Blow may refer to:
Blow is a controversial energy drink notable for its use of drug culture in its marketing, such as the name of the drink itself, which is a slang term for cocaine. Rather than being sold in liquid form, it was distributed as vials of white powder similar in appearance to cocaine, which were to be mixed with water or any other beverage, and can be bought in large Styrofoam containers made to resemble cocaine bricks. Additional packages on the drink's website were referred to by names such as "The Recreational User Pack" or "The Fiender's Hook-Up" for various quantities. Cases on the website also included free stickers, tattoos, or shirts sporting the brand's logo. The powder has also been distributed along with a mirror and imitation credit card to simulate the "cutting" of cocaine.
Blow's producers have come under fire from parents and other concerned parties, who allege that its marketing targets adolescents and glorifies illegal drug abuse, citing the use of rock music and women in seductive poses on the drink's website, as well as the inclusion of a Myspace link.
"Blow" is a song by American recording artist Beyoncé for her fifth studio album Beyoncé (2013). It was written by Beyoncé, Pharrell Williams, James Fauntleroy, Timbaland, J-Roc and Justin Timberlake, and produced by the former two. It was set to be released as one of the lead singles following the release of the album along with "Drunk in Love", however, its release was scrapped in favor of "XO".
"Blow" is a disco-influenced R&B and funk song which has several other musical influences and elements featured in it. It received comparison to songs from the 1970s and 1980s mostly by Prince and Janet Jackson. Lyrically it talks explicitly about oral sex and cunnilingus through heavy innuendo in line with Beyoncé's sexual tone. Following its release, it received positive reviews by music critics who hailed it as one of the most explicit and best songs on the album. Its variety of musical genres and production were also praised as well as Beyoncé's vocal performance. Due to several promotional remixes of the song, "Blow" managed to peak at number one on the US Billboard Hot Dance Club Songs chart without an official release as a single.
In religious terms, divinity or godhead is the state of things that come from a supernatural power or deity, such as a god, supreme being, Creator-God or spirits, and are therefore regarded as sacred and holy. Such things are regarded as "divine" due to their transcendental origins, and/or because their attributes or qualities are superior or supreme relative to things of the Earth. Divine things are regarded as eternal and based in truth, while material things are regarded as ephemeral and based in illusion. Such things that may qualify as "divine" are apparitions, visions, prophecies, miracles, and in some views also the soul, or more general things like resurrection, immortality, grace, and salvation. Otherwise what is or is not divine may be loosely defined, as it is used by different belief systems.
The root of the word "divine" is literally "godly" (from the Latin deus, cf. Dyaus, closely related to Greek zeus, div in Persian and deva in Sanskrit), but the use varies significantly depending on which deity is being discussed. This article outlines the major distinctions in the conventional use of the terms.
Harris Glenn Milstead, better known by his stage name Divine (October 19, 1945 – March 7, 1988), was an American actor, singer and drag queen. Closely associated with the independent filmmaker John Waters, Divine was a character actor, usually performing female roles in cinematic and theatrical appearances, and adopted a female drag persona for his music career.
Born in Baltimore, Maryland to a conservative middle-class family, Milstead developed an early interest in drag while working as a women's hairdresser. By the mid-1960s he had embraced the city's countercultural scene and befriended Waters, who gave him the name "Divine" and the tagline of "the most beautiful woman in the world, almost." Along with his friend David Lochary, Divine joined Waters' acting troupe, the Dreamlanders, and adopted female roles for their experimental short films Roman Candles (1966), Eat Your Makeup (1968), and The Diane Linkletter Story (1969). Again in drag, he took a lead role in both of Waters' early full-length movies, Mondo Trasho (1969) and Multiple Maniacs (1970), the latter of which began to attract press attention for the group. Divine next starred in Waters' Pink Flamingos (1972), which proved a hit on the U.S. midnight movie circuit, became a cult classic, and established Divine's fame within the American counterculture.
A Divine Double Feature is a collection of two video segments, both starring Divine.
This 110 minute video is split into two segments. The first, directed by John Waters, is a 16mm black and white short film titled The Diane Linkletter Story which stars Divine as a troubled young teen who is driven to suicide by her horrible parents. It was loosely based on the true suicide of Diane Linkletter. The Neon Woman, the second short, is a live recording of the off-Broadway play by the same title, with Divine in the starring role as a strip club owner who faces many difficult problems. This video is somewhat rare and is intended more for John Waters and Divine enthusiasts than casual fans.
Sludge is a 2005 documentary film by Appalshop filmmaker Robert Salyer chronicling the Martin County Sludge Spill that was an accident that occurred after midnight on October 11, 2000 when a coal sludge impoundment in Martin County, Kentucky, broke through an underground mine below, propelling 306 million gallons of sludge down two tributaries of the Tug Fork River. The movie documents the continuing story of the Martin County disaster, the resulting federal investigation, and the looming threat of coal sludge ponds throughout the coalfield region.
In the United States today, coal is the largest single source of fuel for energy production. Annually, the country mines over a billion tons of coal. Coal waste is a consequence of this consumption; the Mine Safety and Health Administration has estimated that there are over 235 sludge ponds throughout the region with the potential to break into an underground mine, as the Martin County pond did in 2000.
In the wake of the December 2008 release of coal ash at a Tennessee Valley Authority power plant, Appalshop provided a web stream of Sludge for the public for a limited time.