Ducal Palace (Italian: Palazzo Ducale) may refer to a number of buildings in Italy and other countries:
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The Palazzo Ducale di Mantova ("Ducal Palace") is a group of buildings in Mantua, Lombardy, northern Italy, built between the 14th and the 17th century mainly by the noble family of Gonzaga as their royal residence in the capital of their Duchy. The buildings are connected by corridors and galleries and are enriched by inner courts and wide gardens. The complex includes some 500 rooms and occupies an area of c. 34,000 m². Although most famous for Mantegna's frescos in the Camera degli Sposi (Wedding Room), they have many other very significant architectural and painted elements.
The Gonzaga family lived in the palace from 1328 to 1707, when the dynasty died out. Subsequently, the buildings saw a sharp decline, which was halted in the 20th century with a continuing process of restoration and the designation of the area as museum. In 1998, a hidden room was discovered by Palace scholars, led by musicologist Paula Bezzutti. The room is thought to have been used for performances of Monteverdi's music in the late 16th century.
The Ducal Palace (Italian: Palazzo Ducale) is a palace in Lucca, Tuscany, central Italy.
The palace is located on the site of the Fortezza Augustan, the residence of condottiero Castruccio Castracani, where also was his palace, perhaps designed by Giotto. The large complex, which occupied some one fifth of the city, was destroyed by the populace in 1370. The fortress was restored and used as residence by Paolo Guinigi in 1401; after his fall in 1429 this was again partially dismantled and later became the Palazzo Pubblico ("Public Palace").
After a period as the residence of Duchess Elisa Baciocchi, it was the seat of the Lucchese state government until the Unification of Italy in 1861, when it was acquired by the province of Lucca.
The palace is of large size and owes its current appearance to Bartolomeo Ammannati's restoration in 1578 (from the left side to the central portal). The right wing was added only in 1728 by Francesco Pini, a pupil of Filippo Juvarra. In the early 19th century it was further enriched by the ducal architect Lorenzo Nottolini.