In the terminology of Islam, duʿāʾ (Arabic: دُعَاء, plural: ʾadʿiyah أدْعِيَة; also transliterated Doowa), literally meaning "invocation", is an act of supplication. The term is derived from an Arabic word meaning to 'call out' or to 'summon', and Muslims regard this as a profound act of worship. The Islamic prophet Muhammad is reported to have said "Dua is the very essence of worship," while one of God's commands expressed through the Quran is for them to call out to Him:
There is a special emphasis on du'a in Muslim spirituality and early Muslims took great care to record the supplications of Muhammad and transmit them to subsequent generations. These traditions precipitated new genres of literature in which prophetic supplications were gathered together in single volumes that were memorized and taught. Collections such as Al-Nawawi's Kitab al-adhkar and Shams al-Din al-Jazari's al-Hisn al-Hasin exemplify this literary trend and gained significant currency among Muslim devotees keen to learn how Muhammad supplicated to God.
Dua (Arabic: دعاء) is the Islamic term for the act of supplication.
Dua is the Asante Twi word for Tree.
DUA or Dua may also refer to:-
A massacre is a specific incident which involves the deliberate slaughter of people, although a tight definition has never emerged.
The first recorded use in English of the word massacre to label an event is Marlowe's (circa 1600), The massacre at Paris (a reference to the St. Bartholomew's Day massacre). The word ultimately derives from Middle Low German *matskelen meaning to slaughter.
Massacre is also a verb that means to kill (people or, less commonly, animals) in numbers, especially brutally and indiscriminately. The first known use for this meaning was in 1588.
The term is also used metaphorically for events that do not involve deaths, such as the Saturday Night Massacre—the dismissals and resignations of political appointees during Richard Nixon's Watergate scandal.
Robert Melson's "basic working definition," reads, "by massacre we shall mean the intentional killing by political actors of a significant number of relatively defenseless people... the motives for massacre need not be rational in order for the killings to be intentional... Mass killings can be carried out for various reasons, including a response to false rumors... political massacre... should be distinguished from criminal or pathological mass killings... as political bodies we of course include the state and its agencies, but also nonstate actors..."
This is a list of fictional characters from DC Comics who are or have been enemies of Superman. It is notable that several of Superman's enemies are or have been foes of the Justice League of America as well.
In alphabetical order (with issue and date of first appearance):
In alphabetical order (with issue and date of first appearance):
Some characters originally conceived as heroes have come into conflict with Superman.
These are Superman villains created in other media, with no appearances in previous comics. Livewire, Mercy Graves, Non and Ursa subsequently made appearances in Superman comic books, and have been integrated into the mainstream continuity of the DC Universe.
A number of villains from the comic books have made an appearance, or appearances, in Superman related live-action media.
Massacre was originally founded in 1980 in New York City by guitarist Fred Frith, bassist Bill Laswell and drummer Fred Maher as an improvising and experimental rock band. They performed live for just over a year and recorded a studio album, Killing Time (1981). Frith and Laswell reformed Massacre in 1998 with drummer Charles Hayward, and released four more albums, Funny Valentine (1998), Meltdown (2001), Lonely Heart (2007) and Love Me Tender (2013). The last three albums were recorded live, the first in London, and the others at European festivals between 1999 and 2008.
The BBC described Massacre as "an unholy union of The Shadows, Captain Beefheart, Derek Bailey and Funkadelic".
Guitarist Fred Frith, who was a co-founder of the English avant-rock group Henry Cow, moved to New York City in 1979 after Henry Cow split up. There he met and began performing with bassist Bill Laswell and drummer Fred Maher, both of the jazz ensemble Material. In 1980, when Peter Blegvad was looking for an opening band for his Valentine’s day concert at Soundscape in New York, Frith volunteered and invited Laswell and Maher to join him as a power trio they called Massacre. The band was well received and soon began performing at venues all over New York City.