In linguistics, a numeral is a member of a word class (or sometimes even a part of speech) designating numbers, such as the English word 'two' and the compound 'seventy-seven'.
Numerals may be attributive, as in two dogs, or pronominal, as in I saw two (of them).
Many words of different parts of speech indicate number or quantity. Quantifiers do not enumerate, or designate a specific number, but give another, often less specific, indication of amount. Examples are words such as every, most, least, some, etc. There are also number words which enumerate but are not a distinct part of speech, such as 'dozen', which is a noun, 'first', which is an adjective, or 'twice', which is an adverb. Numerals enumerate, but in addition have distinct grammatical behavior: when a numeral modifies a noun, it may replace the article: the/some dogs played in the park → twelve dogs played in the park. (Note that *dozen dogs played in the park is not grammatical, so 'dozen' is not a numeral.)
Gonzalo Barrios (born April 17, 1995), known by his gamertag ZeRo, is a Chilean professional Super Smash Bros. player. He is considered the best Super Smash Bros. for Wii U player in the world and a top ranked Super Smash Bros. Brawl player. He mains Diddy Kong and Sheik in Super Smash Brothers for the Nintendo Wii U, and mained Pit in Project M, Meta Knight in Brawl, and Fox in Melee.
Barrios has had "ZeRo" as his gamertag since 2005. He has been playing Smash since Super Smash Bros. in 1999. He started to travel and play in Melee tournaments in a local Akiba Game Store in early 2007. ZeRo quit Smash completely until December of 2010 and then focused only on Brawl.
ZeRo placed second in Brawl at Apex 2014, losing to Nairo and was the champion of the Smash Wii U at Apex 2015. He defeated Dabuz, who was playing Captain Olimar, in the finals. ZeRo qualified for the MLG Anaheim 2014 championship bracket and finished 17th. ZeRo was ranked in 2014 by Melee it on Me as the 35th best Melee player in the world.
The discography of The Brian Jonestown Massacre (a San Francisco, CA based, neo-psychedelic band) consists of fourteen studio albums, thirteen EPs, five live albums, five compilation albums and ten singles, as well as appearing on various artist releases and soundtracks. They have one rockumentary (Dig!) to their credit and a DVD release of their music videos entitled Book of Days. Their music has been released by Bomp!, TVT and Tee Pee Records, among others.
The BJM have been featured on the following multiple-band compilations:
In 1993 Bomp! and Tangible Records co-released a box set of 6 singles, each by a different San Francisco "psych" band. The bands were apparently handpicked by Anton Newcombe himself, and it is rumored that he also produced the music. Besides the Brian Jonestown Massacre, other bands featured included Orange, Nebtwister, and Hollowbody.
Taxi! is a 1932 American Pre-Code film starring James Cagney and Loretta Young. The movie was directed by Roy Del Ruth.
The film includes two famous Cagney dialogues, one of which features Cagney conducting a conversation with a passenger in Yiddish, and the other when Cagney is speaking to his brother's killer through a locked closet, "Come out and take it, you dirty yellow-bellied rat, or I'll give it to you through the door!." The provenance of this sequence led to Cagney being famously misquoted as saying, "You dirty rat, you killed my brother."
Also, Taxi! marks the first occasion when Cagney dances on screen, as Matt and Sue enter a Peabody contest at a nightclub. To play his competitor in a ballroom dance contest, Cagney recommended his pal, fellow tough-guy-dancer George Raft, who was uncredited in the film. In a lengthy and memorable sequence, he scene culminates with Raft and his partner winning the dance contest against Cagney and Young, after which Cagney slugs Raft and knocks him down. As in The Public Enemy (1931), several scenes in Taxi! involved the use of live machine-gun bullets. After a few of the bullets narrowly missed Cagney's head, he outlawed the practice in his future films.
A taxicab, also known as a taxi or a cab, is a type of vehicle for hire with a driver, used by a single passenger or small group of passengers, often for a non-shared ride. A taxicab conveys passengers between locations of their choice. This differs from other modes of public transport where the pick-up and drop-off locations are determined by the service provider, not by the passenger, although demand responsive transport and share taxis provide a hybrid bus/taxi mode.
There are four distinct forms of taxicab, which can be identified by slightly differing terms in different countries:
Taxi is the eighth solo studio album by Bryan Ferry, the former lead vocalist for Roxy Music. The album was released on Virgin Records in April 1993, over five years after the release of his previous album Bête Noire. This was Ferry's third solo album since the second demise of Roxy Music in 1983, ten years earlier. The album was a commercial and critical success, peaking at No. 2 in the U.K., it was certified Gold by the BPI.
The first single, "I Put A Spell On You" was the album's only top 20 hit in the U.K., peaking at No. 18. The second single, "Will You Love Me Tomorrow" narrowly missed the U.K. top 20, peaking at No. 23. The third and final single, "Girl Of My Best Friend" peaked at 57.
When Ferry was asked about the album, he said "Since I started work on the Taxi album, everything has gone great for me. The last two years have been terrific, but I had three or four miserable years. Doing the Taxi album was the start of getting things right. Just getting something done quickly and efficiently was very gratifying. Finishing something I liked and getting back into singing again, getting away from my own writing temporarily was a good thing."
Doi (株式会社ドイ, Kabushiki Kaisha Doi) was a large Japanese retailer and distributor, best known outside Japan as the company that revived the Plaubel Makina 67 camera in the late 1970s and early 1980s.
Its roots go back to Doi Shōten (土居商店), also referred to as Doi Shōkai (土居商会). This was a Japanese retailer, distributor, or both, that started in 1949. (Doi here is a surname, shōten means "retailer", and shōkai means "trading company".) In the early fifties it was based in Osaka.
Kimio Doi (土居君雄, Doi Kimio), son of the Mr. Doi of Doi Shōten, started a branch in Fukuoka at some time around 1956. In 1959 this became plain Doi (株式会社ドイ, Kabushiki Kaisha Doi).
Doi provided diverse services, such as professional darkroom work. Retail stores were branded "Camera no Doi" (カメラのドイ, Kamera no Doi); these were known for the array of used cameras as well as competitive prices of new equipment.
By the 1980s, Doi was as large a presence as Yodobashi Camera in the Nishi-Shinjuku area of west-central Tokyo. Its sales peaked in March 1989. However, it faltered in the 1990s and closed down in 2003. Doi Technical Photo seems to have survived this, even running a photography gallery in Yūrakuchō, but now (2006) appears to be defunct.
Mother 210:
Dear Colleague,
I am so very sorry that my son has made such an exhibition of himself with your daughter. It really does seem quite out of character for him, although I have to admit that he’s always been a funny boy. Of course, he’s really got into trouble with the Supervisors, but I’m afraid he’s only got himself to blame.
I’ve been worrying myself silly, as I’m sure you’ll understand. I just wanted to send you a short communication to apologise and I can assure you that it will not happen again.
Judge 444:
This court recognises the findings of the Inner Bureau of Medical Affairs, in that there is clearly a need for emotional decontamination and mental correction. We therefore assign the subject to emotional decontamination centre Zero Zero or System six zero five, until such time as this affliction has been completely subdued.
Mother 210:
I don’t understand why she’d want to go up there in the first place. I mean, why bother getting involved? She’s some sort of scientist isn’t she? I suppose that’s the reason.
Why won’t they let him come out? He’s not a criminal, is he? Anyone would think he was some kind of specimen.
Neurosurgeon 463: