Dress code

Dress codes are written and, more often, unwritten rules with regard to clothing. Clothing like other aspects of human physical appearance has a social significance, with different rules and expectations being valid depending on circumstance and occasion.

The dress code has built in rules or signals indicating the message being given by a person's clothing and how it is worn. This message may include indications of the person's gender, income, occupation and social class, political, ethnic and religious affiliation, attitude towards comfort, fashion, traditions, gender expression, marital status, sexual availability, and sexual orientation, etc. Clothes convey other social messages including the stating or claiming personal or cultural identity, the establishing, maintaining, or defying social group norms, and appreciating comfort and functionality.

For example, wearing expensive clothes can communicate wealth, the image of wealth, or cheaper access to quality clothing. All factors apply inversely to the wearing of inexpensive clothing and similar goods. The observer sees the resultant, expensive clothes, but may incorrectly perceive the extent to which these factors apply to the person observed. (cf. conspicuous consumption). Clothing can convey a social message, even if none is intended.

Western dress codes

Western dress codes are dress codes in Western culture governing what garments are worn together and in what setting. Examples of dress codes are combinations such as "smart casual", or "morning dress". A classification of these codes is normally made for varying levels of formality and times of day. In traditional Western dressing, for men the more formal dress codes, such as "black tie", are highly codified with essentially fixed definitions, mostly unchanged for more than fifty years, while the more casual classifications change very quickly, and a worldwide or widely relevant discussion is impossible. For women, changes in fashion are more rapid.

In practical use, dress codes are either followed intuitively or enforced by peer pressure, so that people wear similar clothing in the same situations. Alternatively, at more formal events where a dress code is specified, invitees wear clothes at the specified level; if some variation is permitted (for example, "black tie preferred"), the host will wear the most formal option to save guests the embarrassment of out-dressing him. Appropriate national dress is generally permitted, and national variations are also widely worn as an exception to the trend of uniformity with peers, often in the form of headgear (see kippa, turban, hijab).

Take It

Take It is an album by The Wallets. It sold 6,825 vinyl albums and 3,041 cassettes. This project makes up 10 songs of the "17 Songs" album.

Track listing

Personnel

References

Fantasy Ride

Fantasy Ride is the third studio album by American recording artist Ciara, first released on May 3, 2009, by RCA Records and LaFace Records. The album was recorded between 2007 and 2009. Ciara was executive producer on the album along with co-executive Mark Pittsand, Ciara worked with several record producers, including Blac Elvis, Benny Blanco, Blade, Jasper Cameron, The Clutch, Darkchild, Danja, Dr. Luke, Jason Nevins, Jim Beanz, Los da Maestro, Ne-Yo, Osinachi Nwaneri, Polow da Don, The-Dream, Tricky Stewart, Justin Timberlake, T-Pain. The album featured several guest vocalists, including Justin Timberlake, Ludacris, Chris Brown, Young Jeezy, The-Dream, Missy Elliott.

The album combines R&B and hip hop sounds from her previous albums along with a new pop and dance direction. Fantasy Ride received generally mixed reviews from music critics, who complimented its slow jams and the club tracks, and Ciara's vocal performances, with some critics calling it "a consistently sexy listen" with other critics calling it "Ciara's smoothest ride ever". However, some critics found the album to be a "dud" and others saying "Ciara seems to go almost unnoticed". The album debuted at number three on US Billboard 200, with sales of 81,000. Fantasy Ride became Ciara's third consecutive album to debut within the top three on that chart, making her only the fourth female artist to do so during that decade.