Arthel Lane "Doc" Watson (March 3, 1923 – May 29, 2012) was an American guitarist, songwriter, and singer of bluegrass, folk, country, blues, and gospel music. Watson won seven Grammy awards as well as a Grammy Lifetime Achievement Award. Watson's flatpicking skills and knowledge of traditional American music were highly regarded. He performed with his son, guitarist Merle Watson, for over 15 years until Merle's death in 1985 in an accident on the family farm.
Watson was born in Deep Gap, North Carolina. According to Watson on his three-CD biographical recording Legacy, he got the nickname "Doc" during a live radio broadcast when the announcer remarked that his given name Arthel was odd and he needed an easy nickname. A fan in the crowd shouted "Call him Doc!" presumably in reference to the literary character Sherlock Holmes's sidekick Doctor Watson. The name stuck ever since.
An eye infection caused Doc Watson to lose his vision before his first birthday. He was taught by his parents to work hard and care for himself. He attended North Carolina's school for the visually impaired, The Governor Morehead School, in Raleigh, North Carolina.
Doc Watson is the self-titled debut album by Doc Watson, released by Vanguard Records in 1964. The musical supervision was credited to Ralph Rinzler.
It was re-issued on CD by Ace Records in 1995 and numerous tracks have been used in compilations such as Vanguard Years and The Best of Doc Watson 1964-1968.
In celebration of Vanguard Records 60th Anniversary in 2010, it was re-issued with original artwork on a limited edition 180 gram vinyl record pressing of 500 copies for Record Store Day on April 17.
Writing for Allmusic, music critic Jim Smith wrote the album "The album is incredibly varied, from the stark, banjo-driven "Country Blues" to the humorous "Intoxicated Rat," and many of these songs became Watson standards, especially his signature song "Black Mountain Rag." His incredible flat-picking skills may have been what initially wowed his audiences, but it was Watson's complete mastery of the folk idiom that assured his lasting popularity."
Charles John "Doc" Watson (January 30, 1886 in Carroll County, Ohio – December 30, 1949 in San Diego, California) was a pitcher in Major League Baseball.
Doc & Dawg is the title of a recording by the American folk music artist Doc Watson and mandolinist David Grisman, released in 1997.
Doc Watson and David Grisman first met in the early 1960s when Watson was playing at Gerde's Folk City in New York. Grisman, only 17 years old, was invited on stage by Watson to join him on mandolin for a rendition of “In the Pines”.
Mostly recorded at Grisman's home over a period of years, the recordings are informal and pulled from numerous recording sessions. In the liner notes, Grisman described the sessions: "These tapes document some wonderful 'after-dinner' sessions at my home during several of Doc's visits. Tunes were selected spontaneously and more often than not, played only once. We're pleased to share some of these moments."
Writing for Allmusic, the music critic S. Colby Miller wrote of the album, "The tracks are mainly traditional country and bluegrass tunes played lovingly and often with great restraint... This is an intimate collaboration between two men at the top of their craft who share a passion for acoustic music. It is a pleasure to listen in."
One, and here comes the two to the three and four
Then I drop the beat I have in store
Lay dynamics on the top like a rug
Make it sound smooth and later make a dub
An MC ate well, so that you can tell
I am not illiterate, no not even a little bit
Nothing like an idiot, get it?
You want the record, cool, I'm with it
Let the rhythm take you, shake it cause it makes you
As I turn the knob of the door you escape through
Go in like a knot, don't be a puff
And I let it play cause Dre's getting funky enough
It's getting funky, it's getting funky (Repeat 3x)
Watch the smooth lyrics that take place
If you want another reason why it must be funky
Yo I am not a jackass meaning not a donkey
So I will play the game like it should be played
Drop the funk into the mix so the place will never fade
Ship it the the stations in your jurisdiction
Others say I'm dope, and the others say I'm bitching
No crowd can avoid the D-O to the C
When I'm P-E-R-F-O-R-M-I-N-G
On the stage, see the simple fact is I engulf
And known, I rock a funky beat without a cord so
It is my conclusion you will enjoy the fusion
And I will ascend with the style I am using
Knowing that it's tough and it's not a bluff
I think I'll let it play cause Dre's hitting funky enough
It's getting funky, it's getting funky (Repeat 3x)
Dre make the funky hip-hop music so check it
Listen to the kick drop in with the click
And with no rehearses I'm dropping funky verses
Stupid with the bit that you think you are relying on
You love it when it rattles is the fact that I'm buying on
Suckers never come close cause of knowing
There is no stopping the D.O.C. when I'm flowing
But in the event that someone will try and juice this
Stop him in his tracks, show him that I am Ruthless
I don't give a damn, don't think that I am joking
Cause I don't think he is funny when you're messing with my money
Yo people tell me this: "Yo Dre you must stop him"
But with no frills, so I just drop him
Continue with the rhyme and make sure I get mine
With no static cause that's all I need to get my nine, but
Lessons have been learned now all kidding have been fronting
Let it play when the people say "Dre yo you're getting funky enough"
It's getting funky, it's getting funky (Repeat 3x)
Deal with the D-O to the C
I'm your break so I can check around
See who the hell who is sitting down
I want all chairs off the floor
And if he stands to the wall, show him the door
And the PK nothing giving you something to rock to
To go nonstop to, not have to look at the clock you
Percieve, but can't believe you're being taken
By a beat so cool you start shaking
And shivering, cause I'm delivering the answer
Haven't seen you're a hellified dancer
You tried sitting but it just won't work
Cause the beat is to fresh
Don't even tell it won't be funky enough
It's getting funky, it's getting funky (Repeat 3x)
And with the help of the Dr. Dre, kick it
It's getting funky on the mix now, right (Repeat 4x)
Put it in the needle, and drop it on the one, boy