Drag king

Drag kings are mostly female performance artists who dress in masculine drag and personify male gender stereotypes as part of an individual or group routine. They may be heterosexual, lesbian, transgender, genderqueer, or otherwise part of the LGBT community. A typical drag show may incorporate dancing, acting, stand-up comedy and singing, either live or lip-synching to pre-recorded tracks. Drag kings often perform as exaggeratedly macho male characters, portray marginalized masculinities such as construction workers, rappers, or they will impersonate male celebrities like Elvis Presley, Michael Jackson, and Tim McGraw.

In the late 1800s and early 1900s, several drag kings became British music hall stars, and British pantomime has preserved the tradition of women performing in male roles. Starting in the mid-1990s, drag kings started to gain some of the fame and attention that drag queens have known.

History and terminology

While the term drag king was first cited in print in 1972, there is a longer history of female performers dressing in male attire. In theatre and opera there was a tradition of breeches roles and en travesti. Actress and playwright Susanna Centlivre appeared in breeches roles around 1700. The first popular male impersonator in U.S. theater was Annie Hindle, who started performing in New York in 1867; in 1886 she married her dresser, Annie Ryan. British music hall performer Vesta Tilley was active in the late 19th and early 20th centuries as a male impersonator. Other male impersonators on the British stage were Ella Shields and Hetty King. Blues singer Gladys Bentley performed in male attire in New York, Los Angeles and San Francisco from the 1920s through 1940s.Stormé DeLarverie performed in male drag along with female impersonators at the Jewel Box Revue in the 1950s and 1960s, as documented in the film Storme: The Lady of the Jewel Box; DeLarverie was also a veteran of the Stonewall riots.

Drag

Drag or The Drag may refer to:

Geography

In science and technology

Drag (route)

A drag route (also known as an in route or a dig route) is a route run by a receiver in American football, where the receiver runs a few yards downfield, then turns 90° towards the center of the field and runs parallel to the line of scrimmage. This type of route is relatively safe and is thrown to an agile receiver who can make a play after the catch. Alternatively, a drag route may be used as a second option if the principal receiver on a play is covered.

The use of two crossing drag routes can also be used to try to create an open receiver by using the other receiver to block the path of a defensive back in a man coverage scheme.

Drag and drop

In computer graphical user interfaces, drag and drop is a pointing device gesture in which the user selects a virtual object by "grabbing" it and dragging it to a different location or onto another virtual object. In general, it can be used to invoke many kinds of actions, or create various types of associations between two abstract objects.

As a feature, drag-and-drop support is not found in all software, though it is sometimes a fast and easy-to-learn technique. However, it is not always clear to users that an item can be dragged and dropped, or what is the command performed by the drag and drop, which can decrease usability.

Actions

The basic sequence involved in drag and drop is:

Dragging requires more physical effort than moving the same pointing device without holding down any buttons. Because of this, a user cannot move as quickly and precisely while dragging (see Fitts' law). However, drag-and-drop operations have the advantage of thoughtfully chunking together two operands (the object to drag, and the drop location) into a single action. Extended dragging and dropping (as in graphic design) can stress the mousing hand.