Boy is the debut album by Irish rock band U2. It was produced by Steve Lillywhite, and was released on 20 October 1980 on Island Records. Thematically, the album captures the thoughts and frustrations of adolescence. It contains many songs from the band's 40-song catalogue at the time, including two tracks that were re-recorded from their original versions on the band's debut release, the EP Three. Boy was recorded from March–September 1980 at Windmill Lane Studios in Dublin; it was their first time at the studio, which became their chosen recording location during the 1980s. It was also their first time working with Lillywhite, who subsequently became a frequent producer for the band's recorded work.
Boy included U2's first hit single, "I Will Follow". The album's release was followed by the group's first tour of continental Europe and the United States, the Boy Tour. The album received generally positive reviews from critics. It peaked at number 52 in the UK and number 63 in the US. In 2008, a remastered edition of Boy was released.
Boy (stylized BOY) is a Swiss/German pop duo founded in 2007 by Swiss singer Valeska Steiner and German bassist Sonja Glass. The two met while at a pop-music course at the Hochschule für Musik und Theater Hamburg in 2005. The band initially played concerts exclusively, before being discovered and signed to Herbert Grönemeyer's label, Grönland Records, in 2011.
Their debut album, Mutual Friends (Gold-certified in Germany), was produced by Philipp Steinke and released in the autumn of 2011. The band sings entirely in English in a style reminiscent of that of Leslie Feist.
In the UK, Mutual Friends was released by Decca in June 2012. The North American release of the album is set for February 2013 on Nettwerk Records.
Boy won the Hamburg Musician Prize HANS in 2011 in the category Hamburgs Newcomer of the Year, and their album Mutual Friends won the 2012 European Border Breakers Award (EBBA).
The duo's song "Little Numbers" was also featured in the Lufthansa Airline's Business Class advertisement in mid-2012. In 2013 the song was at No. 4 in the Japan Hot 100.
Boy is a 1987 compilation album from Swedish pop singer Lena Philipsson.
In Akan spirituality, the kra is the soul of a person. It is of divine origin; that is to say, one gets their "Kra" from God (Onyame).
An Akan conforms to the abusua/(Mogya (blood)) of his mother, and receives the Ntoro from his father. These maternal and paternal bonds follow the Akan wherever he/she travels. An Akan's Sunsum is their Spirit/personality which they develop through their interaction with the world.
HIDDEN ERROR: Usage of "Alter_ego_band" is not recognized
Kra is a Japanese visual kei rock band.
Their music includes a variety of genres from pop, alternative, indie rock, hard rock, funk and even an influence of jazz. Kra is signed to the PS company label and made their major label debut with the single "Heart Balance" on September 21, 2006.
The band formed in August 2001, and released their first demo tape, Brise, on May 18, 2002. The following November, they signed a contract with PS Company after releasing their second demo tape, Hard Lolita.
It was announced in December 2010 that Mai would be retiring from the music business due to poor health and therefore leaving the band. His last concert with the band was on December 28 at C.C Lemon Hall.
They have covered four songs from other PS Company bands as '36481?', which is their alter ego band, in an EP called 'Fiction'.
Åkra may refer to:
Dogū (土偶)(meaning "clay figures") are small humanoid and animal figurines made during the late Jōmon period (14,000–400 BC) of prehistoric Japan. Dogū come exclusively from the Jōmon period. By the Yayoi period, which followed the Jōmon period, Dogū were no longer made. There are various styles of Dogū, depending on exhumation area and time period. According to the National Museum of Japanese History, the total number found throughout Japan is approximately 15,000. Dogū were made across all of Japan, except Okinawa. Most of the Dogū have been found in eastern Japan and it is rare to find one in western Japan. The purpose of the Dogū remains unknown and should not be confused with the clay haniwa funerary objects of the Kofun period (250 – 538).
Some scholars theorize the Dogū acted as effigies of people, that manifested some kind of sympathetic magic. For example, it may have been believed that illnesses could be transferred into the Dogū, then destroyed, clearing the illness, or any other misfortune.