Doris Merrick, born June 6, 1919, in Chicago, Illinois, was an American actress active in film and television during the 1940s and 1950s. Born Doris Simpson, she worked as a model before signing a contract with Warner Brothers in 1941. She was first given the name Beth Drake but changed to Doris Merrick not long after. She made her film debut the following year in Girl Trouble. Her professional acting career ended in 1955.
Merrick may refer to:
Buffy the Vampire Slayer is an American franchise which spans several media and genres. It began in 1992 with the film Buffy the Vampire Slayer, written by Joss Whedon and directed by Fran Rubel Kuzui, and was resurrected as the television series, Buffy the Vampire Slayer in 1997. The show's popularity caused it to spawn a multitude of Expanded Universe tie-in material such as comic books, novels, and video games, as well as a spin-off program entitled Angel. In 2007, four years after the television series' seventh and final season, Buffy the Vampire Slayer was officially continued in the comic book Season Eight. The following is a list of minor recurring characters who appear in the franchise.
(a.k.a. Saga Vasuki)
Amanda is a Potential Slayer who appears in Season Seven, played by Sarah Hagan. A Sunnydale High student and member of the swing choir, she first appears in the episode "Help" as part of the seemingly-random stream of students showing up at Buffy's guidance office. Amanda was sent to Buffy for beating up another student who was picking on her. In the later episode "Potential", it is revealed that Amanda is in fact a Potential Slayer, and she aptly slays a vampire who threatens her and Dawn. Afterwards, Amanda moves into the Summers' residence, where she trains and becomes friends with her fellow Potentials. In the final episode of the show, "Chosen", Amanda is activated as a Slayer along with the other Potentials and battles against an army of Turok-Han vampires. She is last seen falling to the ground dead after her neck was snapped by a Turok-Han. She was the first Potential to kill a vampire and the first one to kill a Turok-Han.
Christopher Merrick Hughes (born 3 March 1954, London, England), also known as Merrick, is a British music producer and former drummer, acoustic guitarist and keyboards player for Adam and the Ants. Best known as producer of Tears for Fears' Songs from the Big Chair, and as the co-writer of "Everybody Wants to Rule the World", Hughes has a joint background as a musician, songwriter and producer. His career began with Adam and The Ants as drummer and producer of Kings of the Wild Frontier. Yielding three hit singles, the album earned Hughes Music Week 's 'Producer of the Year Award'.
Hughes was educated at Emanuel School in London, and was a member of Adam and the Ants, also producing their albums, Kings of the Wild Frontier and Prince Charming. Hughes was awarded Music Week’s "Producer of the Year" award for his work on the album, Kings of the Wild Frontier. He co-wrote Tears for Fears' hit song "Everybody Wants to Rule the World", and produced their first two albums, the platinum-selling The Hurting and the multi-platinum Songs from the Big Chair. He began working with the band again on their third album, The Seeds of Love, but left the project due to creative differences. Hughes also produced The Electric Soft Parade's debut album, Holes in the Wall, which was nominated for the Mercury Prize, and Propaganda's 1234. Hughes was also a member of Dalek I Love You and co-produced Peter Gabriel's "Red Rain".
Doris may refer to:
The Doric or Dorian Hexapolis (Δωρικὴ Ἑξάπολις) was a federation of six cities of Dorian foundation in southwest Asia Minor and adjacent islands, largely coextensive with the region known as Doris or Doris in Asia ἡ Δωρίς η εν Ασία, and included:
The members of this hexapolis celebrated a festival, with games, on the Triopian promontory near Cnidus, in honour of the Triopian Apollo; the prizes in those games were brazen tripods, which the victors had to dedicate in the temple of Apollo; and Halicarnassus was struck out of the league, because one of her citizens carried the tripod to his own house before dedicating it in the temple of Apollo. The hexapolis thus became the Doric Pentapolis. (Herod. i. 144.)
Pliny (v. 28) says, Caria mediae Doridi circumfunditur ad mare utroque latere ambiens, by which he means that Doris is surrounded by Caria on all sides, except where it is bordered by the sea. He makes Doris begin at Cnidus. In the bay of Doris he places Leucopolis, Hamaxitus, etc. An attempt has been made among scholars to ascertain which of two bays Pliny calls Doridis Sinus, the more probable being the Ceramic Gulf. This Doris of Pliny is the country occupied by the Dorians, which Thucydides (ii. 9) indicates, not by the name of the country, but of the people: Dorians, neighbours of the Carians. Ptolemy (v. 2) makes Doris a division of his Asia, and places in it Halicarnassus, Ceramus, and Cnidus. The term Doris, applied to a part of Asia, does not appear to occur in other writers.
Doris is the debut studio album by Odd Future member Earl Sweatshirt; it was released on August 20, 2013, by Tan Cressida and Columbia Records. Doris follows his first mixtape Earl, which was released in 2010 when he was sixteen. After returning from a forced stay in a Samoan boarding school, he began working on his debut album and signed a deal with Columbia, rather than Odd Future's Odd Future Records.
Doris features guest appearances from Odd Future members Domo Genesis, Frank Ocean, Tyler, The Creator along with Casey Veggies, Vince Staples, RZA and Mac Miller. Production was primarily handled by Sweatshirt under the pseudonym randomblackdude and production duo Christian Rich. Additional production was provided by Matt Martians, The Neptunes, RZA, Samiyam, BadBadNotGood, Frank Ocean, and Tyler, The Creator. The album was supported by three singles; "Chum", "Whoa" featuring Tyler, The Creator, and "Hive" featuring Vince Staples and Casey Veggies.
Upon its release, Doris received widespread acclaim from music critics, who praised Sweatshirt's lyricism and rhyme schemes along with the gritty underground production. The album also appeared on numerous critics' year-end lists. The album fared well commercially, debuting at number five on the US Billboard 200 and number one on US Top Rap Albums chart.