Doubt is a 2008 American drama film adaptation of John Patrick Shanley's Pulitzer Prize winning fictive stage play Doubt: A Parable. Written and directed by Shanley and produced by Scott Rudin, the film stars Meryl Streep, Philip Seymour Hoffman, Amy Adams, and Viola Davis. It premiered October 30, 2008 at the AFI Fest before being distributed by Miramax Films in limited release on December 12 and in wide release on December 25.
The film's four main actors were heavily praised for their acting, and all of them were nominated for Oscars at the 81st Academy Awards.
Set in 1964 at a Catholic church in The Bronx, New York, the film opens with the jovial Father Flynn (Philip Seymour Hoffman) giving a sermon on the nature of doubt, noting that like faith, doubt can be a unifying force. The next evening, Sister Aloysius Beauvier (Meryl Streep), the strict principal of the parish school, discusses the sermon with her fellow nuns, the Sisters of Charity of New York. She asks if anyone has observed unusual behavior that would inspire Father Flynn to preach about doubt, and instructs them to keep their eyes open should any such behavior occur in the future.
Doubt characterises a status in which the mind remains suspended between two contradictory propositions and unable to assent to either of them Doubt on an emotional level is indecision between belief and disbelief. Doubt involves uncertainty, distrust or lack of sureness of an alleged fact, an action, a motive, or a decision. Doubt questions a notion of a perceived "reality", and may involve delaying or rejecting relevant action out of concerns for mistakes or faults or appropriateness. (compare paradox).
The concept of doubt as a suspense between two contradictory propositions covers a range of phenomena: on a level of the mind it involves reasoning, examination of facts and evidence and on an emotional level believing and disbelief.
In premodern theology doubt was "the voice of an uncertain conscience" and important to realize, because when in doubt "the safer way is not to act at all".
Doubt sometimes tends to call on reason. Doubt may encourage people to hesitate before acting, and/or to apply more rigorous methods. Doubt may have particular importance as leading towards disbelief or non-acceptance.
"Doubt" is a song by American recording artist Mary J. Blige. It was written by Blige along with English musician Sam Romans for her thirteenth studio album The London Sessions (2014), while production was helmed by Romans and American record producer Rodney "Darkchild" Jerkins. Released as the album's fourth single, the ballad has since reached the top ten on Billboard's Adult R&B Songs chart.
The Fortean Society was started in the United States in 1931 during a meeting held in the New York flat of Charles Hoy Fort in order to promote the ideas of American writer Charles Fort. The Fortean Society was primarily based in New York City. Its first president was Theodore Dreiser, an old friend of Charles Fort, who had helped to get his work published. Founding members of The Fortean Society included Tiffany Thayer, Booth Tarkington, Ben Hecht, Alexander Woollcott (and many of NYC's literati such as Dorothy Parker), and Baltimore writer H. L. Mencken. Other members included Vincent Gaddis, Ivan T. Sanderson, A. Merritt, Frank Lloyd Wright and Buckminster Fuller. The first 6 issues of the Fortean Society's newsletter "Doubt" were each edited by a different member, starting with Theodore Dreiser. Tiffany Thayer thereafter took over editorship of subsequent issues. Thayer began to assert extreme control over the society, largely filling the newsletter with articles written by himself, and excommunicating the entire San Francisco chapter, reportedly their most active, after disagreements over the society's direction, and forbidding them to use the name Fortean. During World War II, for example, Thayer used every issue of "Doubt" to espouse his politics. Particularly, he frequently expressed opposition to Civil Defense, going to such lengths as encouraging readers to turn on their lights in defiance to air raid sirens. In contrast to the spirit of Charles Fort, he not only dismissed flying saucers as nonsense, but also dismissed the atomic bomb as a hoax.
Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.
Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.
Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.
The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:
In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.
Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.
Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.