Itis may refer to:
The Integrated Taxonomic Information System (ITIS) is an American partnership of federal agencies designed to provide consistent and reliable information on the taxonomy of biological species. ITIS was originally formed in 1996 as an interagency group within the U.S. federal government, involving several US Federal agencies and has now become an international body, with Canadian and Mexican government agencies participating. The database draws from a large community of taxonomic experts. Primary content staff are housed at the Smithsonian National Museum of Natural History and IT services are provided by a US Geological Survey facility in Denver. The primary focus of ITIS is North American species, but many groups are worldwide and ITIS continues to collaborate with other international agencies to increase its global coverage.
ITIS provides an automated reference database of scientific and common names for species. As of April 2012, it contains over 719,000 scientific names, synonyms, and common names for terrestrial, marine, and freshwater taxa from all biological kingdoms (animals, plants, fungi, and microbes). While the system does focus on North American species at minimum, it also includes many species not found in North America, especially among birds, fishes, amphibians, mammals, many reptiles, and several invertebrate animal groups. Data presented in ITIS are considered public information, and may be freely distributed and copied, though appropriate citation is requested. ITIS is frequently used as the de facto source of taxonomic data in biodiversity informatics projects.
Doop may refer to:
Doop was a dance music production act from the Netherlands formed by Ferry Ridderhof and Peter Garnefski, who would later record under the name Hocus Pocus and various other project names. They were producers and band members of Peplab.
In 2011 Doop released an E.P. called The Doop eepee produced by Ferry Ridderhof containing the single My Chihuahua.
Doop was best known for its eponymous single, which reached No. 1 in the UK. The song was influenced by the Charleston, a 1920s dance, and was most remembered for its lyrics, which consisted entirely of the word "doop" sung over a fast-paced big band sample. In the USA, a remix of the track by legendary house-music artist David Morales was released.
Hocus Pocus was best known for its single "Here's Johnny," which reached No. 1 in Australia.
Doop is a fictional character in the Marvel Universe, created by writer Peter Milligan and artist Mike Allred. He made his debut in X-Force vol. 1 #116. He is a green, floating spheroid creature of unknown origins who speaks in a "language" all his own (represented in text by a special font).
Doop first appeared in X-Force vol. 1 #116, and appeared in every issue until the end of the series, and then appeared in all issues of X-Statix. Doop also appeared alongside Wolverine in a two-issue limited series.He has also recently had his own comic book mini series called "All New Doop".
Doop was said to be the product of a Cold War era U.S. military experiment, becoming instrumental in the fall of the Soviet Union.
He later served as the cameraman for the celebrity mutant superhero team X-Statix (formerly known as X-Force). He films a mission to North Africa which is later criticized by then-team leader Zeitgeist; he feels Doop should not be going for artistic shots. The next X-Force mission is to New York, where they are to rescue the boy band "Boyz R Us" from hostage takers. While in the briefing room, U-Go Girl asks Doop not to keep shooting her rear from a low angle. Doop replies in his language only the characters know, while inexplicably mouthing some of his recording equipment.
t's all been said
But only in my head
I needed something
But nothing now instead
Talking on and on about how
Everything will be
I see it everyday
There's no reason to stay
It's over now
But nothing goes away
Back to my home
Your cover's blown
I wanted you to know
I wanted you to know
And if the chance comes through
I don't know what I'd do
The choice was made, cut like a blade
But in its wake I grew
Thousands of miles apart
I wouldn't know where to start
A broken mirror, but somehow clearer