Doo Rag | |
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Origin | Tucson, Arizona, USA |
Genres | Rock Punk blues Delta blues |
Years active | 1990 — 1996 |
Labels | Westworld Records Drunken Fish Records Discos Alehop! Bloat Records |
Associated acts | Bob Log III |
Doo Rag was an American lo-fi blues band duo from Tucson, Arizona, USA. The band consisted of Bob Log III and Thermos Malling. By the time of their breakup, they had supported a number of artists on tour, most notably Sonic Youth and Beck.
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The members of Doo Rag first began performing together at a party in Tucson in 1990. "I had a snare drum with a guitar bolted onto it, and I was playing Fred McDowell songs when a friend jumped up and started banging a cheese grater with a spoon," guitarist Bob Log recalls. "The next day we went out on the sidewalk and played, hoping to scrounge up cigarette money." [1] The band recorded a cassette together, which they self-released, and then began touring, despite the unsigned nature of the band and their lack of record label promotion.
Doo Rag first gained recognition outside of Tucson playing in San Diego at the Casbah nightclub when members of the late 80's and early 90's cult underground band Crash Worship. Crash Worship had gotten a hold of their first self released cassette tape in the early 90's and hadn't even believed that they were an actual band, although they had been listening to it repeatedly as they had become fans of the mystery duo. Soon after Doo Rag was opening for Crash Worship on several U.S. tours.
Soon after they had started playing semi regularly in L.A. at a former bowling alley turned nightclub where they first caught the attention of Beck before his hit "Loser" had garnered him national attention. Beck asked Doo Rag to open for him on his first major U.S. tour after his first Geffen Records release.
Doo Rag was soon after touring Europe and playing everything from small clubs to the huge outdoor summer music festivals in Holland. In 1995, they played the side stage of Lollapalooza where they met Sonic Youth who had become ardent fans of the pair.
The next summer found Doo Rag touring with The Jon Spencer Blues Explosion and Delta Blues legend R.L. Burnside.
While on tour in support of the band Ween, and after six years of working together, Malling left the tour to spend time with his new wife. Rather than stop playing guitar, Bob Log III decided to finish the tour as a one-man band. He purchased a drum machine, kicked a guitar case and a homemade kick cymbal, and invented a new way to play drums. He still employs this technique after 12 years.
The group was known for Thermos Malling's unusual instrumentation and inventions, and Bob Log III's unique finger picking style of guitar playing, as well as causing mini riots in any club they happened to be performing in. Guitarist and singer Bob Log III played an acoustic/electric slide homemade dobro, which sounded akin to an electrocuted McDowell on amphetamines, mixed with AC/DC. He also played a $2 thrift store guitar in a similar slide fashion which often left the sound men at the clubs they were playing at in awe at its wicked growl during the duo's sound check. Doo Rag also employed a number of Thermos Malling's unique microphone setups to distort the vocals, and was as likely to be singing through a vacuum cleaner hose as to be singing into two hairdryers with built-in microphones. Thermos Malling contributed percussion using a custom-made drumkit compiled from a Budweiser box for a bass drum, a tin bucket as a snare drum, an old film reel as a cymbal, an iron shopping basket used as a hi-hat, and a number of other found objects.
'Singles'
'Splits'
'Albums'
'Appearances'
Doo rag may refer to:
A do-rag (also spelled variously as a doo-rag, dew-rag, du-rag or durag), is a piece of cloth used to cover the top of one's head. Sometimes made of nylon material and having a "skullcap" fit it may also be referred to as a "wavecap". According to the Oxford English Dictionary and Merriam-Webster dictionary, the term derives from 'do as in hairdo.
During the slavery period in the United States, African American women wore scarves that were later to become the do-rags of the 1930s to the 1960s. Do-rags were also used by African American men to hold chemically processed hair-dos in place while they slept. Originally they were most commonly made from women's stockings; these were called stocking caps, not do-rags. Now, many are made from polyester. Do-rags re-emerged as a fashion trend among urban youth in the 1990s and 2000s, first among African Americans, who used them to maintain their new hair styles. Do-rags are worn in a variety of colours, with black being the most common. Do-rags are regularly used to create and maintain waves and cornrowed hairstyles. They usually have long ties on either side that are wrapped around the head to secure the do-rag by tying at the back of the head; the old do-rags were tied at the front of the head.