Oscar (opera)

Oscar is an American opera in two acts, with music by composer Theodore Morrison and a libretto by Morrison and English opera director John Cox. The opera, Morrison's first, is based on the life of Oscar Wilde, focused on his trial and imprisonment in Reading Gaol. It was a co-commission and co-production between The Santa Fe Opera and Opera Philadelphia (formerly the Opera Company of Philadelphia). This work received its world premiere at The Santa Fe Opera on 27 July 2013. Opera Philadelphia first presented the revised version of the opera on 6 February 2015.

The genesis of the opera resulted from a 2004 meeting in London between Morrison and Cox, after the premiere of Morrison's James Joyce song cycle, Chamber Music, which he wrote for countertenor David Daniels, a former student of his. Upon learning that Morrison had never composed an opera, but wished to write one for Daniels, Cox encouraged that idea. This led to correspondence between Cox and Morrison, and an agreement to collaborate on an opera based on the subject of Oscar Wilde. Cox and Morrison had each read the biography of Wilde by Richard Ellmann, and settled on a plan for co-authorship of an opera libretto based on the writings of Oscar Wilde and his contemporaries, with Walt Whitman serving as a chorus speaking from the realm of immortality. The opera used Wilde's poem "The Ballad of Reading Gaol", documents, letters, conversations and remarks by Wilde's contemporaries as source material for the libretto. Cox also consulted Merlin Holland, the grandson of Oscar Wilde and a scholar on Oscar Wilde.

Oscar (1967 film)

Oscar is a French comedy of errors directed by Édouard Molinaro and starring Louis de Funès. In the movie, Louis de Funès plays an industrialist named Bertrand Barnier who discovers over the course of a single day that his daughter is pregnant, he has been robbed by an employee, and various other calamities have befallen his household and his business.

An English-language version of the movie was made in 1991, by John Landis, under the same name and starring Sylvester Stallone.

Plot

Christian Martin, a modest accountant in a large firm owned by Bertrand Barnier, surprises his boss by asking him for a 100% increase in his wages. Martin is on the point of proposing to a girl and doesn't want to ask for her hand in marriage while making a lowly accountant's salary.

After Barnier refuses to give him the raise, Martin tells him that he's stolen more than sixty million francs from him by falsifying the firm's accounting records. When Barnier threatens to report this to the police, Martin points out that as a consequence of the fraud Barnier has now submitted false income statements to the tax office, a serious crime. Barnier has no choice but to give in to blackmail and he agrees to give Martin the raise and name him vice-president of the firm.

Nakajima Ki-43

The Nakajima Ki-43 Hayabusa (隼, "Peregrine Falcon") was a single-engine land-based tactical fighter used by the Imperial Japanese Army Air Force in World War II. The Army designation was "Army Type 1 Fighter" (一式戦闘機); the Allied reporting name was "Oscar", but it was often called the "Army Zero" by American pilots for its side-view resemblance to the Mitsubishi A6M Zero that was flown by the Japanese Navy, using essentially the same radial engine as the Army's Oscar, and with the Oscar having much less framing for its all-around vision canopy than the Zero used.

Like the Mitsubishi-produced A6M Zero, the radial-engined Ki-43 was light and easy to fly and became legendary for its combat performance in East Asia in the early years of the war. It could outmaneuver any opponent, but did not have armor or self-sealing tanks, and its armament was poor until its final version, which was produced as late as 1945. Allied pilots often reported that the nimble Ki-43s were difficult targets but burned easily or broke apart with few hits. In spite of its drawbacks, the Ki-43 shot down more Allied aircraft than any other Japanese fighter and almost all the JAAF's aces achieved most of their kills in it.

First Doctor

The First Doctor is the initial incarnation of the Doctor, the protagonist of the BBC science fiction television series Doctor Who. He was portrayed by the actor William Hartnell from 1963 to 1966. Hartnell reprised the role once, in the tenth anniversary story The Three Doctors (1973), although due to his failing health the story was written so he would not have to appear very extensively.

Within the series' narrative, the Doctor is a centuries-old alien Time Lord from the planet Gallifrey who travels in time and space in his TARDIS, frequently with companions. When the Doctor is critically injured, he can regenerate his body; in doing so, his physical appearance and personality change. Hartnell's Doctor is the Doctor's "original" form. The regeneration plot device was introduced when Hartnell needed to leave the series, and consequently has extended the life of the show for many years.

His original companions were his granddaughter Susan (Carole Ann Ford) and her schoolteachers Ian Chesterton (William Russell) and Barbara Wright (Jacqueline Hill). Hartnell's version of the Doctor was also the basis for the character played by the actor Peter Cushing in the 1965 and 1966 Dr. Who films, which do not share a continuity with the television series.

Dr. Who (Dalek films)

Dr. Who is a character based on the BBC science-fiction television series Doctor Who. Although based on the Doctor appearing in the TV series, the film version of the character is fundamentally different.

The character, portrayed by the actor Peter Cushing, appeared in two films made by AARU Productions: Dr. Who and the Daleks (1965), which was based on the televised serial The Daleks (1963), and Daleks – Invasion Earth: 2150 A.D. (1966), based on The Dalek Invasion of Earth (1964). Plans for a third film, to be based on the serial The Chase (1965), were abandoned following the poor box office reception of the second film.

Cushing made no mention of the films in his autobiography, although he kept a collection of newspaper clippings about them in a scrapbook.

Personality

Dr. Who, as portrayed by Cushing, is an eccentric inventor who claims to have created his TARDIS in his back garden. He is a gentle, grandfatherly figure, naturally curious and sometimes absent-minded, but at the same time is not afraid to fight for justice. He is shown to have a keen and somewhat juvenile sense of humour, and a strong sense of adventure with a will of iron and very strong morals.

Eighth Doctor

The Eighth Doctor is an incarnation of the Doctor, the protagonist of the BBC science fiction television series Doctor Who. He is portrayed by Paul McGann.

The character was introduced in the 1996 TV film Doctor Who, a back-door pilot produced in an unsuccessful attempt to relaunch the series following its 1989 cancellation. While the Eighth Doctor initially had only one on-screen appearance, his adventures were portrayed extensively in subsequent spin-off media, including more than 70 audio dramas starring McGann. In 2013, the actor reprised the role in the mini-episode "The Night of the Doctor", which depicts the Eighth Doctor's final adventure.

Within the series' narrative, the Doctor is a centuries-old alien, a Time Lord from the planet Gallifrey, who travels in time and space in his TARDIS, frequently with companions. When the Doctor is critically injured, he can regenerate his body but in doing so gains a new physical appearance and with it, a distinct new personality. McGann portrays the eighth such incarnation, a passionate, enthusiastic, and eccentric character. His only companion in the television film is Grace Holloway (Daphne Ashbrook), a medical doctor whose surgery is partly responsible for triggering his regeneration. In the continued adventures of the character depicted in audio dramas, novels and comic books he travels alongside numerous other companions, including self-styled "Edwardian Adventuress" Charley, the alien Destrii and present-day humans Lucie and Sam.