Eia
Eia or Eye was a Medieval manor in Middlesex and now part of Central London. A smaller manor called Ebury or Eybury, and the village of Eye Cross, were originally part of the manor of Eia – and derive their names from it. Both Ebury and a corruption of it, Avery, can still be found in the names of local streets and other places.
The broader area covered by the original manor of Eia included much of the present SW1 postcode area, including: Hyde Park (which dates from 1536), the grounds of Buckingham Palace (1703) and Belgravia, a country road known later as Park Lane and most parts of Mayfair, Pimlico, and Knightsbridge.
The name Eia is believed to have originated as a latinisation of the Anglo-Saxon toponym eyai, which means "island", in reference to a marsh that once dominated the area.
Middle Ages
Eia was a rural manor during the early medieval period, located on land around the underground River Tyburn (which still flows beneath the courtyard and south wing of Buckingham Palace), immediately west and north of Thorney Island, which became the site of Westminster Abbey.
EIA
EIA may refer to:
Eia may refer to
CEA-708
CEA-708 is the standard for closed captioning for ATSC digital television (DTV) streams in the United States and Canada. It was developed by the Electronic Industries Alliance.
Unlike RLE DVB and DVD subtitles, CEA-708 captions are low bandwidth textual like traditional EIA-608 captions and EBU Teletext/Ceefax subtitles. However, unlike EIA-608 byte pairs, CEA-708 captions are not able to be modulated on an ATSC receiver's NTSC VBI line 21 composite output and must be pre-rendered by the receiver with the video frames, they also include more of the Latin-1 character set, and include stubs to support full UTF-32 captions, and downloadable fonts.
CEA-708 captions are injected into MPEG-2 video streams in the picture user data. The packets are in picture order, and must be rearranged just like picture frames are. This is known as the DTVCC Transport Stream. It is a fixed-bandwidth channel that has 960 bit/s allocated for backward compatible Line 21 captions, and 9,600 bit/s allocated for CEA-708 captions. The ATSC A/53 Standard contains the encoding specifics. The main form of signalling is via a PSIP caption descriptor which indicates the language of each caption and if formatted for "easy reader" (3rd grade level for language learners) in the PSIP EIT on a per event basis and optionally in the H.222 PMT only if the video always sends caption data.
Podcasts:
E.I.A
ALBUMS
- ニコニ紅白2009～ユーロビート・ジャパン・ベスト released: 2009
Ensemble Instrumental de l'Ariège - dir Eric Villevière
ALBUMS
- Aurigera released: 2007
Aurigera
Released 2007- Duel - Bruno Peterschmitt (Hn : Jean-Pierre Cénédèse, Eric Villevière )
- Marsyas - Maxime Aulio (Fl : Claude Roubichou, Hp : Anne-Claire Cazalet)
- Montségur, la Tragédie Cathare - Maxime Aulio (Tb : Daniel Lassalle)
- Hotchpotch Concerto - Jean-Michel Maury (Cl : Jean-Michel Maury)
- Estrambotic Cant - Jean-Michel Maury (Cl Quintet)
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Steady Risin'
by: Yo Yo[Chorus]
I been on the low for a while, but now
It's time to rise up, so open your eyes up
And recognise the real, that's all up in your grill
Yo Yo gots the flow, y'all niggas know the deal [x2]
[Verse 1]
It's a must that I thrush world plush a little lush money
Green like sus-money, cream and takes the bus
International connects, plus discuss the hush-hush
West-side, Who Ride?, World-wide, Bomb-rush
So what's the deal with all this 'keep it real' rapping
I'm still flexing skills, collect my mill and keep stepping
Pack a weapon close if I ghost a nigga then I'm Swayze
Cause rapping pays me to live shady, wilin' crazy
Just the killer Cali lady, snatch your fuckin lady
If rappers be board, you niggas still couldn't play me
So save the drama for your mommy and your poppy
When I hit the track up a mad truck couldn't stop me
To all you, Versace wearin' Donna Karen tricks
Starin' all up in my grill, I'ma let you know the deal
I'm still droppin' bombs like Sudam Husain
Who-Bang, like Mack-10, sip gin and kick game
[Chorus]
[Verse 2]
I've been on the low, but now it's time to show and prove
Turn my dues to power moves, I got 'em winning never lose
So whoever snooze, on the Y-O-Y-O better buy you
A superior plot, I'm blowin' up the spot
Hip-Hop's the mil-ticket, and I still kick it
For my niggas in the hood, best believe it's all good
My game is understood from LA to Amsterdam
So I organise my fam' and rock the world like Pearl Jam
This girl's a thriller, got more game than Shirl' Miller
And as this world turns, my main concern is earnin' scrilla
I'm realer than most don't test this west coast fever
On your reciever, with more respect than Aretha
Franklin, got mo' bankin', drudge and wheezy
I'm movin on up so give it up this shit ain't easy
But see I, step to my B I and be fly
Like a sparrow, but their all stackin' up 'Genaro
[Chorus]
[Verse 3]
You best rocognise game about the things that I told
Everything that glitters an't gold, but this mic I hold
Is worth about a million, really don't peep the flow
I generate more pace than Wall Street when I blow
You know this how we do, in killer Cali rule
Mic check, one two, when the Yo be comin' through
With the lyrical, verbal miracle, oh Jesus
I say what I want and I do as I pleases
For any nigga step in my direction and question
My affection for this game that I be flexin'
The same as chin-checkin, I'll be right there like demolition
I'm on a mission, so just listen
I'm spittin', the game related, that keep you faded
Intoxicated, then your pocket get raided
I made it, for them G's and Ladies
Beneath the palm trees just shootin' the breeze
[Chorus]
That's the way, uh uh, we like it
Bad as I wanna be, you don't wanna step to me
That's the way, uh uh, we like it
Steady Risin' to the top, movin' up another notch [x2]
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