Exclusive is the second studio album by American recording artist Chris Brown. It was released on November 6, 2007, by his independently-owned record label CBE, along with Jive Records; distributed by Zomba Group. The album was serving as the follow-up to his multi-platinum selling debut album Chris Brown (2005).
The album was critically and commercially successful, debuting at number 4 on the US Billboard 200, selling 295,000 copies in the first week. The album was supported by five singles; including three Billboard Hot 100, which successfully entered in the music markets, entering the top 20 amongst other charts worldwide. The album has earned double platinum by the Recording Industry Association of America (RIAA) in the United States, and the album sales it stands at three million copies in the worldwide. The album ranked number 34 on Rolling Stone's list of the Top 50 Albums of 2007.
On June 3, 2008, Exclusive was re-released, when it has expanded into a double-disc deluxe edition; including a counterparts from the DVD, which was also released, which features the behind the scenes footage and music videos from his tour.
Down is an album by the Chicago band The Jesus Lizard. It was their last album for Touch and Go records and the last to be produced by Steve Albini.
The song "Horse" was labeled as "Pony Beat" on set lists for live shows. David Wm. Sims plays an organ on the album version.
The painting on the cover is "Falling Dog" by Malcolm Bucknall, for which Bucknall asked no pay and offers no explanation for the falling dog image. Bucknall also did the cover art for the Puss/Oh, the Guilt split single with Nirvana and the Jesus Lizard's Liar album.
All songs written and composed by The Jesus Lizard, except where noted.
Down, released in November 1996 on Century Media records, is the fourth album by Sentenced. It is also the first album including the vocalist Ville Laihiala. This album marks the band's progression from melodic death metal to gothic metal.
SUPAFLY (also known as Supafly Inc.) is a British dance act composed of Panos Liassi (Mister P) and Andrew Tumi (wOne).
Supafly is best known for 2005's "Let's Get Down" - which was a club hit around the world and used by the Australian television network FOX8 as their summer theme song; and for "Moving Too Fast" in late 2006, which sampled from the Phil Collins' hit "Another Day in Paradise". Supafly picked up the Best Newcomer Award at the 2006 Urban Music Awards.
Supafly's sound is a blend of reggae/hip hop/ and dance. Supafly's success has led them to sold out tours, performing to crowds of up to 25,000.
Now London based, the essence of their sun-filled sound developed partly from Mister P and wOne’s stint in Australia. Inspired by the sunshine and the live music scene in Melbourne, their time away proved to be an inspiration for Supafly's signature tune, "Let's Get Down". It was written on one of the hottest days in Australia's history.
wOne is an accomplished singer, songwriter and producer. He has collaborated on several seminal dance hits and enjoyed a successful career with Supafly spanning more than ten years. wOne is currently in Ghana, West Africa exploring his musical roots and working on a new concept that fuses music and creativity to aid African development.
"Supafly" is a single by British artist Fugative. It was released on 17 January 2010 on digital download on Hard2Beat Records. The track charted at number 48 on the UK Singles Chart.
There were six remixes available on digital download of "Supafly" - the longest is the "Static Shokx Remix", with runs for 6:06. Other remixes include the "A1 Bassline Remix", "Cookie Monsta Remix", "Roska Remix" & the "Bass Slammers Remix". On the other single of "Supafly" there is the "Tek-One Remix".
The song first appeared on the UK Singles Chart on 30 January 2010 at number 48, then in its next week on 6 February 2010, it went down to number 98.
The drop is a unit of measure of volume, the amount dispensed as one drop from a dropper or drip chamber. It is often used in giving quantities of liquid drugs to patients, and occasionally in cooking.
The volume of a drop is not well-defined: it depends on the device and technique used to produce the drop, on the strength of the gravitational field, and on the density and the surface tension of the liquid.
There are several exact definitions of a "drop":
A drop in popular music, especially electronic music styles, is a point in a music track where a switch of rhythm or bass line occurs and usually follows a recognizable build section and break.
The term "drop" comes from the composer or producer "dropping in" the primary rhythmic and foundational elements previously hinted at into the mix more or less at once. Related terms, typically describing certain types of drops, include "beat-up" (so named because it is a point where the producer brings up the foundational kick drum beat after having faded it down during a break or buildup) and "climax" (typically describing a single particularly striking drop heard late in the track).
Many genres of EDM can have more than one drop during a track, especially if the song is built on a "dance-pop" verse/chorus with vocals; a drop of some kind is typically heard somewhere during each chorus as the high point of that verse/chorus cycle. Most genres, however, tend to emphasize a single drop as the beginning of the high point, or climax, of the entire track; in vocal subgenres this is typically the last repetition of the chorus, while in nonvocal genres it typically occurs in the last quarter of the track.
I heard ya'll niggas on that fly shit
Yeah that trap or die shit
... the block don't let it get too hot
And move... get you high shit
Me I'm in that cockpit
On my suit and tie shit
Tryna cash it and ready I'm not tryna get up in them pockets
Fully packed up and holy
Best believe that it's loaded
Telling you now brother
Try that shit and your casket will be closed ay
200 hundred stacks and we throw it
Ain't none of it stolen
And if you think you gon' take from us
Well we'll... at you and blow it
Look out and drop down low now
Look out and drop down low now
Look out and drop down low now
Look out and drop down low now
Look out and drop down low now
Look out and drop down low now
Look out and drop down low now
Look out and drop down low now
Don't bother nobody
Unless they
Bring a fight to my party
Well then hey
That means they're asking for it
They're asking for it
Like I'm asking her to break it on down (look out look out)
Break it on down (look out look out)
Break it on down (look out look out)
Break it on down (look out look out)
Ha look out guess who it is
That nigga from Atlanta
Where the... who it is
So get your money together and... who it is
Cause when it comes to spitting lyrics I'm the best in the biz-ness
Go by the name of Luda
The industry intruder
... Park G.A.
Where the hustlas stay and the criminals robbers shooters
On the corner with the keys in hand
We'll leave you where you stand
We'll lift you off your feet and make you fly like Peter Pan
Don't make no sudden moves
Or I'll squeeze my southern tools
While I'm with my southern bitch
26 inches no southern shoes
I ride out slide out
Groupies cry they eyes out
Cause they making the kind of paper that dope boys get when they bring them pies out
Wasn't born with a silver spoon
So recognise when you hear that tune
You better drop down low when you hear that
When you hear that
Hear that boom
Look out and drop down low now
Look out and drop down low now
Look out and drop down low now
Look out and drop down low now
Look out and drop down low now
Look out and drop down low now
Look out and drop down low now
Look out and drop down low now
Don't bother nobody
Unless they
Bring a fight to my party
Well then hey
That means they're asking for it
They're asking for it
Like I'm asking her to break it on down (look out look out)
Break it on down (look out look out)
Break it on down (look out look out)
Break it on down (look out look out)
I know that you like it
Your body's what I'm enticed with
Move around like you work it girl
But that ain't you in the slightest
Love the way that she hide it
Says she want me inside it
Baby girl got the Superwoman
And I'm a kryptonite it
She feeling so weak
Made her drop to her knees
Got a taste of this... taller than all of your trees
She'll pin me down to my seat
... rolling it to the beat
I had to come and take full control
And show her how it's gon' be
And told her
Look out and drop down low now
Look out and drop down low now
Look out and drop down low now
Look out and drop down low now
Look out and drop down low now
Look out and drop down low now
Look out and drop down low now
Look out and drop down low now
Don't bother nobody
Unless they
Bring a fight to my party
Well then hey
That means they're asking for it
They're asking for it
Like I'm asking her to break it on down (look out look out)
Break it on down (look out look out)
Break it on down (look out look out)