Draw

Draw, drawing, draws, or drawn may refer to:

In sports and games

Draw!

Draw! is a 1984 American/Canadian comedy-western film by Steven Hilliard Stern

Plot

In the final days of the Old West, a former desperado (Kirk Douglas) faces down a now drunken ex-sheriff (James Coburn), who was his longtime nemesis.

Recognition

External links

Tie (draw)

To draw or tie is to finish a competition with identical or inconclusive results. Draw is usually used in the United Kingdom, Ireland and the Commonwealth of Nations (except in Canada) and it is usually used for sports such as association football and Australian rules football. In cricket, a draw and a tie are two different things.

Ties or draws are possible in some, but not all, sports and games. Such an outcome, sometimes referred to as deadlock, can occur in politics, business, and wherever there are different factions regarding an issue.

Resolving ties or draws

In instances where a winner must be determined, several methods are commonly used. Across various sports:

Gaga

Gaga (meaning "mentally senile", "crazy", "infatuated"), ga-ga and variants in other languages may refer to:

Arts and entertainment

Sports

Other uses

Gaga (god)

Gaga is a minor Babylonian deity featured in the Enûma Eliš. She is sent by Anshar to the forces of Tiamat with the formal announcement of Marduk's readiness to battle Tiamat.

References

Gaga (dance vocabulary)

Gaga is a movement language and pedagogy developed by Ohad Naharin during his time directing and teaching the Batsheva Dance Company, that has defined the company's training and continues to characterize Israeli contemporary dance. A practice that resists codification and emphasizes the practitioner's somatic experience, Gaga is importantly labeled a movement language rather than a movement "technique". Many have noted that Gaga classes consist of a teacher leading dancers through an improvisational practice that is based around of a series of images described by the teacher. Naharin explains that such a practice is meant to provide a framework or a "safety net" for the dancers to use to "move beyond familiar limits".The descriptions that are used to guide the dancers through the improvisation are intended to help the dancer initiate and express movement in unique ways from parts of the body that tend to be ignored in other dance techniques. One example is the image of "Luna", which refers to the fleshy, semi-circular (like the moon, hence "luna") regions between fingers and toes. As part of the ideological insistence on moving through sensing and imagining, mirrors are discouraged in a Gaga rehearsal space.