A magnet (from Greek μαγνήτις λίθος magnḗtis líthos, "Magnesian stone") is a material or object that produces a magnetic field. This magnetic field is invisible but is responsible for the most notable property of a magnet: a force that pulls on other ferromagnetic materials, such as iron, and attracts or repels other magnets.
A permanent magnet is an object made from a material that is magnetized and creates its own persistent magnetic field. An everyday example is a refrigerator magnet used to hold notes on a refrigerator door. Materials that can be magnetized, which are also the ones that are strongly attracted to a magnet, are called ferromagnetic (or ferrimagnetic). These include iron, nickel, cobalt, some alloys of rare earth metals, and some naturally occurring minerals such as lodestone. Although ferromagnetic (and ferrimagnetic) materials are the only ones attracted to a magnet strongly enough to be commonly considered magnetic, all other substances respond weakly to a magnetic field, by one of several other types of magnetism.
Magnet is a British kitchen retailer operating in over 200 locations across the UK supplying products under the Magnet and Magnet Trade brands. The company has over 2,000 employees and its headquarters are in Darlington, County Durham. Magnet was listed on the London Stock Exchange and was once a constituent of the FTSE 100 Index but is now part of Nobia UK, a division of the Nobia group which is listed on the Swedish Stock Exchange.' The Nobia division also includes brands such as Gower, Hygena and Norema.
Magnet was established in Bingley, West Yorkshire in 1918 by Tom Duxbury. Legend has it that Duxbury traded his horse for a firelighting company and named his new company Magnet after the horse. During the 1920s Magnet pioneered the mass production of joinery, door and window products and soon began supplying joinery components for major construction projects. New operations were opened in Keighley, Grays and Knaresborough to satisfy demand for the growing business.
Magnet is a music magazine which generally focuses on alternative, independent, or out-of-the-mainstream bands.
The magazine is published four times a year, and is independently owned and edited by Eric T. Miller. Music magazines with a similar focus in the 1990s era included Option, Raygun, and Alternative Press. The first issue of Magnet came out in mid-1993. Examples of cover stars over the years include Yo La Tengo (1993, 2000), The Afghan Whigs (1994), Spacemen 3 (1997), Shudder To Think (1997), Tortoise/ Swervedriver (1998), Sonic Youth (1998), Sunny Day Real Estate (1998), Ween (2000), Ride (2002), Interpol (2003), Hüsker Dü (2005), and Cat Power (2007).
The magazine's content tends to focus on up-and-coming indie bands and expositions of various music scenes. Examples include long pieces on the Denton, TX psychedelic rock scene (1997), the New York City "Illbient" scene (1997), the history of power pop (2002), the Cleveland avant-punk scene of the 1970s, the Minneapolis college-rock scene of the '80s (2005), the California "Paisley Underground" bands of the '80s (2001), and the resurgence of the Shoegaze movement (2002). Also common is the "artists within a construct" theme -- e.g., the "Eccentrics And Dreamers" issue (2003) featuring various "outsider" artists.
Drag or The Drag may refer to:
In computer graphical user interfaces, drag and drop is a pointing device gesture in which the user selects a virtual object by "grabbing" it and dragging it to a different location or onto another virtual object. In general, it can be used to invoke many kinds of actions, or create various types of associations between two abstract objects.
As a feature, drag-and-drop support is not found in all software, though it is sometimes a fast and easy-to-learn technique. However, it is not always clear to users that an item can be dragged and dropped, or what is the command performed by the drag and drop, which can decrease usability.
The basic sequence involved in drag and drop is:
Dragging requires more physical effort than moving the same pointing device without holding down any buttons. Because of this, a user cannot move as quickly and precisely while dragging (see Fitts' law). However, drag-and-drop operations have the advantage of thoughtfully chunking together two operands (the object to drag, and the drop location) into a single action. Extended dragging and dropping (as in graphic design) can stress the mousing hand.
Drag is an Australian rock band led by Darren Middleton, most known as the lead guitarist from highly successful Australian group Powderfinger.
Middleton started the band with drummer Mark McElligott, who is also the live engineer for Powderfinger, in 2000 as a side project. In 2002, the duo recorded the EP Gas Food Lodging, a small collection of original songs written specifically for Drag. For these recordings, they brought in local Brisbane musicians, bass player Sean Hartman and pianist Matt Murphy as session musicians to play on the EP. The band was given the chance to record a full-length studio album when Powderfinger took a few years off between albums. In this hiatus, Middleton and McElligott re-enlisted Hartman and Murphy and began playing live around Australia. The band signed with the record label Dew Process, the same label that co-Powderfinger member Bernard Fanning signed with and released his solo album. The band recorded their debut album in early 2005 in Byron Bay. The band named the album The Way Out and released it on 10 July 2005 in Australia and 8 August 2005 internationally. Following the album release, the band toured Australia again with UK band Athlete, then undertook a more extensive headlining tour in October.
Ahh, Darc Mind
Current state of affairs
What?
Yeah
Nowaday it profit from forfeiture, 'my kingdom for a whip'!
Brotha fixating, arm & legging for the celly that blip
Lexus, foreign liquors, Versace,.. they dominate the punchline
Intellectual crunchtime, I rhyme avoiding ghetto lunchlines, crime niggas at once chime
They buss-a-nut on fuss and death, listeners r shook, the average brotha? ain't too many mo' left
Craven images treasured, foul measures for sake of HEAD-BOP
Drug abuse inducements, aborted seeds out of wedlock
Edifices of krylon, streets of tri-colored di, piss & guiness run the gutter, streams of cheddar divide
Unruly this paradise where sabbath rarely heard & not seen-be blown into fist a prayer and jostled every 1st and 15th
Simple ghetto glorification, push the product fuck the people-s
Supply side economics and it's players sing the sequel-s
Grandmothers prayin' God listenin' too,.. now what-chu-gonna-do when time runs out on you?
[Chorus: x2]
Visions o' blurry, realism a gas,.. as crook & willie pass like sand thru the hourglass - Visions o' blurry, realism a sign,.. a quarter to and time I go for mine
Set off, I'll nigga PLY schizm to scheme
(As) heads (are) all in the midst of malt liquored wishes and collard green dreams
Mentals bust at the seams
A 'claim he down', 'the real one' just a single grain of sand amongst a muh-fuckin million
Niggas be charlatans all claiming they dope
Scores of imitators they spawn intoxicating that hope
'Til what remains of 'yes-y'all', 'mic check' and '1, 2-ing'
Be dead bodies in pools of urine amid blight and dope urban ruin
For as true as ABLE wickid once that lable did punish a man (nigger)
Salvation begs let he who hath that wisdom do understand
It's a battle for souls, chill while you can
Niggas is appendages of evil as if fingers on shatan's hand
Searchin, you're looking for the crux and meaning of
Illuminati, I'll experiment or maybe that a fiend above
Beaming, you're dipped in rhymes of cleaner love
Ya' go round the world and wake up hurling yet you still ain't seen enough
Rhymer republican, your demo-crap I regg
(Kevroc) itsasif I'm fightin upstream to spray eggs
See everything ain't all about clauses and effects
You gots to suffer, sacrafice THEN resurrect, resurrect.
[Chorus x2]
Be men that pay the bills you blaze? you're out of your curves?
On W-I, your lyric and actions speakin louder than words
You swerve a nerve and gaze murder to those who beat it unlevened
You're braggin Maxima's and Acura's to carry you to heaven
A.M. the marketplace I'm gon' say a rhythm
Rock a ruff rhyme and? kitten? be my horn player
Head ahead and sound for ingredients, I'll bring you some in form of rhyme
I'm whippin on return in time for pendulum
Kevroctula, Corectula The sight respective of fools
Kevroc selective, I guard my optimism like jewels
Clever directive, I shine while actually droppin these too
Got rhymes in hundreds like a package of Kools, rhythms of mackers who rule
Creativity be the highway high I stand beside
The thumb and funky beats hopin to ride it, grab hold and flow
I cut it divide it slip a twenty inside it fool ya bite it
See me claiming glory from astride it leave my crew delighted
Come hither skeptic of my ministry you doubt it commas
Kick a complicated like a Ministry while others vomit
G'n forgettin that I'm symmetry, them others aren't
Infinite production type funky?, house speaker warrant?
Harlem product and slang it body prove effective
Just a little while you're ghetto political incorrectness
Minds of many manipulated pawns of power
They be praisin they oppressor nowadays (nowadays) nowadays