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Doodlebug (film) | |
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Directed by | Christopher Nolan |
Produced by | Emma Thomas Christopher Nolan Steve Street |
Written by | Christopher Nolan |
Starring | Jeremy Theobald |
Music by | David Julyan |
Cinematography | Christopher Nolan |
Editing by | Christopher Nolan |
Distributed by | N/A Cinema16 |
Release date(s) |
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Running time | Approximately 3 minutes |
Country | United Kingdom |
Budget | >$1,000 (Exact Amount Unknown) |
Box office | N/A |
Doodlebug is a 1997 short psychological thriller film by Christopher Nolan.
The story consists of a somewhat ratty man, in a much rattier flat. There, he seems intent - and possibly even driven to insanity -with catching the doodlebug of the film's title. However, after over two minutes of cat-and-mouse chasing, it is revealed that the bug resembles a miniature version of himself. He squashes the bug with his shoe. The audience comes to realise that every move that the doodlebug makes the man reciprocates a second later. Into this Kafkaesque situation enters a large face, that of the man; thereby making the man the doodlebug, and he proceeds to get squashed by this newer being.
This is Christopher Nolan's third short film and first collaboration with Jeremy Theobald who would later work on Nolan's first feature film Following.
Doodlebug (film) at the Internet Movie Database
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Film was a Yugoslav rock group founded in 1978 in Zagreb. Film was one of the most popular rock groups of the former Yugoslav new wave in the late 1970s to early 1980s.
During 1977 and 1978, bassist Marino Pelajić, guitarist Mladen Jurčić, and drummer Branko Hromatko were Azra members when Branimir "Johnny" Štulić brought Jura Stublić as the new vocalist. Stublić was to become Aerodrom member, but due to his deep vocals it never happened. The lineup functioned for a few months only and after a quarrel with Štulić, on early 1979, Pelajić, Jurčić, Hromatko and Stublić formed the band Šporko Šalaporko i Negove Žaluzine, naming the band after a story from the "Polet" youth magazine, which was soon after renamed to Film. The memories of the Azra lineup later inspired Štulić to write the song "Roll over Jura" released on Filigranski pločnici in 1982.
Saxophonist Jurij Novoselić, who at the time had worked under the pseudonym Kuzma Videosex, joined the band, inspiring others to use pseudonym instead of their original names: vocalist Stublić became Jura Jupiter, bassist Pelajić became Mario Baraccuda and guitarist Jurčić became Max Wilson. Before joining the band, Stublić did not have much experience as a vocalist, however, since his father had been an opera singer, he often visited the theatre and opera, and at the age of 13, he started playing the guitar, earning money as a street performer at seaside resorts.
Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.
Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.
Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.
The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:
The V-1 flying bomb (German: Vergeltungswaffe 1,)—also known to the Allies as the buzz bomb, or doodlebug, and in Germany as Kirschkern (cherrystone) or Maikäfer (maybug)—was an early pulsejet-powered cruise missile, the very first production aircraft of any type to use a pulsejet for power.
The V-1 was developed at Peenemünde Army Research Center by the Nazi German Luftwaffe during the Second World War. During initial development it was known by the codename "Cherry Stone". The first of the so-called Vergeltungswaffen series designed for terror bombing of London, the V-1 was fired from launch facilities along the French (Pas-de-Calais) and Dutch coasts. The first V-1 was launched at London on 13 June 1944), one week after (and prompted by) the successful Allied landings in Europe. At its peak, more than one hundred V-1s a day were fired at south-east England, 9,521 in total, decreasing in number as sites were overrun until October 1944, when the last V-1 site in range of Britain was overrun by Allied forces. After this, the V-1s were directed at the port of Antwerp and other targets in Belgium, with 2,448 V-1s being launched. The attacks stopped when the last launch site was overrun on 29 March 1945.