Dragnet is the second studio album by English art punk band The Fall. It was released on 26 October 1979, through record label Step-Forward.
The album was recorded on 2–4 August 1979, less than eight months after its predecessor, Live at the Witch Trials, establishing at an early stage two key patterns of the group's work; that of high productivity and that of a regular turnover of group members. Only Mark E. Smith and Marc Riley remained from the début album and Riley had changed his role from bass guitar to guitar. Dragnet is most notable for the arrivals of both guitarist Craig Scanlon and bassist Steve Hanley. Both were just 19 when they joined the group and would form The Fall's musical backbone until the mid 90s. This is the only studio album recorded with drummer Mike Leigh.
The album is somewhat self-referential lyrically, with several songs referencing the music industry. At least two tracks; "Printhead" and "Your Heart Out", quoted or paraphrased reviews of the band's live shows. "Printhead" even verifies this fact within its own lyric. Dragnet's production is muddy – Riley has claimed this was a deliberate contrast to the sharp, clean sound of Live at the Witch Trials. It would be their final album for Miles Copeland III's Step-Forward label, with the group signing to Rough Trade Records in early 1980.
Dragnet is an American radio series, enacting the cases of a dedicated Los Angeles police detective, Sergeant Joe Friday, and his partners. The show takes its name from the police term "dragnet", meaning a system of coordinated measures for apprehending criminals or suspects.
Dragnet is perhaps the most famous and influential police procedural drama in media history. The series gave audience members a feel for the boredom and drudgery, as well as the danger and heroism, of police work. Dragnet earned praise for improving the public opinion of police officers.
Actor and producer Jack Webb's aims in Dragnet were for realism and unpretentious acting. He achieved both goals, and Dragnet remains a key influence on subsequent police dramas in many media.
The show's cultural impact is such that after five decades, elements of Dragnet are familiar to those who have never seen or heard the program:
! is an album by The Dismemberment Plan. It was released on October 2, 1995, on DeSoto Records. The band's original drummer, Steve Cummings, played on this album but left shortly after its release.
The following people were involved in the making of !:
?! is the third studio album by Italian rapper Caparezza, and his first release not to use the former stage name MikiMix.
Reviewing the album for Allmusic, Jason Birchmeier wrote, "The Italian rapper drops his rhymes with just as much fluency and dexterity as his American peers throughout the album. [...] Caparezza's mastery of the Italian dialect [makes] this album so stunning."
Albums of recorded music were developed in the early 20th century, first as books of individual 78rpm records, then from 1948 as vinyl LP records played at 33 1⁄3 rpm. Vinyl LPs are still issued, though in the 21st century albums sales have mostly focused on compact disc (CD) and MP3 formats. The audio cassette was a format used in the late 1970s through to the 1990s alongside vinyl.
An album may be recorded in a recording studio (fixed or mobile), in a concert venue, at home, in the field, or a mix of places. Recording may take a few hours to several years to complete, usually in several takes with different parts recorded separately, and then brought or "mixed" together. Recordings that are done in one take without overdubbing are termed "live", even when done in a studio. Studios are built to absorb sound, eliminating reverberation, so as to assist in mixing different takes; other locations, such as concert venues and some "live rooms", allow for reverberation, which creates a "live" sound. The majority of studio recordings contain an abundance of editing, sound effects, voice adjustments, etc. With modern recording technology, musicians can be recorded in separate rooms or at separate times while listening to the other parts using headphones; with each part recorded as a separate track.