Attack may refer to:
In sports, offense (US) or offence (Can.) (see spelling differences; pronounced with first-syllable stress), also known as attack, is the action of attacking or engaging an opposing team with the objective of scoring points or goals. The term may refer to the tactics involved in offense, or a sub-team whose primary responsibility is offense.
Generally, goals are scored by teams' offenses, but in sports such as American football it is common to see defenses and special teams (which serve as a team's offensive unit on kicking plays and defensive on returning plays) score as well. The fielding side in cricket is also generally known as the bowling attack despite the batting side being the side that scores runs. In counties other than North America, the term offence is almost always taken to mean an infraction of the rules, a penalty or foul, and attack is more likely to be used where Americans would use 'offense'.
A sound synthesizer (usually abbreviated as "synthesizer" or "synth", also spelled "synthesiser") is an electronic musical instrument that generates electric signals that are converted to sound through instrument amplifiers and loudspeakers or headphones. Synthesizers may either imitate the still existing sounds (instruments, vocal, natural sound, etc.), or generate new electronic timbres not existing before. They are often played with a musical keyboard, but they can be controlled via a variety of other input devices, including music sequencers, instrument controllers, fingerboards, guitar synthesizers, wind controllers, and electronic drums. Synthesizers without built-in controllers are often called sound modules, and are controlled via MIDI or CV/Gate using a controller device.
Synthesizers use various methods to generate signal. Among the most popular waveform synthesis techniques are subtractive synthesis, additive synthesis, wavetable synthesis, frequency modulation synthesis, phase distortion synthesis, physical modeling synthesis and sample-based synthesis. Other less common synthesis types (see #Types of synthesis) include subharmonic synthesis, a form of additive synthesis via subharmonics (used by mixture trautonium), and granular synthesis, sample-based synthesis based on grains of sound, generally resulting in soundscapes or clouds.
Windows DreamScene is a utility that allows videos and .gif and other optimized animations to be used as desktop wallpapers. It is one of the Windows Ultimate Extras. Prior to its official announcement, DreamScene was rumored to be in creation under the names Motion Desktop and Borealis. After several months of testing, the final version was released on September 25, 2007.
Rendered content included with DreamScene (such as an animated realization of the Windows Aurora background) was produced by Stardock, while photographic content was provided by the Discovery Channel. Third-party video content in MPEG or WMV format may also be used. In addition, AVI files can be played by altering the file extension.
One of the purported advantages of DreamScene over previous methods of desktop animation is that it makes use of the GPU for display instead of the CPU, leaving the latter free to perform user tasks. To what extent this is achieved is not specified. When a full-screen program is run, such as a game or any window that is maximized, the video will automatically stop since the video will not be seen; this means it uses less GPU and CPU. The video can also be stopped manually. Content encoders need to strive for a balance between compression and file size; decompression requires the CPU, but larger files take up more memory and may cause the disk to be accessed more frequently.
Dream is a musical revue based on the songs of Johnny Mercer. The book is by Jack Wrangler and co-producer Louise Westergaard. The show ran on Broadway in 1997.
The revue opened on Broadway on April 3, 1997 at the Royale Theatre after twenty-four previews. Directed and choreographed by Wayne Cilento, the costumes are by Ann Hould-Ward, lighting by Ken Billington and sets by David Mitchell. The cast featured Lesley Ann Warren, John Pizzarelli, Margaret Whiting, Jessica Molaskey and Brooks Ashmanskas.
It closed on July 6, 1997 after 109 performances.
All lyrics by Johnny Mercer
Dream (Hangul: 드림) is a 2009 South Korean television series that follows the lives of a sports agent and K-1 fighters. Starring Joo Jin-mo, Kim Bum and Son Dam-bi (in her acting debut), it aired on SBS from July 27 to September 29, 2009 on Mondays and Tuesdays at 21:55 for 20 episodes.
Nam Jae-il is a successful sports agent with some famous clients, but when one of his baseball stars gets involved in a drug case, he loses everything. But when the miserable Nam befriends former pickpocket and aspiring K-1 fighter Lee Jang-seok, and tomboyish taebo instructor Park So-yeon, he decides to regain his glory by making Lee a star.
SOUP stands for software of unknown (or uncertain) pedigree (or provenance), and is a term often used in the context of safety-critical and safety-involved systems such as medical software. SOUP is software that has not been developed with a known software development process or methodology, or which has unknown or no safety-related properties.
Often, engineering projects are faced with economic or other pressure to embody SOUP into their high integrity systems.
The problem with SOUP is that it cannot be relied upon to perform safety-related functions, and it may prevent other software, hardware or firmware from performing their safety-related functions. The SOUP problem is therefore one of insulating the safety-involved parts of a system from the SOUP and its undesirable effects.
SOUP is now a defined term ("Software Of Unknown Provenance") in some medical device regulations through the standard IEC 62304:2006 "medical device software – software life cycle processes". It is not prohibited to use SOUP but additional controls are needed and the risk needs to be taken into account. Specific practices to take when using SOUP as part of a medical device may include review of the vendor's software development process, use of static program analysis by the vendor, design artifacts, and safety guidance.
Nothing in this world
Can touch the music that I heard
When I woke up this morning
It put the Sun into my life
It cut my heartbeat with a knife
It was like no other morning
I don't belong to noone
But I want to be with you
I can't be owned by noone
What am I supposed to do
I can't see the sense in your leaving
All I need is your love to believe in
Don't look into the sun
It's not for me or anyone
To steal the light out of the sky
Is it really such a sin
'Cause if it is then I'll give in
I can't live without your love
I don't belong to noone
But I want to be with you
I can't be owned by noone
What am I supposed to do
I can't see the sense in your leaving
All I need is your love to believe in
And for you I would do what I can