Juju

Juju or Ju-Ju are objects, such as amulets, and spells used in religious practice, as part of witchcraft in West Africa. Juju historically referred to traditional West African religions.

The term "juju", and the practices associated with it, travelled to the Americas from West Africa with the influx of slaves via the Atlantic slave trade and still survives in some areas, particularly among the various groups of Maroons, who have preserved their African traditions.

Juju is sometimes used to enforce a contract or ensure compliance. In a typical scenario, a juju spell will be placed on a Nigerian woman before she is trafficked into Europe for a life in prostitution, to ensure that she will pay back her traffickers and won't escape. The witch doctor casting the spell requires a payment for this service. Juju is also commonly used in an attempt to affect the outcome of football games.

Contrary to common belief, Vodun is not related to juju, despite the linguistic and spiritual similarities. Juju has acquired some karmic attributes in more recent times: good juju can stem from almost any good deed; bad juju can be spread just as easily. These ideas revolve around the luck and fortune portions of juju. The use of juju to describe an object usually involves small items worn or carried; these generally contain medicines produced by witch doctors.

Juju (singer)

Juju (ジュジュ) (stylized as JUJU) (born February 14, 1976) is a Japanese jazz singer. She is represented by Sony Music Associated Records Inc.

Biography

She currently resides in New York City. She dreamed of being a jazz singer while growing up in Kyoto, and participated in all sorts of music-related activities. At age 18, she left for the US alone. While in New York, she was very taken with the "New York sound," including jazz, R&B, hip-hop, soul, Latin music, and house. Around 2001, Juju began to be featured in a number of works by other artists. In 2002, she provided music for the film Kyōki no Sakura. In 2004, she debuted with her first single "Hikaru no Naka e". The same year, concurrent with her musical activities in New York, she started performing live in Japan. When her third single, "Kiseki o Nozomu nara", was released, it topped the USEN charts and remained on the chart for a record length of 22 weeks. At this point, while she received support from a small group of listeners, she remained mostly unknown. On August 23, 2008, with the release of "Kimi no Subete ni", a collaboration between Spontania and Juju, she broke out onto the Japanese popular music scene, with the single receiving over 2.5 million downloads. Again, on November 26, 2008, another collaboration with Spontania named "Sunao ni Naretara" earned her even more fame, with the song receiving 2.2 million downloads.In 2010, Juju released her third album called Juju and it won the Excellence Album Award at the 52nd Japan Record Awards.

Juju (rapper)

Julius Sarisalmi, professionally known as Juju, is a Finnish rapper. To date, he has released four solo albums, the latest of which in June 2014. Juju has also appeared as a featured guest on songs by such artists as Julma-Henri, Teflon Brothers and Aste.

Selected discography

Solo albums

Singles

References

Dumb (Tich song)

"Dumb" is the debut single from British singer Tich. The song was released in the United Kingdom as a digital download on 13 May 2013. The song has peaked at number 23 on the UK Singles Chart and at number 22 in Scotland.

Music video

A music video to accompany the release of "Dumb" was first released onto YouTube on 12 March 2013 at a total length of three minutes and twenty-three seconds.

Track listing

Chart performance

Weekly charts

Release history

References

Jazmine Sullivan

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Jazmine Marie Sullivan (born April 9, 1987) is a Grammy-nominated American singer-songwriter from Philadelphia, Pennsylvania. Her debut single "Need U Bad," produced by Missy Elliott, reached number one on Billboard's Hot R&B/Hip-Hop Songs chart, while her second single, "Bust Your Windows," produced by Salaam Remi, peaked at number four. Elements of R&B, reggae, dub, pop, jazz, neo soul and doo-wop can be heard in her work. Jazmine cites singers Changing Faces, Kim Burrell, Lauryn Hill, and Dorinda Clark-Cole as her main influences and inspirations.

Early life

Dumb (Nirvana song)

"Dumb" is a song by American rock band Nirvana. It is the sixth song on the band's third studio album In Utero, released in 1993.

Composition and critical reception

Kurt Cobain wrote "Dumb" in the summer of 1990 after he had begun to follow some of his own poppier instincts. Cobain debuted the song on September 25, 1990, when he performed a solo acoustic version on the Boy Meets Girl show on KAOS (FM) in Olympia, Washington. The first live version featuring the full band was at the Off Ramp Café in Seattle, Washington on November 25, 1990.

The song was first officially released in September, 1993 on the band's third and final studio album, In Utero. The album was recorded by Steve Albini at Pachyderm Studio in Cannon Falls, Minnesota in February, 1993, and features Kera Schaley on cello on "Dumb" and "All Apologies." Cobain cited both as examples of the type of song he wished he had put on previous Nirvana albums, and explained that the use of the word "happy" in "Dumb" was "a nice twist" on the negative stuff that they had done before.

Bitch (magazine)

Bitch is an independent, quarterly magazine published in Portland, Oregon. Its tagline is "a feminist response to pop culture".Bitch is published by the multimedia non-profit organization Bitch Media. The magazine includes analysis of current political events, social and cultural trends, television shows, movies, books, music, advertising, and artwork from a feminist perspective. It has about 80,000 readers.

History

The first issue of Bitch was a ten-page feature. It was published in January 1996 in Oakland, California. The founding editors, Lisa Jervis and Andi Zeisler, along with founding art director Benjamin Shaykin, wanted to create a public forum in which to air thoughts and theories on women, gender, and feminist issues, interpreted through the lens of the media and popular culture. The first issue of Bitch was a zine, and a mere 300 copies were distributed from the trunk of a station wagon.

In 2001, a loan from San Francisco's Independent Press Association allowed Jervis and Zeisler to quit their day jobs and work on Bitch full-time and the magazine officially became a non-profit.