Dulari (film)
Dulari is a 1949 Indian Bollywood film. It was the eighth highest grossing Indian film of 1949. It has a hit song 'Suhani Raat Dhal Chuki, Na Jaane Tum Kab Aaogi'.
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Dulari (actress)
Dulari (real name Ambika Gautam) (18 April 1928 – 18 January 2013) was an Indian film actress, who worked as character actor in Hindi cinema, appearing in 135 films, most notably Jab Pyar Kisi Se Hota Hai (1961), Mujhe Jeene Do (1963), Teesri Kasam (1967), Deewar (1975).
Biography
Forced to look for work after her father's illness, Dulari made her film debut with Hamari Baat (1943), produced by Bombay Talkies, and went to appear as a character actor in over 135 films in the following six decades. Her last screen appearance was in Ziddi (1997) directed by Guddu Dhanoa.
She married sound recordist J. B. Jagtap in 1952, and took a break from acting for nine years.
She died in an old age home in Pune, Maharashtra at the age of 86. She had been suffering from Alzheimer's disease, and was bedridden for over two years. Through the last years of her life Cine & TV Artistes Association (CINTAA) had started providing her financial assistance after veteran actress Waheeda Rehman brought up her case. She was survived by her daughter Charulata Jagtap and grandsons who have settled in Australia.
Film (band)
Film was a Yugoslav rock group founded in 1978 in Zagreb. Film was one of the most popular rock groups of the former Yugoslav new wave in the late 1970s to early 1980s.
History
New wave years (1979-1981)
During 1977 and 1978, bassist Marino Pelajić, guitarist Mladen Jurčić, and drummer Branko Hromatko were Azra members when Branimir "Johnny" Štulić brought Jura Stublić as the new vocalist. Stublić was to become Aerodrom member, but due to his deep vocals it never happened. The lineup functioned for a few months only and after a quarrel with Štulić, on early 1979, Pelajić, Jurčić, Hromatko and Stublić formed the band Šporko Šalaporko i Negove Žaluzine, naming the band after a story from the "Polet" youth magazine, which was soon after renamed to Film. The memories of the Azra lineup later inspired Štulić to write the song "Roll over Jura" released on Filigranski pločnici in 1982.
Saxophonist Jurij Novoselić, who at the time had worked under the pseudonym Kuzma Videosex, joined the band, inspiring others to use pseudonym instead of their original names: vocalist Stublić became Jura Jupiter, bassist Pelajić became Mario Baraccuda and guitarist Jurčić became Max Wilson. Before joining the band, Stublić did not have much experience as a vocalist, however, since his father had been an opera singer, he often visited the theatre and opera, and at the age of 13, he started playing the guitar, earning money as a street performer at seaside resorts.
Film (Iranian magazine)
Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.
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Film (film)
Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.
Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.
The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:
