Dual Alibi is a 1947 British drama film directed by Alfred Travers and starring Herbert Lom, Phyllis Dixey and Terence De Marney. The film is a British classical Film Noir. It was made by British National Films at Elstree Studios.
A top French acrobatic act, the de Lisle twins, are hired by a British promoter to perform in his Blackpool show. While working there one of the twins falls in love with a cigarette girl and aspiring singer Penny. After the twins win the French lottery, she steals their ticket with the help of a spivish publicity agent and goes to Paris to claim the prize. The twins follow them to seek revenge.
An alibi is a form of defense used in criminal procedure wherein the accused attempts to prove that he or she was in some other place at the time the alleged offense was committed. The Criminal Law Deskbook of Criminal Procedure states: "Alibi is different from all of the other defenses; it is based upon the premise that the defendant is truly innocent." In the Latin language alibī means "somewhere else."
In some legal jurisdictions there may be a requirement that the accused disclose an alibi defence prior to the trial. This is an exception to the rule that a criminal defendant cannot normally be compelled to furnish information to the prosecution. Since the alibi involves evidence of innocence rather than guilt, the privilege against self-incrimination is not implicated.
In Canada, the defence must disclose an alibi defence with sufficient time for the authorities to investigate the alibi, and with sufficient particularization to allow for a meaningful investigation. Failure to comply with the two requirements will result in the court making an adverse inference against the alibi defence (but will not result in the exclusion of the alibi defence).
Alibi is a 1928 play by Michael Morton based on The Murder of Roger Ackroyd, a novel by British crime writer Agatha Christie.
It opened at the Prince of Wales Theatre in London's West End on 15 May 1928, starring Charles Laughton as Hercule Poirot. It was deemed a success and ran for 250 performances closing on 7 December 1928. It was the first work of Agatha Christie's to be presented on stage and the first ever adaptation of one of her works for any medium outside of her books. Retitled The Fatal Alibi, the play was first presented on Broadway in February 1932; the production was directed by Laughton, who reprised the role of Poirot.
Christie disagreed with the change of her favourite character Caroline Sheppard, the inspiration for Miss Marple, into a beautiful girl called Caryl Sheppard. She only permitted this change because the alternative was turning Poirot into a young man called Beau Poirot and having "lots of girls in love with him". The other major changes from the book were:
"Alibi" is the eighth episode of the eleventh season of the American police procedural drama NCIS, and the 242nd episode overall. It originally aired on CBS in the United States on November 12, 2013. The episode is written by George Schenck and Frank Cardea and directed by Holly Dale, and was seen by 19.37 million viewers.
The team goes out to investigate a fatal hit and run near Quantico involving the victim who is Petty Officer Third Class Jodie Ray and they eventually manage to gather enough evidence to lead them to Marine Staff Sergeant Justin Dunne. After being arrested, Dunne requests an attorney, and hires former FBI agent Carrie Clark, who also happens to be an old acquaintance of the team. Dunne tells Carrie that he has an alibi, in that he was involved in a murder outside of the base at the time of the hit and run, and that somebody else must have stolen his truck. Due to attorney-client privilege, Carrie cannot tell Gibbs and the team anything about Dunne's crime other than he has a solid alibi. However, she manages to leave small, subtle clues for the team to follow. The team then discovers Dunne indeed was not driving his truck at the time of the hit and run, and manage to track down and arrest Marine Private Daniel Cliff who stole it.
Dual (pronounced /duːˈɑːl/ or /-ˈæl/) is a brand name of audio and video electronics.
In 1907, brothers Christian and Joseph Steidinger began manufacturing clockwork and gramophone parts in the Black Forest town of St. Georgen. In 1927, Gebrüder Steidinger (Steidinger Bros.) adopted the name Dual in reference to the dual-mode power supplies it pioneered. The power supplies allowed gramophones to be powered from mains electricity or with a wind-up mechanism. Soon thereafter, Dual began producing turntables of its own.
After World War II, Dual became the biggest manufacturer of turntables in Europe, with more than 3,000 employees working in several factories. Throughout the 1970s, 1980s, and 1990s, Dual introduced audio cassette players, VCRs, CD players, and other consumer electronics.
But when Japanese consumer electronics started entering European markets in the 1970s on a large scale, Dual as most other traditional German manufacturers underwent a big crisis: Japanese products usually offered more features at a cheaper price in a much more modern package. Dual went bankrupt in 1982, and was sold to French electronic manufacturer Thomson SA. In 1988, Thomson sold Dual to German manufacturer Schneider Rundfunkwerke AG.
In electrical engineering, electrical terms are associated into pairs called duals. A dual of a relationship is formed by interchanging voltage and current in an expression. The dual expression thus produced is of the same form, and the reason that the dual is always a valid statement can be traced to the duality of electricity and magnetism.
Here is a partial list of electrical dualities:
The use of duality in circuit theory is due to Alexander Russell who published his ideas in 1904.
In category theory, a branch of mathematics, duality is a correspondence between properties of a category C and so-called dual properties of the opposite category Cop. Given a statement regarding the category C, by interchanging the source and target of each morphism as well as interchanging the order of composing two morphisms, a corresponding dual statement is obtained regarding the opposite category Cop. Duality, as such, is the assertion that truth is invariant under this operation on statements. In other words, if a statement is true about C, then its dual statement is true about Cop. Also, if a statement is false about C, then its dual has to be false about Cop.
Given a concrete category C, it is often the case that the opposite category Cop per se is abstract. Cop need not be a category that arises from mathematical practice. In this case, another category D is also termed to be in duality with C if D and Cop are equivalent as categories.
In the case when C and its opposite Cop are equivalent, such a category is self-dual.
[Bow Wow]
uh-huh, uh-huh, UH.
106 & Park ain't been the same since I had it
So I'm back at it - freeze
Still a +juvenile+ at +400 Degrees+
Lil' girls still fallin' out, I'm still ballin'
Crawlin' out the hottest speeds on these ATL streets
From the Garden, to the box office, I shuts down both
And no matter where I go I'm still, O-H-I-Ohhhhhhh
E'rybody know this is MY turf!
Who had it crunk first, and had girls of all ages off one verse?
(YOU!) Ain't nobody else can name
Another seventeen year-old manye that do it this HARD
"Oh LORD", that's what them old niggaz say about me
Young niggaz play, can't go a day without me
If bling was a drug, I'd DIE from an overdose
Fresh Prince to Sugarloaf, Homey I'm the most you've seen
I got the same affects on both coasts
And e'rything hot on fo' wheels, homey I'm ghost
[Hook 1]
Do you - stop tryna be me, stop tryna be he
Stop tryna do what you see
Do you - 'Cause right here is my love homey
Go back to where you came from and get yo own homey
Do you - It's so-so sloppy and the fans know a copy
When they see one, I would neva wanna be one
Do you - As long as it sound right
E'rybody in town like it
Don't worry 'bout nobody else, else
Do you
Not just the rap game, the whole industry the same
E'rybody wanna look and sound like the next manye
But I'm definite there ain't another me
And I'm So-So-Definite, back wit J.D
Back to give these little imitators sumthin' to talk on
Breathe, Stretch, let it go, homey get yo walk on!
Black Beat, Teen People, can't forget Right On!
A lotta things changed since the young don's been gone
What chug on roll with? The future is me!
Only youngins that's movin' units is.ugh.ME
Young Ali, float like a butterfly
Get up out them stores quick, why wouldn't you wanna buy?
The carbon copy, not the copy
Imitators mimic, but them guys is sloppy, heh, heh
As for me, I'm the leader of the new school
I can just ad-just, so the rest of y'all just
[Hook 1]
Do you - stop tryna be me, stop tryna be he
Stop tryna do what you see
Do you - 'Cause right here is my love homey
Go back to where you came from and get yo own homey
Do you - It's so-so sloppy and the fans know a copy
When they see one, I would neva wanna be one
Do you - As long as it sound right
E'rybody in town like it
Don't worry 'bout nobody else, else
Do you
[Jermaine Durpi - talking]
See?!
It's rare to find people like us.
Everybody out there doin what I'm doin!
Or tryna do what I'm doin, you can't man!
At one point in ya life, man, you gotta get in yo own lane and stop swervin' in mine!
See what I do, I do my way!
What about you, huh?! HUH?! CAN YOU SAY THAT?!
[Hook 2]
Do you - stop tryna be me, stop tryna be he
Stop tryna do what you see
Do you - 'Cause right here is my love homey
Go back to where you came from and get yo own homey
Do you- [Choir singing]
Do you
Do you