Vortex may refer to any of these roller coasters:
Vortex (Greek: Το πρόσωπο της Μέδουσας, translit. To prosopo tis Medousas and also known as The Face of Medusa) is a 1967 Greek drama film directed by Nikos Koundouros. It was entered into the 17th Berlin International Film Festival.
YTV is a Canadian English-language Category A cable and satellite television specialty channel that is owned by Corus Entertainment. Its programming consists of original live-action and animated television series, movies, and third-party programming from the U.S. cable channel Nickelodeon and other distributors. YTV operates two time-shifted feeds, running on Eastern and Pacific Time Zone schedules. It is available in over 11 million Canadian households as of 2013.
The "YTV" moniker was originally thought by some viewers to be an abbreviation for "Youth Television"; however, the channel's website has denied this, despite the fact that the network originally branded itself as a youth network at launch.
Launched on September 1, 1988 at 7PM EST with a preview special by John Candy, YTV was the successor to two prior special programming services operated by various Ontario cable companies beginning in the late 1970s. The two largest shareholders in YTV were two cable companies, Rogers Cable and a company known as CUC Broadcasting, which was later acquired by Shaw Communications. By 1995, through various acquisitions and trades, Shaw had secured full control of YTV; it was spun off as part of Corus Entertainment in 1999. The channel continues to be owned by YTV Canada, now wholly owned by Corus Entertainment.
Dream is a brand of white chocolate by Cadbury. It is no longer manufactured in the UK and Ireland, but is still produced in Australia, New Zealand and South Africa. It is similar to a Milkybar, which is made by Nestlé. Some of the difference between it and Milkybar is that "Dream" uses real cocoa butter, is slimmer then the Milkybar, and the Milkybar uses puffed rice. It was first launched in Australia and New Zealand in 2001. According to Cadbury, the product became one of the top five block chocolate brands in New Zealand and had driven growth in the overall chocolate market. In 2002, the product was launched in the United Kingdom and Canada and was featured in the credits for Coronation Street.
Dream is a sculpture and a piece of public art by Jaume Plensa in Sutton, St Helens, Merseyside. Costing approximately £1.8m, it was funded through The Big Art Project in coordination with the Arts Council England, The Art Fund and Channel 4.
In 2008 St Helens took part in Channel 4's "The Big Art Project" along with several other sites. The project culminated in the unveiling of Dream, a 66 feet sculpture located on the old Sutton Manor Colliery site.
St Helens retains strong cultural ties to the coal industry and has several monuments including the wrought iron gates of Sutton Manor Colliery, as well as the 1995 town centre installation by Thompson Dagnall known as "The Landings" (depicting individuals working a coal seam) and Arthur Fleischmann's Anderton Shearer monument (a piece of machinery first used at the Ravenhead Mine).
The council and local residents (including approximately 15 former miners from the colliery) were involved in the consultation and commission process through which Dream was selected. The plans involved a full landscaping of the surrounding area on land previously allowed to go wild after the closure of the pit.
Dream (Hangul: 드림) is a 2009 South Korean television series that follows the lives of a sports agent and K-1 fighters. Starring Joo Jin-mo, Kim Bum and Son Dam-bi (in her acting debut), it aired on SBS from July 27 to September 29, 2009 on Mondays and Tuesdays at 21:55 for 20 episodes.
Nam Jae-il is a successful sports agent with some famous clients, but when one of his baseball stars gets involved in a drug case, he loses everything. But when the miserable Nam befriends former pickpocket and aspiring K-1 fighter Lee Jang-seok, and tomboyish taebo instructor Park So-yeon, he decides to regain his glory by making Lee a star.
Sūrat Ṣād (Arabic: سورة ص, "The Letter Sad") is the 38th sura of the Qur'an with 88 ayat and 1 sajdah (39:24). Sad (ص) is the name of the eighteenth letter in the Arabic alphabet.
Saad was sent to Muhammad by God while he was coping with rejection from his tribe, the Quraysh, and struggling to keep his own faith. It recounts stories of previous prophets, describes the splendors of heaven, and warns of the monstrosities of hell. The sura dates to the 2nd Meccan Period, meaning it was revealed only five or six years into the development of Islam.
Sura 38 substantiates Muhammad's role as Prophet through concrete examples of previous messengers of God and the evils that have befallen the people who did not heed sacred messages. Angelika Neurwirth terms these “retribution legends” (McAuliffe, 105). They “prove that divine justice is at work in history, the unjustly harassed being rewarded with salvation, the transgressors and unbelievers punished by annihilation” (McAuliffe, 106). Through regular reference to biblical characters and a self-assertive tone praising both Muhammad and God, the reader can attribute this sura to the 2nd Meccan Period, according to Noldeke’s chronology . The coherent text builds up to descriptions of both heaven and hell on the Day of Judgment. The wide scope of historical figures—ranging from Old Testament characters such as David, Solomon, and Job, to the devil of Islam, Iblis—were designed to resonate with a wide audience in the face of the disbelief among the Quaryash, Muhammad’s clan; as Ernst poignantly states, Muhammad was likely dealing with “religiously well-informed skeptics” . Like many contemporary passages, Sura 38 attempts to convert the reader to a monotheistic religion honoring Muhammad as Prophet by promising salvation for true believers on the Day of Judgment.