The drop is a unit of measure of volume, the amount dispensed as one drop from a dropper or drip chamber. It is often used in giving quantities of liquid drugs to patients, and occasionally in cooking.
The volume of a drop is not well-defined: it depends on the device and technique used to produce the drop, on the strength of the gravitational field, and on the density and the surface tension of the liquid.
There are several exact definitions of a "drop":
A drop in popular music, especially electronic music styles, is a point in a music track where a switch of rhythm or bass line occurs and usually follows a recognizable build section and break.
The term "drop" comes from the composer or producer "dropping in" the primary rhythmic and foundational elements previously hinted at into the mix more or less at once. Related terms, typically describing certain types of drops, include "beat-up" (so named because it is a point where the producer brings up the foundational kick drum beat after having faded it down during a break or buildup) and "climax" (typically describing a single particularly striking drop heard late in the track).
Many genres of EDM can have more than one drop during a track, especially if the song is built on a "dance-pop" verse/chorus with vocals; a drop of some kind is typically heard somewhere during each chorus as the high point of that verse/chorus cycle. Most genres, however, tend to emphasize a single drop as the beginning of the high point, or climax, of the entire track; in vocal subgenres this is typically the last repetition of the chorus, while in nonvocal genres it typically occurs in the last quarter of the track.
An overhand (or overcut or drop) is a semi-circular and vertical punch thrown with the rear hand. It is usually employed when the opponent is bobbing or slipping. The strategic utility of the drop relying on body weight can deliver a great deal of power.
Left overhand in long range
Left overhand in long range
Right overhand in long range
Right overhand in long range
Left overhand in long range and counterpunch
Left overhand in long range and counterpunch
In Lakota mythology, Čhápa (often misspelled as Capa) is the beaver spirit and lord of domesticity, labor and preparation.
You can hear the word as pronounced by a native speaker here.
The Columbus Association for the Performing Arts (CAPA) is non-profit arts and theater management organization based in Columbus, Ohio.
CAPA was formed in 1969 by Robert Karlsberger, Lawrence L. Fisher, Scott Whitlock and other community leaders to raise money to save the Ohio Theatre, a 1928 movie palace, from demolition and revive it for use as a performing arts center.
CAPA's initial success in restoring and operating the Ohio has led over the years to a great expansion of its activities. It took over ownership and operations of the Palace Theatre in the early 1990s. In 1998 it purchased and completely rebuilt and restored the historic 1890s Southern Theatre. Later CAPA took over management of Columbus's Capitol Theater complex for the State of Ohio.
Outside of Columbus, CAPA managed the historic Chicago Theatre from 1998 to 2003, and took over operations of the Shubert Theatre in New Haven, Connecticut in 2001.
CAPA was responsible for overseeing the 2009 $13.5 million renovation of the Lincoln Theatre in Columbus's historic King-Lincoln neighborhood. CAPA will also operate that theater, combining with ten local arts organizations to provide a varied slate of events for the new community arts center.
The papaya (/pəˈpaɪə/ or US /pəˈpɑːjə/) (from Carib via Spanish), papaw, (/pəˈpɔː/) or pawpaw (/ˈpɔːˌpɔː/ is the fruit of the plant Carica papaya, and is one of the 22 accepted species in the genus Carica of the plant family Caricaceae.
It is native to the tropics of the Americas, perhaps from southern Mexico and neighbouring Central America. It was first cultivated in Mexico several centuries before the emergence of the Mesoamerican classical civilizations.
The papaya is a large, tree-like plant, with a single stem growing from 5 to 10 m (16 to 33 ft) tall, with spirally arranged leaves confined to the top of the trunk. The lower trunk is conspicuously scarred where leaves and fruit were borne. The leaves are large, 50–70 cm (20–28 in) in diameter, deeply palmately lobed, with seven lobes. Unusually for such large plants, the trees are dioecious. The tree is usually unbranched, unless lopped. The flowers are similar in shape to the flowers of the Plumeria, but are much smaller and wax-like. They appear on the axils of the leaves, maturing into large fruit - 15–45 cm (5.9–17.7 in) long and 10–30 cm (3.9–11.8 in) in diameter. The fruit is a type of berry. It is ripe when it feels soft (as soft as a ripe avocado or a bit softer) and its skin has attained an amber to orange hue.
I usually dont do this on tha first night.
Hold on... what chu want me to do wit that?
Damn, Im at it again.
(Trackboyz)
This dude approached me slowly
n told me his name was Jody
n his homiez say he kno me
cuz he used to fuck wit Tony
Say he wanna get to kno me
got sum things he wanna sho me
would I be his tendaroni
told me call him when Im lonely
then I took a couple digits
feelin tipsey off tha liqour
ya her titties might be bigger but my ass a little thicker
n they lyk em my weight my shape my size
my height my lips my hips n my thighs
(drop it)Bitch u a hoe
(drop it)Nigga u a hoe
(drop it)Bitch u a hoe
(drop it)U actin lyk a hoe
*repeat 3 times
I see my cousin comin
he probly up to somethin
look at him wit sum chickenhead face kno he frontin
I aint the one to gossp now you aint heard it from me
but that chick that he was mackin is really a he
n look at her came out the house lookin that crazy
talkin bout she got on baby phat
thats juss fat baby
you had a cup or two
well thats enough for you
but let him buy you one more drink before you cut him lose
so gon flirt a lil bit
n make him think you feelin him
n smile at him wink your eyes n make him think he gettin sum
before he kno you by tha door
see you already out tha door
you wont be home till after four
gon proly stop at Callicos
pull up on tha parkin lot
n by this time its barkin hot
you circle back around the block n take the handicapped spot
n ya you might juss get a ticket
hell wit it you tryin to kick it
more than likely if you get tha digits she gon let you hit it
(drop it)Bitch u a hoe
(drop it)Nigga u a hoe
(drop it)Bitch u a hoe
(drop it)U actin lyk a hoe
*repeat 3 times
After tha club you proly tryin to take somebody home
I guess you better keep it on tha low dont want your cover blown
n so you better make it kown before they play tha last song
cuz you aint tryin to spend tha night alone
right or wrong
got money in your pocket then take it out n throw it
n put your hands up in tha air if you tha shyt n kno it
this cat up in my face breath smellin lyk sum shyt
teeth lookin lyk he been biten a bag of bricks
he talkin bout girl you think I told that nigga you dont get your funky breath up out my face gon be sum shyt dont make me ticked
dont ask me for my name n you dont need to kno my number n dont worry if i got my big ol booty from my momma
its tha last call for alcohol n im juss tryin to have a ball
n aint worried bout nothin at all
I almost tripped but played it off
the djs spinnin tha last record
by this time they half naked
same place same time 2marrow theyll be back at it
(drop it)Bitch u a hoe
(drop it)Nigga u a hoe
(drop it)Bitch u a hoe
(drop it)U actin lyk a hoe
*repeat 3 times