This is a list of tetragraphs in the Latin script. These are most common in Irish orthography. For Cyrillic tetragraphs, see tetragraph#Cyrillic script.

Irish tetragraphs [link]

Used between two velarized ("broad") consonants:

adha⟩ and ⟨agha⟩ are used for [əi̯] (in Donegal, [eː]).
abha⟩, ⟨amha⟩, ⟨obha⟩, ⟨odha⟩, ⟨ogha⟩ are used for [əu̯] (in Donegal, [oː]).
omha⟩ is used for [oː].

Used between two platalized ("slender") consonants:

eidh⟩ and ⟨eigh⟩ are used for [əi̯].

Used between a broad and a slender consonant:

aidh⟩ and ⟨aigh⟩ are used for [əi̯] (in Donegal, [eː]).
oidh⟩ and ⟨oigh⟩ are used for [əi̯].

Used between a slender and a broad consonant:

eabh⟩ and ⟨eamh⟩ are used for [əu̯] (in Donegal, [oː]).
eadh⟩ is used for [əi̯] (in Donegal, [eː]) between a slender and a broad consonant, or for an unstressed [ə] at the end of a word.

Other languages [link]

chth⟩ is used for an initial sound /θ/ in English words of Greek origin such as chthonian. When not initial, it is pronounced /kθ/, as in autochthonous.

dcg’⟩ was used in the 1987 orthography of Juǀʼhoansi for the click [ᶢǀʢ].

dçg’⟩ was used in the 1987 orthography of Juǀʼhoansi for the click [ᶢǂʢ].

ddzs⟩ is a long variant of Hungarian dzs. It is only found in suffixed words, such as bridzs + dzselbriddzsel "with the bridge game"; otherwise the sound [dːʒ] is written ⟨dzs⟩ like [dʒ].

dqg’⟩ was used in the 1987 orthography of Juǀʼhoansi for the click [ᶢǃʢ].

dsch⟩ is used in German to write the sound [dʒ].

dxg’⟩ was used in the 1987 orthography of Juǀʼhoansi for the click [ᶢǁʢ].

eeuw⟩ and ⟨ieuw⟩ are used in Dutch for the sounds [eːu̯] and [iːu̯]. ⟨Uw⟩ alone stands for [yːu̯], so these sequences are not predictable.

gqx’⟩ is used in the practical orthography of the Taa language, where it represents the prevoiced affricate [ɢqχʼ].

illi⟩ is used in French to write the sound [j] in a few words such as médaillier [medaje].

kngw⟩ is used for /ᵏŋʷ/ in Arrernte.

ndlh⟩ is found in the Romanized Popular Alphabet used to write Hmong, representing the prenasalized aspirated consonant [ndˡʱ].

ng’w⟩ is used for [ŋʷ] in Swahili-based alphabets.

nplh⟩ is found in the Romanized Popular Alphabet used to write Hmong, representing the prenasalized aspirated consonant [mbˡʱ].

ntsh⟩ is found in the Romanized Popular Alphabet used to write Hmong, representing the prenasalized aspirated consonant [ɳɖʐʱ].

ntxh⟩ is found in the Romanized Popular Alphabet used to write Hmong, representing the prenasalized aspirated consonant [ndzʱ].

nyng⟩ is used in Yanyuwa to write a pre-velar nasal, [ŋ̟].

phth⟩ is read as an initial sound /θ/ or /fθ/ in English words of Greek origin such as phthisis. When not initial, it is usually pronounced /fθ/, as in naphthol., although sometimes /pθ/ can be heard.[1]

rtnw⟩ is used for /ʈɳʷ/ in Arrernte.

s-c⟩ and ⟨s-cc⟩ are used in Piedmontese for the sequence /stʃ/.

s-ch⟩ is used in the Puter dialect of the Romansh language (spoken in the Upper Engadin area in Switzerland) for the sequence /ʃtɕ/. While the orthography using this tetragraph is no longer official, it is retained in place names like S-chanf.

s-g⟩ and ⟨s-gg⟩ are used in Piedmontese for the sequence /zdʒ/.

thsh⟩ is used in Xhosa to write the sound [tʃʰ]. It is often replaced with the ambiguous trigraphtsh⟩.

thnw⟩ and ⟨tnhw⟩ are used for /ᵗ̪n̪ʷ/ in Arrernte.

tnyw⟩ is used for /ᶜɲʷ/ in Arrernte.

tsch⟩ is used in German to write the sound [tʃ]. (See also ⟨tzsch⟩.)

zsch⟩ is used for [tʃ] in a few German names such as Zschopau.

References [link]


https://wn.com/List_of_Latin-script_tetragraphs

DSCH

DSCH may stand for:

  • DSCH motif, a musical motif used by the Soviet composer Dmitri Shostakovich to represent himself. DSCH is also the name of a journal and a publishing house devoted to the composer.
  • Concerto DSCH, a ballet made by Alexei Ratmansky on New York City Ballet to Shostakovich's Concerto No. 2 in F Major, Op. 102.
  • Downlink Shared Channel, a channel used by the telecommunications industry to manage downloads to UE.
  • DSCH motif

    DSCH is a musical motif used by the composer Dmitri Shostakovich to represent himself. It is a musical cryptogram in the manner of the BACH motif, consisting of the notes D, E flat, C, B natural, or in German musical notation D, Es, C, H (pronounced as "De-Es-Ce-Ha"), thus standing for the composer's initials in German transliteration: D. Sch. (Dmitri Schostakowitsch), also pronounced as "De-Es-Ce-Ha."

    Usage

    By Shostakovich

    The motif occurs in many of his works, including:

  • Violin Concerto No. 1 in A minor, Op. 77
  • Symphony No. 10 in E minor, Op. 93
  • Cello Concerto No. 1 in E flat major, Op. 107
  • String Quartet No. 8 in C minor, Op. 110 (appears in every single movement)
  • Symphony No. 15 in A major, Op. 141.
  • Piano Sonata No. 2 in B minor, Op. 61 (questionable)
  • Symphony No. 8 in C minor, Op. 65 (only one time, approx. five minutes before the end of the symphony)
  • Fugue No. 15 in D-flat major, Op. 87 (only once, in the stretto)
  • String Quartet No. 5 in B-flat major, Op. 92
  • String Quartet No. 6 in G major, Op. 101 (Played all at once by the four instruments at the end of each movement)
  • Podcasts:

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