DMX may refer to:
Earl Simmons (born December 18, 1970), better known by his stage names DMX and Dark Man X, is an American rapper and actor. In 1999, DMX released his best-selling album ...And Then There Was X, which featured the hit single "Party Up (Up in Here)". He has acted in films such as Belly, Romeo Must Die, Exit Wounds, Cradle 2 the Grave, and Last Hour. In 2006, he starred in the reality television series DMX: Soul of a Man, which was primarily aired on the BET cable television network. In 2003, DMX published a book of his memoirs entitled, E.A.R.L.: The Autobiography of DMX.
DMX was born Earl Simmons in Mount Vernon, New York, the son of Arnett Simmons and Joe Barker, and was raised in Yonkers, New York. Simmons went through an abusive childhood that included stays at group homes and frequent arrests.
DMX began in 1988 as a beatboxer. In 1991, Gabriel Grevenstuk from The Source magazine praised DMX in his Unsigned Hype column that highlighted unsigned hip-hop artists. In 1991 he recorded his first demos, Unstoppable Force and Three Little Pigs. His stage name was a tribute to an instrument he used in the 1980s, the Oberheim DMX drum machine, and later was interpreted as "Dark Man X".
DMX512 (Digital Multiplex) is a standard for digital communication networks that are commonly used to control stage lighting and effects. It was originally intended as a standardized method for controlling light dimmers, which, prior to DMX512, had employed various incompatible proprietary protocols. It soon became the primary method for linking controllers (such as a lighting console) to dimmers and special effects devices such as fog machines and intelligent lights. DMX has also expanded to uses in non-theatrical interior and architectural lighting, at scales ranging from strings of Christmas lights to electronic billboards. DMX can now be used to control almost anything, reflecting its popularity in theaters and venues.
DMX512 employs EIA-485 differential signaling at its physical layer, in conjunction with a variable-size, packet-based communication protocol. It is unidirectional.
DMX512 does not include automatic error checking and correction, and so is not an appropriate control for hazardous applications, such as pyrotechnics or movement of theatrical rigging. False triggering may be caused by electromagnetic interference, static electricity discharges, improper cable termination, excessively long cables, or poor quality cables.
Evol may refer to:
Evol (stylized as EVOL) is the fourth studio album by American rapper Future. It was released on February 6, 2016, by A1 Recordings, Freebandz and Epic Records. It premiered on DJ Khaled's We The Best Radio debut on Beats 1. EVOL was released seven months after the release of Future's third album DS2 (2015), five months after the release of his collaborative mixtape with Drake, What a Time to Be Alive (2015), and almost three weeks after the release of his mixtape Purple Reign (2016). It debuted at number one on the Billboard 200 with 100,000 copies sold.
On December 25, 2015, The Weeknd released a collaborative song with Future, titled "Low Life" on SoundCloud. It was produced by Metro Boomin and Ben Billions, while it co-produced by The Weeknd. The song was later revealed to be included on EVOL, as the penultimate track.
On February 1, 2016, DJ Khaled announced that he would be premiering Future's fourth album on the debut show of We The Best Radio on Apple Music. Future then announced the album title, release date and artwork, as well as individually tweeting the tracklist.
EVOL is the third studio album by American alternative rock band Sonic Youth. It was released in May 1986 by SST Records, the band's first release on the label. The noise rock album is notable for being the first with new drummer Steve Shelley, replacing Bob Bert, and for showing signs of the band's transition from their no wave past toward a greater pop sensibility.
Despite not being successful at the time, the album received great retrospective praise; Pitchfork said that EVOL "[was] where the seeds of greatness were sown", and placed the album 31st on their Top 100 Albums of the 1980s list, alongside Sonic Youth's next two albums, Sister and Daydream Nation, which ranked 14th and first, respectively.
In June 1985, during the Bad Moon Rising tour, previous drummer Bert left the band and was replaced by Shelley. The new lineup quickly began working on new material for their third album. The band signed to SST, as by 1986, label founder Greg Ginn was anxious for the label to move away from its American hardcore roots. Sonic Youth took a break from the tour and finished the writing for EVOL. In March 1986, the band recorded the album at BC Studio with New York recording icon Martin Bisi.EVOL marked the second time that the band had worked with New York singer and performance artist Lydia Lunch. Lunch had shared vocal duties on Bad Moon Rising's "Death Valley '69", and on this record, she co-wrote the song "Marilyn Moore".