monitor system allows it. This can allow additional definition of the audio by panning different elements to each ear. Recent advances in this technology also allow the user to incorporate an ambient feature, allowing them to adjust the amount of ambient noise filtered by the IEM.
Todo dia eu te vejo num carrão,
todo dia você na gandaia.
Todo dia você cruza o retão
da avenida Getúlio Vargas.
Fiz de tudo pra te namorar
mas a pé, você vira a cara
esqueceu que eu já te conquistei
com uma pick-up emprestada
Oh, Maria gasolina, se você entrar na minha,
eu te dou uma pick- up, meu bem.
Oh, Maria gasolina, vamos dar uma saidinha
está valendo um carro, rapaz.
Oh, meu Deus, que bom seria
ter um carro todo dia, pra sair com essa mulher.
O barulho da buzina, com cheiro de gasolina,
só não pega quem não quer.
O barulho da buzina, com cheiro de gasolina,
só não pega quem não quer.