Duo LNB

A Duo LNB is a double low-noise block downconverter (LNB) developed by SES for the simultaneous reception of satellite television signals from both the Astra 23.5°E and Astra 19.2°E satellite positions.

It is a monoblock LNB, which comprises two feedhorns with a single body of electronics containing the LNB stages along with switching circuitry to select which received signal is passed to the output(s).

Availability

A Duo LNB can be purchased in most parts of Europe but it is particularly marketed to Germany, the Netherlands, Belgium and the Czech and Slovak Republics.

Duo LNBs operate as universal LNBs and are manufactured under various brand names, such as Maximum and Inverto, in single, twin-output and quad-output versions – with one, two and four outputs (independently selectable for polarisation and frequency band), respectively, for one, two or four receivers/tuners.

The Duo LNB is available in two versions - the original Duo LNB for dishes of 80 cm or 85 cm diameter and the Duo LNB II for dishes of 60 cm.

Duo

Duo may refer to:

Arts

Computing

Other uses

Duo (Kenny Drew and Niels-Henning Ørsted Pedersen album)

Duo is an album by pianist Kenny Drew and bassist Niels-Henning Ørsted Pedersen recorded in 1973 and released on the SteepleChase label.

Reception

The Allmusic review awarded the album 4 stars.

Track listing

All compositions by Kenny Drew except as indicated

Personnel

References

Duo (novel)

Duo is a 1934 novel by the French writer Colette. The story focuses on a married couple on vacation in southern France, who deal with the fact that the wife has been unfaithful. Roberto Rossellini's 1954 film Journey to Italy is loosely based on the novel, but uncredited due to rights issues.

Reception

Margaret Wallace of The New York Times wrote: "Duo is a small work and very fine. In comparison with Colette's previous novels it gives one- and this is odd, for nothing she has written has ever seemed shallow or immature- an impression of increased depth and maturity. It is altogether a cleaner and harder piece of writing than one has expected from Colette in the past. It is less mannered, ruthlessly stripped of anything decorative or ornamental, even of wit purely for wit's sake."

See also

References